how much scarier would a frog be if it ran instead of hopped .. u just hear plat plat plat plat coming towards u and u look down and it’s a frog going at full speed
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how much scarier would a frog be if it ran instead of hopped .. u just hear plat plat plat plat coming towards u and u look down and it’s a frog going at full speed
Pathworking and Astral Travel
In spirit work, we often connect with the spirits that have crossed over and are present in the physical world. However, there are also ways to cross over into the spirit world and connect with spirits in their home environment.
Pathworking
As I mentioned in a previous post, a pathworking is a specific type of meditation where you go on a psychic journey, but are still anchored to your physical body. It’s sort of like dipping your toes into the spirit world.
There are two important elements to a pathworking: a clear entrance/exit point and a way to retrace your steps. Pathworking journeys are typically cyclical — there is both a journey out and a return where you go back the way you came. This makes it easier to fully return your consciousness to your body, and failing to do so can cause you to feel disoriented upon the return.
Your entry/exit point can be absolutely anything, but common examples include a door, a gateway, a tree (or sometimes The World Tree), a cave/tunnel, or a natural landmark like a beach or mountaintop. What’s important is that it’s recognizable and easy to find your way back to.
If you want to try pathworking, make a rough “road map” of your journey beforehand. This doesn’t have to be super specific, but it should contain the following: a goal for the pathworking (such as to connect with a certain spirit), an entry/exit point, and a general idea for the route you’re going to take. If you’re worried about getting lost, author Thea Sabin recommends using “the Theseus trick.” Like in the myth of Theseus and the Minotaur, you can tie a golden thread or rope to your entry point and the other end to your astral body. If you get lost, you can follow the thread back.
Pathworking is fairly beginner friendly, and I highly, highly, highly recommend starting with pathworking and becoming comfortable with this method before trying astral travel. Even for more advanced witches, pathworking is often a better option than astral travel because it’s less involved and requires a little bit less effort. I personally prefer pathworking for most situations.
Performing a Pathworking
Before you begin, establish a clear goal for your pathworking and write out a rough “road map.” At the very least, you should know what your purpose is, where your entry point is, and how to find your way back.
Begin in a dark, quiet room. Cleanse the room by burning incense, diffusing or spraying essential oils, or using a ritual broom to sweep out old energy.
Find a comfortable place to sit or lie down and begin meditating. You may want to play meditation music, practice breathing techniques, or use some other method to help you reach a meditative state.
Once you reach a meditative state (you should know what this feels like if you have experience with meditation), see yourself standing at your entry point. This is your entrance to the astral realm.
Set out on your pathworking.
When you are ready to leave the astral realm, you will need to find your way back to your entry point. Once you reach your entry point, it should be fairly easy to return to your body.
Once you’re fully present in your physical body, use your favorite method to ground yourself.
Write down everything you experienced during your pathworking in a journal.
Astral Travel
If pathworking is dipping your toes into the spirit world, astral travel is diving in the deep end. Also called spirit flight and hedge riding, astral travel includes actually sending your soul/consciousness out of your body and into the spirit world. As you might guess, this is more complicated and requires more effort than pathworking. For this reason, astral travel is not beginner-friendly. If you are completely new to meditation, witchcraft, and spirit work, it’s best to learn to pathwork before you attempt astral travel.
A word of warning: you may want to avoid astral travel at times when you’re in a very vulnerable or volatile emotional state. Some days you just aren’t up for it, and that’s okay. On those days, a pathworking or another form of spirit work may be a better option.
Triggering Spirit Flight
In astral travel, a trigger of some kind is used to help disconnect the soul from the physical body. Common triggers include drumming, special music, shaking a rattle, chanting, and dancing.
You can find shamanic drumming tracks on YouTube that can help you achieve astral travel. If you find that repetitive motion helps you trance out, you may look into getting a small drum or rattle to play.
Animal Guides
In many cultures, those who travel into the spirit world do so with the guidance and protection of an animal spirit. From the Norse fylgja, to the shamanic power animal, to the witch’s familiar, history is full of examples of these types of guides.
Before you begin astral travel, do a pathworking to meet your animal guide. It’s important to note that you aren’t choosing an animal guide — only meeting one that has always been with you. Your guide may be an animal that you like or identify with, or it may not. When I first began experimenting with astral travel, my guide was a coyote — an animal I had never identified with before, but who I learned was deeply connected to my inner self.
It’s important to always have your animal guide with you when going on astral journeys, as they are an important source of protection and power. They may also literally guide you to the things you need to see and the spirits you need to meet.
Flying Ointments
Historical accounts describe witches using “flying ointment” to help them achieve spirit flight. These traditional flying ointments contained toxic and/or hallucinogenic plants like belladonna, datura, henbane, mandrake, and opium poppies. For obvious reasons, most modern witches do not use these herbs.
Please do not try to create your own flying ointment with poisonous plants. If you’re a true traditionalist and feel like you just have to try a historically accurate flying ointment, Bane Folk Apothecary sells several. Bane Folk is run by Sarah Anne Lawless, a kickass witch who knows her stuff and produces safe, medicinal products inspired by traditional flying ointment formulas. I am usually very pro-DIY, especially when it comes to witchcraft, but this is one case where it really is best to defer to a professional.
To create a modern, non-toxic flying ointment: heat eight ounces (or one cup) of poppy seed oil over low heat on the stove. Once the oil is warm, add 2 ounces (or ¼ cup) of beeswax into the oil. (Use carnauba wax for a vegan alternative.) Take the mixture off the heat, and allow it to cool off a bit. Once it has cooled (but before it’s begun to solidify), add nine drops each of mugwort essential oil, star anise essential oil, and peppermint essential oil. Pour the mixture into a mason jar and seal tightly. To extend your ointment’s shelf life, add a few drops of Vitamin E oil and store in the refrigerator. If you don’t have access to essential oils or prefer a more traditional method, you can buy dry herbs and infuse them into your oil instead — to do this, crush up 2.5 ounces (or 1/3 cup) each of dried mugwort, star anise, and peppermint and add them to a mason jar; add enough oil to the jar to cover the herbs completely, with about an inch of oil above them; seal the jar and place it in a sunny window for 2-3 weeks to infuse; and finally, strain the herbs out of the oil with a mesh sieve or a cheesecloth. You can then add your Vitamin E oil and beeswax to create an ointment.
This modern recipe does not contain hallucinogens, but it does contain plants that are commonly used in magic to increase psychic abilities and aid in astral travel. You can say an incantation over this ointment while making it to add some extra magical potency. Applying the flying ointment can also become a sort of ritual that prepares you for spirit flight by helping you slip into a more spiritual head space.
Performing Astral Travel/Spirit Flight
Before you begin, know why you are journeying to the spirit world. You should always have a clear goal for your astral journeys.
Begin in a dark, quiet room. Cleanse the room by burning incense (mugwort incense aids in astral travel), diffusing or spraying essential oils, or using a ritual broom to sweep out old energy.
Use your favorite method to ground yourself.
If you are choosing to use a flying ointment, rub it on your skin now.
Hold a protective item in one of your hands. I like physical items for protection during spirit flight, because they can ground you and help you find your way back to your body. Examples of protective items include a sprig of rue, a piece of iron, or a protective crystal like black tourmaline. If you ever feel scared or uncomfortable during your journey, you can bring this object into the astral realm to protect you. It will also keep your body safe while your consciousness is occupied.
Start up your trigger, whether this is drumming, rattling, dancing, etc.
Allow yourself to drift into a trance state, and then to disconnect from your body.
Call your animal guide to you.
Set out on your journey in the spirit world.
When you are ready, feel yourself returning to your physical body. Allow yourself to come back slowly — don’t rush it.
Ground yourself. One good way to ground after astral travel is by eating a snack.
Write down your experiences in a journal.
Resources:
Wicca for Beginners by Thea Sabin
Southern Cunning: Folkloric Witchcraft in the American South by Aaron Oberon
Hedge Riding by Harmonia Saille
“How to Make Herb-Infused Oils for Culinary & Body Care Use” and “How to Make Herbal Salves” from the Mountain Rose Herbs blog
Banishing Nasty Spirits
If you’ve been following this series of posts, you know why a witch might work with spirits, how to establish a relationship with a spirit, and how to communicate with spirits. What we haven’t yet discussed is how to get rid of spirits that are bothersome, annoying, or malevolent.
I was planning to talk about pathworking and astral travel before getting into banishing, but in light of some asks I recently received on Tumblr, I think it’s important that we take a moment to discuss how to get rid of spirits that, for whatever reason, you don’t want around.
There are lots of reasons you might not want a spirit in your space. Just like with people, some spirits just aren’t a good fit for you and your practice. Part of being a spirit worker is cultivating a “spirit team” of beings that you can have healthy and beneficial relationships with.
Some spirits are mischievous and like to cause trouble. If you find yourself on the receiving end of lots of spirit pranks, you may want to gently encourage them to move along. And there are some spirits out there who just genuinely hate humans and will go out of their way to cause mental, emotional, and even physical harm.
Don’t get me wrong — malevolent spirits aren’t common. In my experience, the vast majority of unwanted spirits are more annoying than dangerous. I’m not saying this to scare you or make you paranoid. But these things do exist, and it would be negligent of me not to mention them in a series on spirit work.
There’s a reason that one of the most common truisms in witchcraft is, “Never conjure something you can’t banish.” If you’re going to be working with spirits, it’s a good idea to know how to banish them just in case. With that being said, here’s how you can clear out any nasties that may be lingering in your space.
Cleansing
The first step is to kick those unwanted spirits out of your space. There are lots of ways to do this, so choose the one that is the best fit for you.
Cleansing with fire and smoke is a very old and very simple method. If this is the way you decide to go, there are several magical substances you can burn to banish spirits. Burning sulfur or asafetida will clear out just about anything, but they both smell awful and are potentially toxic, so you’ll want to get an okay from the other people living in your home, burn a little at a time, and make sure you have lots of windows open. (Some people say sulfur and asafetida will banish all spirits, not just the unfriendly ones, so you may have to invite your spirit team back in later.) For something that smells a little more pleasant, you can try a mix of frankincense and myrrh resin, or burn a mix of dried rosemary, sage (garden sage, not endangered white sage, please!), and bay leaves — but again, make sure you have windows open, because these get smoky. Plus, you want the windows and/or doors open so the spirits have somewhere to go when the smoke chases them out.
If smoking up your living space isn’t an option for you, you can manually clean your space with a wash or powder. If you have hardwoods, you can make a floor wash with water, salt, lemon juice, rosewater, lavender essential oil, and either bay laurel or rosemary essential oil. (This is adapted from an uncrossing bath in the book Utterly Wicked by Dorothy Morrison.) Use this mixture to mop your floors, as well as to wipe down your walls and furniture. If you have a humidifier or essential oil diffuser, diffusing some of this mix would also be a good idea.
If you have carpet, you can make a powder by combining salt, dried lemon peel, dried roses, lavender flowers, and bay leaves. You’ll need to ground this really fine, so I recommend using a coffee grinder or food processor. Sprinkle the powder on your carpet, let it sit for a few minutes, and then vacuum it up. I would supplement this by also diffusing a mix of saltwater with rosewater, lemon juice, and lavender and/or bay laurel essential oil. If you don’t have a diffuser, at least sprinkle some saltwater around the room and on your belongings.
No matter which form of cleansing you decide to use, it’s important to verbally state your intention to banish these unwanted spirits from your space. Tell them out loud that they are no longer welcome here and that they need to leave. Don’t be rude about it, but be firm and speak clearly and with confidence.
After you cleanse your space, it’s a good idea to cleanse yourself as well to remove any psychic ties to the spirits you’ve just banished. The easiest way to do this is with a ritual bath. The floor wash recipe mentioned earlier can also be used as a psychic cleansing bath. Other options include a bath with salt, frankincense, and myrrh or a bath with salt, rosemary, sage, and bay laurel. You can use essential oils for your bath, or add the resins and herbs to a cheesecloth bag and drop it into the tub for easy diffusing and cleanup.
If you don’t have a bathtub, you can cleanse yourself in the shower. Place two cups of salt in a bowl. Add lemon juice, rosewater, lavender essential oil, and either bay laurel or rosemary essential oil. If you don’t have essential oils, you can add dried lavender and crushed bay leaves. Add some of your favorite body wash to create a scrub (if you don’t have body wash, use olive oil). While in the shower, use this mixture to scrub your skin — visualize yourself scrubbing away any psychic gunk you might have picked up.
Protection
Once you’ve removed any unwanted spirits from your space, you want to lay down some protection to keep them from coming back. There are as many ways to ward off spirits as there are witches, but here are a few ideas to get you started.
One option is to create a ward. You can do this by anointing the door frames, door knobs, and window frames of your home with a protective oil blend and/or by creating lines of salt across your doorways and just inside your windows. You can use other protective substances if you prefer. As you lay down these protections, visualize a protective shield around your home, and speak aloud your intention to keep harmful spirits out.
Iron is said to repel spirits. Keep a railroad spike or other large piece of iron under your bed to prevent nightmares and to keep spirits from messing with you while you sleep. There’s an old superstition that says that hammering iron nails into the four corners of your home protects it from spirits — this may not be possible if you’re renting, but you can create a similar effect by displaying a piece of iron in each of the four corners of your home. Hematite is a crystal that is high in iron, so it can be used in a similar way to ward off spirits.
Aloe is said to protect from negative spirits, and to bring protection and good luck more generally. It’s also a common house plant that is easy to care for, so this method of protection is especially great for witches who need to keep their practice a secret. Keep several aloe plants in your home to protect those who live there.
For witches with a crafty side, making a witch bottle is another option for protection. There are lots of different recipes for witch bottles, but the basic method is to fill a bottle with sharp objects, add something from your body, and hide it somewhere outside your home (traditionally buried on the property, but leaving it in an outbuilding works just as well). The idea is that any nasty spirit that comes looking for you will be attracted to the bottle (because it contains part of your body), get caught by the sharp objects, and be trapped. To create a simple witch bottle, fill a mason jar about halfway with sewing pins, then add a bit of your hair and some of your fingernail clippings, and finally fill it with liquid (traditionally, this liquid is your own urine, but if that makes you uncomfortable vinegar will also work). If you want, you can also include some of your favorite banishing herbs, resins, or crystals.
Religious symbols can also keep nasty spirits away. If you identify strongly with a religion, display protective symbols from that faith in your living space. For example: a Christian witch might hang up a crucifix or set out a statue of Archangel Michael, a Norse pagan witch might hang up an image of Mjolnir, a Hindu witch might display a statue of Durga, etc. Sometimes the most effective way to keep nasty spirits away is to let them know that you’re under the protection of someone more powerful.
When dealing with unwanted spirits, the most important thing to remember is that you do not need to be afraid. You are a powerful witch, and you are more than capable of getting rid of them. Be confident in your abilities and know that whatever happens, you can handle it.
Resources:
Southern Cunning: Folkloric Witchcraft in the American South by Aaron Oberon
A Green Witch’s Cupboard by Deborah J. Martin
Utterly Wicked by Dorothy Morrison
Where the Hawthorn Grows by Morgan Daimler
Astrology Basics- THE PLANETS
SUN Governs individuality, distinct style, and drive or motivations that fulfill your life. Delineates general character, and the broad strokes that define the self. Vital force, individuality, willpower.
MOON Stands for emotions, instincts and the unconscious. Represents the instinctual reactions one has to the world. The mecca of the inner world governing how we feel emotionally and respond to certain situations. Unconscious force, personality, instinct.
**Whereas the sun represents the will, the moon represents the instinct**
MERCURY The planet of mental activities, communication, and intellectual energy. It rules perception, intelligence, reason, memory, and communication. It reflects the way you see, hear, understand, and assimilate information.
VENUS The planet of love and pleasure. It rules over one’s capacity to express affection and interact with the idea of beauty. Represents your allure and desire. Rules over love affairs, art and beauty, fashion, social harmony and friendship. Gateway to higher emotions.
MARS The planet representing what drives your passions, the strength of your willpower, forcefulness, aggression, and the way you handle conflict. Rules over energy, boldness, and force. The courage and strength one cultivates to get their way.
JUPITER The planet of good luck, optimism, success, and generosity. Associated with where you’ll find expansiveness and abundance. It rules over philosophical knowledge, the extent to which you’re a visionary, higher learning, and honesty. Whereas mercury governs a clever intellect, Jupiter governs deeper wisdom and philosophy.
SATURN The planet of responsibility, ethic, and hard work. Teaches discipline and remains influential until self discipline is understood. It is associated with diligence, self control, limitation, patience, stability, maturity and realism. Governs how trust and respect, along with discipline, are integrated in the self. Are you self disciplined, or does the world deliver these lessons to you?
URANUS The planet of change and originality. Brings and symbolizes the manifestation of awakening, shock, and revolution, the “flash of genius.” Associated with both scientific and humanitarian movements. Similar to Mars, but relating to inner will and secret power. Unconscious purpose revealed over a lifetime.
NEPTUNE The planet of mystery and illusion. Represents power of imagination. It’s the planet of idealism and spirituality. The realm of the subconscious world, hidden memory, intuition, and psychic clairs. The ideals, goals, and lifestyle of the higher self detached from ego.
PLUTO The planet of epiphany associated with the highest of highs and the lowest of lows. Signifies death and rebirth, regeneration along with destruction and annihilation. Pluto wipes the slate clean. Strong and dramatic changes, especially to collectives, have a significant influence from Pluto.
Tarot A History and Brief Overview of Spreads
A History
The tarot, first known as trionfi and later as tarocchi or tarock is a pack of playing cards, used from the mid-15th century in various parts of Europe to play games such as Italian tarocchini, French tarot and Austrian Königrufen, many of which are still played today. In the late 18th century, some tarot decks began to be used for divination via tarot card reading and cartomancy leading to custom decks developed for such occult purposes. The word Tarot and German Tarock derive from the Italian Tarocchi, the origin of which is uncertain but taroch was used as a synonym for foolishness in the late 15th and early 16th centuries.
Playing cards first entered Europe in the late 14th century, most likely from Mamluk, Egypt, with suits of Batons or Polo sticks which are commonly known as Wands by those practicing occult or divinatory tarot, Coins which are commonly known as disks, or pentacles in occult or divinatory tarot, Swords, and Cups. These suits were very similar to modern tarot divination decks and are still used in traditional Italian, Spanish and Portuguese playing card decks.
The first documented tarot packs were recorded between 1440 and 1450 in Milan, Ferrara, Florence and Bologna when additional trump cards with allegorical illustrations were added to the common four-suit pack. These new decks were called carte da trionfi, triumph cards, and the additional cards known simply as trionfi, which became “trumps” in English. The earliest documentation of trionfi is found in a written statement in the court records of Florence, in 1440, regarding the transfer of two decks to Sigismondo Pandolfo Malatesta.
The original purpose of tarot cards was to play games. A very cursory explanation of rules for a tarot-like deck is given in a manuscript by Martiano da Tortona before 1425. Vague descriptions of game play or game terminology follow for the next two centuries until the earliest known complete description of rules for a French variant in 1637. The 18th century saw tarot’s greatest revival, during which it became one of the most popular card games in Europe, played everywhere except Ireland and Britain, the Iberian peninsula, and the Ottoman Balkans. French tarot experienced a revival beginning in the 1970s and France has the strongest tarot gaming community.
Italian-suited tarot decks
These were the oldest form of tarot deck to be made, being first devised in the 15th century in northern Italy. The so-called occult tarot decks are based on decks of this type. Three decks of this category are still used to play certain games:
The Tarocco Piemontese consists of the four suits of swords, batons, cups and coins, each headed by a king, queen, cavalier and jack, followed by the pip cards for a total of 78 cards. Trump 20 outranks 21 in most games and the Fool is numbered 0 despite not being a trump.
The Swiss 1JJ Tarot is similar, but replaces the Pope with Jupiter, the Popess with Juno, and the Angel with the Judgement. The trumps rank in numerical order and the Tower is known as the House of God. The cards are not reversible like the Tarocco Piemontese.
The Tarocco Bolognese omits numeral cards two to five in plain suits, leaving it with 62 cards, and has somewhat different trumps, not all of which are numbered and four of which are equal in rank. It has a different graphical design than the two above as it was not derived from the Tarot of Marseilles.
Italo-Portuguese-suited tarot deck
The Tarocco Siciliano is the only deck to use the so-called Portuguese suit system which uses Spanish pips but intersects them like Italian pips. Some of the trumps are different such as the lowest trump, Miseria (destitution). It omits the Two and Three of coins, and numerals one to four in clubs, swords and cups: it thus has 64 cards but the ace of coins is not used, being the bearer of the former stamp tax. The cards are quite small and not reversible.
French-suited tarot decks
The illustrations of French-suited tarot trumps depart considerably from the older Italian-suited design, abandoning the Renaissance allegorical motifs. With the exception of novelty decks, French-suited tarot cards are almost exclusively used for card games. The first generation of French-suited tarots depicted scenes of animals on the trumps and were thus called “Tiertarock” (‘Tier’ being German for 'animal’) appeared around 1740. Around 1800, a greater variety of decks were produced, mostly with genre art or veduta. Current French-suited tarot decks come in these patterns:
The Industrie und Glück (Industry and Luck) genre art tarock deck of Central Europe uses Roman numerals for the trumps. It is sold with 54 cards; the 5 to 10 of the red suits and the 1 to 6 of the black suits are removed.
The Adler-Cego animal tarot is used in the Upper Rhine valley and its neighbouring hills such as the Black Forest or the Vosges, and has 54 cards organized in the same fashion as the Industrie und Glück. Its trumps use Arabic numerals but within centred indices.
The Tarot Nouveau has 78 cards, and is commonly played in France and is somtimes used to play Cego. Its genre art trumps use Arabic numerals in corner indices.
German-suited tarot decks
German-suited decks for Bauerntarock, Württemberg Tarock and Bavarian Tarock are different. They are not true tarot packs, but a Bavarian or Württemberg pattern of the standard German-suited decks with only 36 cards; the pip cards ranging from 6 to 10, Under Knave (Unter), Over Knave (Ober), King, and Ace. These use Ace-Ten ranking, like Klaverjas, where Ace is the highest followed by 10, King, Ober, Unter, then 9 to 6. The heart suit is the default trump suit. The Bavarian deck is also used to play Schafkopf by excluding the Sixes.
Tarot Card Readings
The earliest evidence of a tarot deck used for cartomancy comes from an anonymous manuscript from around 1750 which documents rudimentary divinatory meanings for the cards of the Tarocco Bolognese. The popularization of esoteric tarot started with Antoine Court and Jean-Baptiste Alliette (Etteilla) in Paris during the 1780s, using the Tarot of Marseilles. French tarot players abandoned the Marseilles tarot in favour of the Tarot Nouveau around 1900, with the result that the Marseilles pattern is now used mostly by cartomancers.
Etteilla was the first to issue a tarot deck specifically designed for occult purposes around 1789. In keeping with the misplaced belief that such cards were derived from the Book of Thoth, Etteilla’s tarot contained themes related to ancient Egypt.
The 78-card tarot deck used by esotericists has two distinct parts:
The Major Arcana (greater secrets), or trump cards, consists of 22 cards without suits:
The Minor Arcana (lesser secrets) consists of 56 cards, divided into four suits of 14 cards each;
The Magician, The High Priestess, The Empress, The Emperor, The Hierophant, The Lovers, The Chariot, Strength, The Hermit, Wheel of Fortune, Justice, The Hanged Man, Death, Temperance, The Devil, The Tower, The Star, The Moon, The Sun, Judgement, The World, and The Fool. Cards from The Magician to The World are numbered in Roman numerals from I to XXI, while The Fool is the only unnumbered card, sometimes placed at the beginning of the deck as 0, or at the end as XXII.
Ten numbered cards and four court cards. The court cards are the King, Queen, Knight and Page/Jack, in each of the four tarot suits. The traditional Italian tarot suits are swords, batons, coins and cups; in modern occult tarot decks, however, the batons suit is often called wands, rods or staves, while the coins suit is often called pentacles or disks.
The terms “Major Arcana” and “Minor Arcana” were first used by Jean-Baptiste Pitois (also known as Paul Christian) and are never used in relation to tarot card games. Some decks exist primarily as artwork, and such art decks sometimes contain only the 22 major arcana.
The three most common decks used in esoteric tarot are the Tarot of Marseilles, the Rider-Waite-Smith tarot deck, and the Thoth tarot deck.
The six most common Tarot Spreads are the;
Love Spread
Here is a little you should know about the ‘love’ spread. This type of reading evaluates the relationships relevance, how strong and happy they are. Every relationship has its ups and downs and with this six-card spread you will be able to evaluate your physical, emotional, mental and spiritual connections with your partner. The ‘love’ spread has its own 6 cards which represent the following:
#1-The first card signifies what you currently feel about your relationship, your approach, and your outlook.
#2-The second card represents your partners current emotions towards you, his attitude, and expectations about your relationship.
#3- The third card is a connection card. For example; common characteristics of both of you
#4– The fourth card indicates the strength of your relationship.
#5– The fifth card shows the weaknesses in your relationship.
#6– This final card is your true love card. It interprets if the relationship is going to be successful or not.
Success Spread
Briefly about the ‘Success’ spread; it is a remarkably situational spread. It’s often used when a person is facing an obstacle or hardship. It can also be helpful if you don’t know how to face or overcome a problem as it will point you in the right direction.
#1- it helps you to find out about the true colours of the challenge in front of you. It will help you to identify what sort of skill set and resources you will need in order to not just solve but also overcome the challenge.
#2- this further clarifies on your current problems and challenges.
#3- The third card reveals the hidden factors affecting your current situation. You need to have knowledge about what these factors are to really overcome the obstacle you’re facing.
#4- The fourth card represents new plans, people, or objects that can help you grow further. By adapting yourself to these new aspects, your vision of the situation will change, leaving you with better solutions to your problems.
#5- The final card shows what requirements you need to fulfill in order to be proven successful and things you should avoid as they will lead you to failure. It will point you towards success if proven to be a positive card but in other cases it could be a negative card and will warn you about an upcoming disaster in your life.
Celtic Cross Spread
Despite its complications the ‘Celtic Cross’ Spread has stood popular for many years. This is most likely due to the fact that its importance lies in its difficulty. Each result of the Celtic Cross can be illustrated in a variety of ways depending on the direction of the of the fallen cards. Though not recommended for beginners, once anyone understands it, he or she can use this spread to find out the full depth of the situation. With enough practice it can it can be taken in use to find the answer to any problem. Celtic Cross deals with intricate situations.
#1– presents the current situation the person finds themselves in the and the reading is about the question they are facing.
#2– is placed over the first card, pointing to the left and is always read in an upright position. It shows what the basic challenge is that needs to be solved or the mental or physical object holding them back.
#3– The third spread reveals the subconscious influences. These strange influences have an extremely strong and powerful effect on one’s everyday life, especially in scenes relating to the question.
#4 – The fourth card shows what resources one has and the things they can use to face and solve the problem shown by the second card and in the process reach their ultimate goal, shown by the third card.
#5 – The fifth card shows the prologue of the scene. A negatively influenced past may have an effect that prevents their success on their current situation and they will need to let the memory go in order to stop it from negatively influencing their current situation so they can face and eventually overcome the problem at hand as shown by the second card. A positive past should be can simply be called inspiration. Even though the person may be facing a challenge in their current part of life, the problem
They are up against is natural growth of the positive past they had the benefit of experiencing and after they have overcome all their challenges, things will look even brighter than they were in the past.
#6 – The sixth card is the headlight. If the card states there is some form of negative energy on the way the five previous cards should give a good reasoning of why this is taking place and what we could do to prevent it.
#7 – The seventh card represents the person’s attitude. It illustrates your physical actions, thinking and ideals regarding the current problem. This will give you more to work with into whether the person’s attitude is conducive to a likable outcome or whether it’s time to retrack the way the person perceives the information.
#8 – The eighth card is an energy card. It talks about the energy surrounding them and the energy other people and the environment is letting off and if these energies are helping in any shape or form.
#9 – The ninth card tells us about what the person’s desires and fears. This is a revelation card. It gives importance to the things a person should be aware of in their current situation and might change the way a person acts which should not be neglected by them.
#10 – This is the final outcome and emphasizes on the energies, if they are complementing or conflicting. It also tells the person about the future that will take place immediately and if it is necessary or not to face the future.
Spiritual Spread
Similar to the Success Spread, the Spiritual Guidance spread is used when faced with problems that are of a spiritual nature. These sorts of challenges are usually related to spirituality in a person.
#1 – The first card represents your main concerns. You may think you know about the problem but this spread goes more in depth with it.
#2 – The second card looks into your motivation for looking for guidance.
#3 – The third card looks into the things about your life you are insecure or worried about.
#4 – The fourth card emphasizes on the parts of your life that you are not aware of.
#5 – The fifth card is your advice card as it will guide you to the steps to face your fears. It ties in with the previous cards.
#6 –The sixth card guides us to a life with no worries so that we could move forward on our spiritual journey.
#7 – The seventh card teaches you to deal with the situation with the resources you have at hand.
#8 – Finally, the eighth card finishes the Spiritual Guidance Spread by telling us that the result of the tarot cards all depends on our reaction to it whether we focus on the positive or negative.
Career Path Spread
This spread is for times where we feel left out on our career. We work hard hoping for a promotion but to no benefit. It helps us with these kind of challenges that we face in our professional life.
#1 – The first card basically asks us if our job that we have right now is indeed our ideal job
#2 – The second card emphasizes on the actions we must take to further boost our career. A positive card means we should stay at the same position we are in right now whereas a negative one means we should make some changes.
#3 – The third card tells us about certain things about our job that we can no longer alter. The card may tell you to look for a job in the same category we are working in right now.
#4 – The fourth card refers to our skills on our job to see if they’re enough to get us a promotion or if we are behind everyone else.
#5 – The fifth card tells us about the things we can do in our career to improve and start a new one or just small things we can do in our current career to at least get noticed.
#6 – The sixth card gives us the answer to the question that if our past mistakes are influencing our career now.
#7 – The final card tells you that if the card is negative it might lead to a bad outcome as it might result in you making other bad career choices.
However, if you aren’t sure of the outcome, use the card again after a few days or weeks to see if the reading changes as your attitude changes.
Three-Card Spread
The simplest and the most useful spread, ‘The Three Card Spread’ only uses three cards. This is what makes it the most popular. This is one of the most powerful spreads and can find answers for you really quickly for almost anything, let it be overcoming a problem or an obstacle or if you are simply just feeling lost or left behind.
Linear 3 Card Tarot Spreads
As you can imagine, this layout is good at suggesting some sort of linear path, sequence of events, cause and effect, or a way of getting from point a to point b.
Past, Present, Future
You, Your Path, Your Potential
You, Relationship, Partner
Situation, Action, Outcome
Idea, Process, Aspiration
Balanced 3 Card Tarot Spreads
In this layout, each card of the spread has a common intersection. They are all equally important, like three sides of a pyramid. Without any of these, the whole structure collapses.
Mind, Body, Spirit
Physical State, Emotional State, Spiritual State
Subconscious, Conscious, Super Conscious
Option 1, Option 2, Option 3
What I think, What I feel, What I do
Foundational 3 Card Tarot Spreads
I think think one is a little harder to explain, but I like thinking of these spreads being communicators of advice in a way such that “given X and Y, the result is Z”. X and Y attempt to give you a clearer understanding of options, and Z is a summary, a crux, a way to move forward given the information that is there. In fact, even when phrasing these spreads, I like saying them in a way that follows this formula to make the point clearer. The bolded items represent the actual card positions.
Given your strengths and weaknesses, this is my advice.
Given what worked well, and what didn’t work well, this is the key lesson.
Given that this brings you together, and that this pulls you apart, you must focus on this.
Given that you want this from the relationship, and your partner wants this, your relationship is heading towards this.
Given Option 1 and Option 2, This is what you need to know to make a decision.
Crossed 3 Card Tarot Spreads
As the layout would imply, this is about understanding conflicts and obstacles. The card that crosses over is something that stands in the way and that needs to be overcome, something that blocks you from attaining your ultimate goal, while the third card acts as a sort of advice card, looking at the situation from a more distant viewpoint. These can also be used as simpler 2 card spreads if you want to use only the crossing cards.
Situation, Obstacle, Advice
Aspiration, Obstacle, How to Overcome
Opportunities, Challenges, Outcome
Thesis, Antithesis, Synthesis
I will be doing card meanings on a later date :)
nature series 3/∞
🌊Meditation To Draw Close To Water Fairies🌊
Open your heart to the water fairies and the boundaries between you and them will dissolve. Once you feel close to them, it will be easier to experience them in their own habitat.
METHOD:
Relax completely. Imagine that you are sitting beside a beautiful lake or a calm stretch of ocean. This may be a familiar place that you love,or it could be a place of your own imagination. Take the time to settle in this spot. Fill in all the details of the environment. See the shimmering greens and the blues of the waters, and all the other colors, reflected and refracted. Look at the azure sky arching overhead. Notice any plants and rocks, any features of the landscape- let your eyes dwell on these. See how close you are to the shore,where you are sitting or standing and what you are wearing. Notice in particular that you are wearing a large,beautiful emerald pendant,and that the stone is flat against your chest,over your heart.
Listen to the sounds around you. Can you hear the breeze,the birdsong, the sound of the waves? Smell the freshness of the air and the scent of water carried on it. Feel the pure, moist air on your face and the gentle wind playing with your hair. Enjoy all of this and make sure you feel comfortable and relaxed.
Now concentrate on the center of your chest, where your heart is. Breathe in the beauty of this place and allow your heart to be filled with love for it . Let your heart feel warm,open,and invigorated.
Remember the wonderful emerald hanging against your chest,close to your heart. As you feel a closeness and empathy with the beauty of the waters, so the emerald begins to shine. The warmth in your heart is flowing into the emerald,which pulses and glows in response. The radiance within the emerald is gentle, yet amazingly powerful. Soon you are aware that its wonderful light is stretching out over the waters, bathing everything in the purest green. The emerald green is reaching into the waters, mingling with them and shining outward again. The waters are becoming clearer, and you begin to see into their depths. What wondrous gifts and treasures do you find lying there? What magical beings are present?
Invited by the emerald, called forth by the love in your heart, fairies are beginning to emerge from the waters. Watch as they come, strange and beautiful for the most part, others in shapes you may not have imagined. Continue to let the emerald light shine from you and to send a welcome from your heart.
Let the fairies emerge in their own way. They may remain far out on the waters, or they may approach closer to the edge. They may even come onto the land. Watch them as they appear, remaining serene and letting the emerald light of your heart continue to shine. Listen also, for the fairies may be talking,laughing,whispering, or most likely of all- singing.
Invite the fairies close, asking if one of them will speak with you. Listen to what the fairy says. If you like, you can ask questions- for instance, you may want to find out what you can do to enable you to draw closer to the water sprites in everyday life. The answers you get may be startlingly clear or they may not make sense at first. Try not to puzzle over them for now.
When the time seems right, tell the fairies that you are bidding them farewell and that you honor them,and thank them for their presence. Say that you will visit them again. Let the emerald light slowly fade and shrink back into the crystal on your chest. Affirm that the emerald is closed,and that your heart is, for now, also closed. Touch the emerald and feel its coolness and solidity. Draw away from the scene.
Now come back to everyday awareness,patting your body all over to make sure that you are in the here-and-now. Make a note of all you experienced and any thoughts that have arisen in a special notebook.
You can repeat this journey as many times as you wish. More questions may occur to you, and you can ask your water-fairy spokesperson to answer them. Do not be surprised if the responses you get give rise to more and more questions, for that is the fairy way and is part of your quest. Happy Journeying!
☀️🌻☀️ Lemon Lavender Litha Cookies ☀️🌻☀️
Litha/Misummer/Summer Solstice Tea!
Picture 1 is from- Wonder How To, by Yumi Sakugawa
Picture 2 is from- Frenchtoastgirl.com
Picture 3 is from- Herbal Academy
— Emily Dickinson, from Lamps, as ft. in Emily Dickinson, Woman of Letters: Poems and Centos from Lines in Emily Dickinson’s Letters (ed. by Lewis Turco)
some outfit inspo :)
The Mushroom Book - 1901
on all levels except physical, i am in a cottage kitchen located far far away surrounded by trees and boundless forests all by my self baking bread and picking strawberries for my morning brunch. endless sky and worriless year
spending time in the mountains, living in the little house near the stream, hiking a lot, breathing the fresh air, playing with mountain spirits, picking up ingredients for potions and having a good rest before the busy week