Sweet Seals For You, Always
Peter Solarz

blake kathryn
trying on a metaphor
tumblr dot com
d e v o n

祝日 / Permanent Vacation
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we're not kids anymore.

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taylor price
almost home
will byers stan first human second

Origami Around
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if i look back, i am lost
Sade Olutola
wallacepolsom

❣ Chile in a Photography ❣

seen from Italy

seen from Malaysia
seen from T1
seen from United States

seen from India
seen from Hong Kong SAR China

seen from United States
seen from Canada
seen from United States
seen from T1
seen from Brazil

seen from Germany

seen from Malaysia

seen from Isle of Man
seen from United States

seen from Malaysia

seen from Malaysia
seen from Australia
seen from Malaysia

seen from United States
@lavidalex
on a spiritual level I am wildly and irresponsibly brandishing a knife as I gesture
every day i wake up and drink my silly little coffee while God eats my heart like a pomegranate in front of me
𝙰𝚗𝚊𝚒̈𝚜 𝙽𝚒𝚗, 𝙰𝚞𝚐𝚞𝚜𝚝 𝟼, 𝟷𝟿𝟹𝟸 𝙰 𝙻𝚒𝚝𝚎𝚛𝚊𝚝𝚎 𝙿𝚊𝚜𝚜𝚒𝚘𝚗: 𝙻𝚎𝚝𝚝𝚎𝚛𝚜 𝚘𝚏 𝙰𝚗𝚊𝚒̈𝚜 𝙽𝚒𝚗 & 𝙷𝚎𝚗𝚛𝚢 𝙼𝚒𝚕𝚕𝚎𝚛: 𝟷𝟿𝟹𝟸–𝟷𝟿𝟻𝟹
I see myself forever and ever as the ridiculous person, the lonely soul, the wanderer, the restless frustrated artist, the person in love with love, always in search of the absolute, always seeking the unattainable.
— Henry Miller
Henry Miller on the Mystery of the Universe and the Meaning of Life
“Give me a few days of peace in your arms—I need it terribly. I’m ragged, worn, exhausted. After that I can face the world.”
— Henry Miller, from a letter to Anaïs Nin, featured in A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953
I call this one “Danny DeVito”
“It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I’ve admired their entire body of work. I have admired what they began with and what they’re doing now. And now I feel like there’s such a weird pressure to find the new face. I don’t get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.”
DAKOTA JOHNSON — October 4th, 1989
Glamour shot 🌞
No editing necessary for this kind of light 🖤
Sunday morning
From Something That May Shock And Discredit You, Daniel Lavery