Lockecito

Some pictures I like. Please also check out my other tumblr: thomaslockehobbs.tumblr.com,

[jaw8jaw]

Jean Painleve, Pince de Homard (Lobster Claw), 1929.

 gelatin silver print

[bremser]

[bremser]

William Gedney, San Francisco, 1975

[dame-de-pique]

Frederick H. Evans - Bude, 1910-20s

also

[membrane]

Jean Painlevé / Araignée et autoportrait de profil / 1929.

[aaronwynia]

[bremser]

Aaron Wynia, Sunset Puddle, Toronto, 2014

[dame-de-pique]

Harald Lönnqvist - Stilleben, 1928

[fishstickmonkey]

Alan Archibald Campbell Swinton, “Negative Discharge” (1892) (© National Media Museum, Bradford SSPL)

(via Hyperallergic)

[phasesmag]

Max B http://www.maxbphoto.com/

[semioticapocalypse]

Vintage shot of a dive in Erie school, Erie, Pennsylvania

[::SemAp FB || SemAp::]

[ufansius]

Thread - Njideka Akunyili Crosby

[mpdrolet]

Highway 66, Gallup, 1979

Roswell Angier

[performativerelics]

Robert Mapplethorpe - Untitled (1973)

[besoconsangre]

Always reblog, always so good

[mpdrolet]

Going down the mountains on the Atchison, Topeka, and Santa Fe Railroad between Barstow and San Bernardino, California, March, 1943

Jack Delano

[dame-de-pique]

Oskar Kaubisch - Bleilochtalsperre nördlich Saalburg, kugelschalige Struktur des Diabas-Gesteins am Bahneinschnitt südlich des Wettera-Viaduktes, 1940-45

[tovakatzman]

Blue shawl on the cable car with reflection

La Paz, Bolivia

2016

[lockecito]

Manuel Jesus Glave

[lockecito]

Sexual desire became frustrated sexual desire and, for all White’s efforts at emulation, his photography could not sustain the optical machismo of his forebears; it could not continue in the prescribed modernist tradition. Indeed, despite his own best efforts, White’s “perversion” converted that tradition into something else, retuning the self-assurance of American modernism to a register of ambivalence and ambiguity, countered by proclamations of spiritual bravado.

Kevin Moore from “Cruising and Transcendence in the Photographs of Minor White”