never stop believing in you

never!!!

[failingstraightastudent]

Me, getting attached to anakin and ahsoka’s relationship knowing exactly what’s going to happen but hoping for a good ending anyways:

[ladyorgana]

“One of the hardest things you will ever have to do, my dear, is to grieve the loss of a person who is still alive.” - Jeannette Walls

[mlmanakin]

ahsoka, obi-wan, and padmé + believing in anakin until the end

[childweanedonpoison]

We had seen our fathers beat our mothers from childhood. We had grown up thinking that a stranger must not even touch us, but that our father, our boyfriend, and our husband could hit us when they liked, out of love, to educate us, to reeducate us.

Story of a new name, Elena Ferrante.

[teenagepear]

Lady Bird (2017) / My Brilliant Friend (2018)

[ladysuperkiller]

same type of fuckboy

[heathcliffitsmecathy]

I can’t believe that “My brilliant friend” doesn’t have so much attention on tumblr just because is italian and has subtitle. I am Brazilian, a portuguese speaker who watch with english subtitle so this isn’t an excuse. Go watch this show, people!

[bentenharuki]

L’Amica Geniale (My Brilliant Friend) is one of the ultra rare cases where a fantastic book gets a really well done, really well transported, really faithful and similarly amazing cinematographic counterpart. I loved very much the first series, but two episodes into the second one I can already state this time is even better. Hat off to everyone involved. I got shivers for three hours yesterday. Majestic.

[iamwaj]

My Brilliant Friend season 2

[beautyandtheuniverse]

I feel no nostalgia for our childhood: it was full of violence. Every sort of thing happened, at home and outside, every day, but I don’t recall having ever thought that the life we had there was particularly bad. Life was like that, that’s all, we grew up with the duty to make it difficult for others before they made it difficult for us.

Elena Ferrante, My Brilliant Friend (via beautyandtheuniverse)

[sarita-daniele]

There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable. The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.

Elena Ferrante, My Brilliant Friend (via sarita-daniele)

[fictionxlover-deactivated202602]

this hits on different levels 😞

[callimachean]

ok but that scene from my brilliant friend (1x01) where lenù imagines hoards of tiny black insects running out of the rione’s sewers when night comes and crawling into their sleeping mothers’ mouths filling them with incurable fury (‘while men eventually seemed to cool down, the women were always burning with perpetual anger’ or something) is one of the most breathtaking visual descriptions of female rage in an oppressive society i’ve seen in media

[merulae]

She was like that, she threw things off balance just to see if she could put them back in some other way.

Elena Ferrante, My Brilliant Friend (via merulae)

[heidisaman]

For most people – sometimes for women, too– great literature is generally felt to be literature made by men. Apart from a few fine souls, men don’t read books by women, as if such reading would weaken their virile power. But it’s a subject that concerns women’s creations in every field. Educated, broad-minded men treat female thought with polite irony, as a by-product, good only as a pastime for women.

Elena Ferrante, Frantumaglia (via heidisaman)

[tananais]

[pristinanomine]

L’amica geniale: Storia del nuovo cognome (2020) sigla

[enzoscanno]

Francesco Serpico who plays Nino posted this on instagram with the caption “#fuckninosarratore”