TyÂpogÂraÂphy is the viÂsual comÂpoÂnent of the writÂten word. And beÂing a pubÂlisher of the writÂten word necÂesÂsarÂily means beÂing a tyÂpogÂrapher.
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@livroscomtipos
TyÂpogÂraÂphy is the viÂsual comÂpoÂnent of the writÂten word. And beÂing a pubÂlisher of the writÂten word necÂesÂsarÂily means beÂing a tyÂpogÂrapher.
A critical guide for designers, writers, editors, & students
A comprehensive visual guide to the language, history, and practice of typography
125 ways of enhance usability, influence perception, increase appeal, make better design decisions, and teach through design
This book aims to give readers a thorough grounding in the fundamentals of the wide-ranging field of typography, from best practice guidelines to creative experimentation.
A practical and inspirational user's guide for designers who want to create meaningful work without losing their shirts... or their souls
Graphic design pioneers of the 20th century
"To the layman, all printing types look the same. But for typographers, graphic artists and others of that lunatic fringe who believe that the letters we look at daily (and take entirely for granted) are of profound importance, the question of how letters are formed, what shape they assume, and how they have evolved remains one of passionate and continuing concern."
An essential book for anyone who uses type in design.
The Anatomy of Type Nov 2012, Harper Design, US The Geometry of Type Jan 2013, Thames & Hudson, UK...
This is the most complete document of one of the landmarks of modern education in art â the famous Basic Course at the Bauhaus in Weimar, Germany.
Maedaâa professor in MITâs Media Lab and a world-renowned graphic designerâexplores the question of how we can redefine the notion of âimprovedâ so that it doesnât always mean something more, something added on.
A bestselling design classic, Stop Stealing Sheep & find out how type works has inspired and enlightened designers for 20 years with its bold, engaging design and entertaining approach to type education. In this third edition, internationally acclaimed designer Erik Spiekermann brings the book up to date with an all-new chapter on mobile and web typography as well as new images and typefaces used and referenced throughout.
Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary.
"A brisk tour through the history of Western typography, from the time (c.1700 in France and England) when it can be said to have become âmodernâ."
ÂżCĂłmo se diseña una tipografĂa?, ÂżquĂ© caracteres son imprescindibles en una fuente?, ÂżquĂ© diferencia hay entre una redonda, una inclinada y una cursiva?
"This is the first English-language edition of a major piece of thinking about writing (in its visual manifestation)."