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todays bird
will byers stan first human second
2025 on Tumblr: Trends That Defined the Year
titsay
art blog(derogatory)
RMH
tumblr dot com
he wasn't even looking at me and he found me
wallacepolsom
Cosimo Galluzzi
i don't do bad sauce passes
Claire Keane
YOU ARE THE REASON
Alisa U Zemlji Chuda
Game of Thrones Daily
NASA
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dirt enthusiast
shark vs the universe
seen from Malaysia
seen from Malaysia
seen from T1
seen from Spain
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@ladygrinninghole
THIS IS THE HARDEST DAY I LIVED IN GAZA
The dead and injured are everywhere, families screaming, and the sound of bombing still has not stopped.
Living inside a hospital while hearing explosions all day is my reality since I got injured.
To every kind heart, please donate even a small amount to help evacuate me for treatment. Please don’t leave me alone.
Chuffed - PayPal - Verified
please please share and donate to help my friend aboud!!
Season 1 Kira..... I'm so sorry girl... You deserve the world...
I recently found out she was only 26 during season 1 and I'm only 26 right now and... yeah...
(Song: "Mandy, Do You Know Any Other Songs" by 2 Mellow)
じゃまとは
What's the bothering?
Salvo - Strada con lampioni, 2001
“the possibility of rejection is essential to forming deep relationships with people” - chanté joseph for british vogue
Men in the Cities, Robert Longo
For Men in the Cities, Robert Longo set up his camera on the rooftop of his apartment and threw a variety of objects at his friends, capturing their aggressive reactions in these remarkable photographs, created between 1977 and 1983. The jerks and spasms of Longo's subjects, sharply dressed in business attire, have an elegance and grace that is entirely unexpected; protective reactions and exaggerated gestures have been turned into effortless and authentic choreography, a ballet of falls and stumbles, leaps and trips. The movements are fresh and vital, full of energy and life, even while they portray a sense of agony. They document an essence of human motion, boiled down to pure expression. This work later became the inspiration for his iconic Men in the Cities series of large-scale, monochrome charcoal and graphite drawings.
Vsevolod Tarasevich, Factory series, 1965-70
I’m practicing rendering light and shadow.
