I think it’s pretty obvious I don’t want you to leave. I don’t find it obvious what you want.

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JVL
Jules of Nature
todays bird
Sweet Seals For You, Always
sheepfilms
we're not kids anymore.
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Love Begins
Not today Justin
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祝日 / Permanent Vacation
occasionally subtle

⁂

@theartofmadeline
will byers stan first human second

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Aqua Utopia|海の底で記憶を紡ぐ

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@l4zyb0nes
I think it’s pretty obvious I don’t want you to leave. I don’t find it obvious what you want.
The House That Dripped Blood (1971), dir. Peter Duffell.
SONG KANG-HO | DAZED KOREA Magazine ( JANUARY 2021)
“He that eateth my flesh and drinketh my blood dwelleth in me and I in them.” Ganja & Hess (1973) dir. Bill Gunn
The Evil Dead (1981)
To Grow Old In.
The Cabinet Of Dr. Caligari Directed by Robert Wiene (1920)
Al Pacino by Steve Wood, 1974
STUDIO GHIBLI + FLOWERS
Ponyo (2008) Pom Poko (1994) Castle in the Sky (1986) Spirited Away (2001) The Secret World of Arrietty (2010) Howl’s Moving Castle (2004) When Marnie Was There (2014) The Tale of the Princess Kaguya (2013) Kiki’s Delivery Service (1989)
[ part 1 ] [ part 2 ]
It’s been Agatha all along...
Leslie Feinberg on trans exclusion in feminist spaces.
“We’re in danger of losing what the entire second wave of feminism, what the entire second wave of women’s liberation was built on, and that was ‘Biology is not destiny’. ‘One is not born a woman,’ Simone de Beauvoir said, ‘one becomes one’. Now there’s some place where transsexual women and other women intersect. Biological determinism has been used for centuries as a weapon against women, in order to justify a second-class and oppressed status. How on Earth, then, are you going to pick up the weapon of biological determinism and use it to liberate yourself? It’s a reactionary tool.”
From TransSisters: The Journal of Transsexual Feminism, issue 7, volume 1. 1995.
In The Mood For Love (2000) dir. Wong Kar Wai
my life is slowly falling apart and I can’t do anything to stop it