Bernhard Schlink, The Reader (translated by Carol Brown Janeway)
occasionally subtle
macklin celebrini has autism
sheepfilms

Product Placement

blake kathryn

Game Changer & Make Some Noise

Discoholic šŖ©

Jimmy Eat World
The Bowery Presents

Jar Jar Binks Fan Club

ellievsbear
EXPECTATIONS

@theartofmadeline
Phantogram Three

if i look back, i am lost
Interview Vampire Daily
šŖ¼
untitled
Lint Roller? I Barely Know Her
One Nice Bug Per Day
seen from United States
seen from Italy

seen from United States
seen from Australia
seen from Italy
seen from Australia

seen from United States
seen from Venezuela
seen from Bahrain
seen from Australia
seen from United States
seen from Austria

seen from United States

seen from Türkiye
seen from Venezuela

seen from T1
seen from Guatemala

seen from United States

seen from Thailand
seen from United States
@littleplantheart
Bernhard Schlink, The Reader (translated by Carol Brown Janeway)
When Death Comes
by Mary Oliver
When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox; when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When itās over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When itās over, I donāt want to wonder if I have made of my life something particular, and real. I donāt want to find myself sighing and frightened, or full of argument. I donāt want to end up simply having visited this world.
Natalie Diaz, "American Arithmetic." Postcolonial Love Poem
Are you mad at me .com
I am thinking now of grief, and of getting past it; I feel my boots trying to leave the ground, I feel my heart pumping hard. I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable beautiful and afraid of nothing, as though I had wings.
ā Mary Oliver, fromĀ āStarlings in Winterā
I AM GOING TO LEARN//THE SECRETS OF THE UNIVERSE//AND THEN I WILL BECOME ONEā Big Jinx, 2020
follow me on instagram
The Joy of Life, 1906, Henri Matisse
Medium: oil,canvas
Branch of Flowers, Henri Matisse, 1906
āInterior with an Etruscan Vaseā (1940), Henri Matisse
After first studying law, Henri Matisse discovered his passion for art. As a young man, he was confined to his bed for nearly a year with an illness. He began drawing from his bed as a pastime!
Peanut Butter
by Eileen Myles
I am always hungry & wanting to have sex. This is a fact. If you get right down to it the new unprocessed peanut butter is no damn good & you should buy it in a jar as always in the largest supermarket you know. And I am an enemy of change, as you know. All the things I embrace as new are in fact old things, re-released: swimming, the sensation of being dirty in body and mind summer as a time to do nothing and make no money. Prayer as a last re- sort. Pleasure as a means, and then a means again with no ends in sight. I am absolutely in opposition to all kinds of goals. I have no desire to know Ā Ā Ā Ā Ā where this, anything is getting me. When the water boils I get a cup of tea. Accidentally I read all the works of Proust. It was summer I was there so was he. I write because I would like to be used for years after my death. Not only my body will be compost but the thoughts I left during my life. During my life I was a woman with hazel eyes. Out the window is a crooked silo. Parts of your body I think of as stripes which I have learned to love along. We swim naked in ponds & I write be- hind your back. My thoughts about you are not exactly forbidden, but exalted because they are useless, not intended to get you because I have you & you love me. Itās more like a playground where I play with my reflection of you until you come back and into the real you I get to sink my teeth. With you I know how to relax. & so I work behind your back. Which is lovely. Nature is out of control you tell me & thatās whatās so good about it. Iām immoderately in love with you, knocked out by all your new white hair Ā why shouldnāt something I have always known be the very best there is. I love you from my childhood, starting back there when one day was just like the rest, random growth and breezes, constant love, a sand- wich in the middle of day, a tiny step in the vastly conventional path of the Sun. I squint. I wink. I take the ride.
Eileen Myles, "Peanut Butter" from I Must Be Living Twice: New and Selected Poems 1975 - 2014
Eileen Myles, "Whax ān Wayne." I Must Be Living Twice: New and Selected Poems 1975 - 2014
EILEEN MYLES
āBasic Augustā, Not Me (1991);
original photos and edit
Arik Ventura. Untitled, N.D.
oil on canvas
iām such a slut for reassurance my heart literally nuts when you tell me you want me