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[capiture]

[hildegardavon]

Wooded landscape with Apollo and Daphne by Gaspard Poussin Dughet, 1615-1675

The Schorr Collection

The subject from Ovid’s Metamorphoses, which  involved Daphne’s transformation into a tree as a result of her being pursued by Apollo, was much favoured by landscapists. In this instance, it is likely that the figures were added by another hand as they are so conspicuous. When Dughet added his own figures to his pictures they were usually much more discreet. In this instance, the figures are traditionally attributed to Filippo Lauri (1623-1694). (SC)

[victormalonso]

RECÁMARAS DEL CORAZÓN | ph. víctor m. alonso

" ...mágico contrapunto de la niebla, el océano, espuma marítima, la sal; centella que deslumbra en el silencio sideral de mis noches; éxtasis, sueño extático de la soledad:..."

[365filmsbyauroranocte]

Sympathy For Mr. Vengeance (Park Chan-wook, 2002)

[classicalcanvas]

Consulting the Oracle (1884) by John William Waterhouse

[spirit-of-art]

Ilya Zankovsky, A Moonlit Night

[irenelichtensteinblog]

Lee Miller, Mesens, Ernst, Carrington, Eluard Cornouailles 1937

[allthingseurope]

Naples, Italy (by Pier Luigi Valente)

[artthatgivesmefeelings]

Margaritis Georgios (Greek, 1814–1884) Sappho Praying to Aphrodite, before 1843 National Gallery – Alexandros Soutsos Museum, Athens

[artthatgivesmefeelings]

Lionel Royer (French, 1852–1926) Le Goût, 1907 Mairie du 10e arrondissement

[psychotic-cherry]

[dailyclassicart]

Edgar Degas - "In a Café" (1873)

[chivalry-on-canvas]

Ophelia by Friedrich Wilhelm Theodor Heyser

Ophelia by John Everett Millais

Ophelia by Alexandre Cabanel

[hildegardavon]

Andrée Gastaldi, 1826-1889

Sappho, 1872

Fondazione Guido Ed Ettore Fornaris, Torino

[overclassy]

[inneroptics]

Karezoid Michal Karc

[365filmsbyauroranocte]

Identificazione di una donna (Michelangelo Antonioni, 1982)