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2025 on Tumblr: Trends That Defined the Year
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@layne-st-julien
Persian Nightingales, 1917, Paul Klee
~ Mosaic mask of Quetzalcoatl.
Date: 1400-1521
Place of origin: Mexico
Period/culture: Aztec, Mixtec
Medium: Cedrela wood, turquoise, conch shell, gold, beeswax, pine resin.
Title: Rum Row
Artist: Frederick Judd Waugh
Date: 1922
Genre: Flower Painting
So beautiful; thank you for introducing me to an artist I wasn't aware of before this.
Oda Iselin Sønderland (b.1996)
Right wing shitbirds always have their finger on the pulse of what’s wrong absolutely nowhere.
[The Daily Don]
* * * * *
Most of the pop US political lexicon, and all of it coined by America's MAGA Republicans, consists of bogus words, but "woke" takes the cake for utter political nonsense and the audience's willingness to tolerate it. Simon Kuper: Every era generates its own nonsensical political language. The number one meaningless word right now is “woke”, which is used to signify “any acknowledgment of racism or sexism”, “expressing an opinion while black or female”, or just “a new thing that I don’t like”. I’ve tried to identify some of today’s other bogus political words and phrases:
• “Freedom”: typically used by US libertarians to signify “my freedom, not yours”. When they invoke “freedom”, they usually mean, “I should be free to do what I like, whether it’s buying a gun, driving my car through your city or not wearing a mask.” They don’t acknowledge the trade-offs; their freedoms restrict other people’s freedom to go outside safely or not catch Covid-19. The case study of “my freedom, not yours” is self-proclaimed “free-speech absolutist” Elon Musk letting authoritarian regimes censor content on Twitter.
• “Conservative”, “populist”: both terms are routinely applied to Trump-style movements. However, these movements are anything but “conservative” in that they aim to destroy traditional institutions. “Populism” did once have an agreed academic meaning — Cas Mudde defined it as the idea that politics was a clash between the “pure people” and the “corrupt elite” — but this clarity has been lost in popular debate. The best word to describe Trumpian movements is usually “nativist” or “far-right”.
• “Witch-hunt”: a phrase that has become the first refuge of any political scoundrel in legal trouble. Anyone tempted to believe it without asking for corroborating evidence should reflect that it has been used by speakers with the credibility of George Santos, the Republican congressman charged with fraud, and Donald Trump before him.
• “The media” (or “mainstream media”): a meaningless phrase because there are countless very different media, which don’t act in concert.
• “Not a panacea”: a phrase often used to criticise a particular policy, but meaningless because no intervention in society is a panacea.
• “Gets it”: a social media phrase that is used to mean “agrees with me”.
• “Not perfect”: often used to defend a political regime, as in, “My country’s government is not perfect, but . . . ” In truth, since no human creation is perfect, the phrase is intended only to deflect valid criticism.
• “Fake news”: in 2016, this meant factories of low-paid trolls producing false content that masqueraded as news on Facebook. Trump — today’s leading producer of bogus political language — repurposed the phrase to mean any news story inconvenient to the speaker.
• “We will meet this target by 2030, 2050, etc”: this means, “It’s up to future leaders to decide whether they will make any sacrifices to meet this target.”
• “Sustainable luxury”, “sustainable flying”, etc: usually means something like, “We have cut the carbon emissions of our packaging by 7 per cent, so buy more of our stuff.”
• “Critical race theory”, “gender theory”, “Marxism”: terms mostly used by nativists who have read precisely zero works from any of these fields.
• “Cancelled”: some people have genuinely been deprived of public platforms or even sacked for saying things that were perceived (often wrongly) to be bigoted. Usually, though, people who claim to have been “cancelled” mean “criticised”, “convicted of sexual assault”, “replaced by somebody who isn’t an overt bigot” or simply “ignored”. I’ll always remember the obscure French writer who told me that Le Monde was “boycotting” his books.
• “Community”: often used to mean “ethnic group”, as in the “Jewish community”, “Hispanic community”, “black community”, etc. The pretence is that all “Hispanics”, for instance, are united. You can then go and see their “community leaders” — often self-appointed elderly men — who will tell you what the “community” wants. The word is typically used by white people who would never consider themselves members of the “white community”. They think they are individuals, with their own views.
“Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind,” wrote George Orwell in his 1946 essay “Politics and the English Language” (the complete guide on how to write in just 13 pages). He lists other “worn-out and useless” words and phrases that were disappearing in his day: jackboot, Achilles heel, hotbed, melting pot, acid test, veritable inferno. The same fate later befell words overused in the aftermath of the 9/11 attacks: “heroes” (a euphemism for victims) and “greatest country on earth” (meaning largest military and GDP). People were also eventually shamed out of saying “international community” or “resigning to spend time with my family”. As Orwell said, you can only think clearly once you ditch meaningless words.
[Financial Times]
Yuzen-painted Haori early 20th c A woman’s silk jacket featuring yuzen-painted motifs and inserted gold and silver thread inserts highlights.
Woman’s light jacket 1920-1940 A gritty-textured woven omeshi silk/rayon blend haori featuring “yukiwa” (snow crystal) motifs. A fine shibori “doura” (inner upper lining).
nanan @nanan77888
Stenciled Woman’s Haori 1950-1970 A rinzu (damask) silk haori featuring abstract stenciled motifs.
Woman’s meisen haori 1920-1940 A meisen silk woman’s light jacket featuring bold flower motifs.
Ohara Koson, Crows in moonlight, 1927
A Pair of Lovers (Eglogue en Provence), Executed in Arles, March 1888. Oil on canvas.
Nopal
Prickly Pear
This one wears a bonnet of fruit
The Sunflower door in Prague, built in 1900, CZECH REPUBLIC
For many years, until Ichiku Kubota revealed the secrets of creating a kimono (and this happened when the artist was 63 years old), the family lived on the money earned from the sale of his wife’s jewelry.
When the young 20-year-old artist Ichiku Kubota crossed the threshold of the Tokyo National Museum in 1937, he did not suspect that he was waiting for impressions that would change his whole life. In the halls of the museum, Ichiku first met Tsujigahana (literally, “Flowers at the Crossroads”) - Japanese 16th-century kimono manufacturing techniques that lasted only a hundred years. Kubota was so fascinated by what he saw that he decided to devote his life to the revival of ancient art. In the process of improving Tsudzigahan’s technique, Ichiku Kubota gradually transformed it into his own method, which he later called Ichiku Tsujigahana. Some kimonos created by the master were intended to be worn by connoisseurs and connoisseurs of his art, while others were used in stage productions of the No and Kabuki theater. The remaining works of Ichiku Kubota left in his collection, as they represented the key stages in the evolution of his art.
[text and images from article by Olgado of Russia]
(Chōken with Bamboo Pattern), Unknown Japanese, 19th century, Minneapolis Institute of Art: Japanese and Korean Art
design of embroidered undulating stripes and large bamboo leaf motifs on a dark blue ground Chōken, literally “long silk,” is a type of unlined jacket made of semi-transparent, gauze silk fabric into which designs are woven or embroidered with gold-leafed and colored threads. The side seams are not sewn together, which allows it to swing and flutter as the actor dances. While chōken are used mainly for female roles, actors portraying noblemen can also wear them. Size: 122.5 x 205. cm Medium: Silk gauze-weave ground with embroidery
https://collections.artsmia.org/art/63689/