Satluj: a wound too deep
The bricks across homes are held together by a mixture of terror, blood, grit, and hopelessness. There’s nary a bright beam here. Cinematographer K.U. Mohanan’s filter is a tint of green, one that crawls, wounded, towards a formation of ugly, rotting wounds, not a salve. And that’s how director Honey Trehan (of the terrific Raat Akeli Hai series) chooses to narrate the true story of Jaswant Singh…












