Villagers from Southern Ukraine showing an ancient kurgan stelae to the photographer, 1899
ojovivo
Aqua Utopia|海の底で記憶を紡ぐ

@theartofmadeline
taylor price
PUT YOUR BEARD IN MY MOUTH
The Stonewall Inn

Product Placement
Not today Justin

shark vs the universe

pixel skylines

tannertan36

PR's Tumblrdome
No title available
"I'm Dorothy Gale from Kansas"
EXPECTATIONS
wallacepolsom
No title available
Today's Document
will byers stan first human second

Discoholic 🪩
seen from United States
seen from Türkiye
seen from Chile
seen from United States

seen from United States
seen from Germany

seen from United States

seen from United States
seen from Czechia

seen from Malaysia

seen from United States

seen from Malaysia

seen from Singapore

seen from Malaysia

seen from United States

seen from Bangladesh

seen from Malaysia
seen from Saudi Arabia
seen from United States

seen from Türkiye
@fishstickmonkey
Villagers from Southern Ukraine showing an ancient kurgan stelae to the photographer, 1899
Little tough guy, New Port News VA, RA Clayton
Photographe : ma-saman
Ville : wakayama
Meet The Titanosaur! 🦕 At 122 ft (37.2 m) long, Patagotitan mayorum is the Museum’s largest dinosaur on display and one of the largest animals to have ever walked the Earth! This gigantic herbivore, which lived some 95 million years ago during the Late Cretaceous, was heavier than 10 African elephants—tipping the scales at roughly 70 tons. In fact, The Titanosaur is so big that it barely fits in the Museum’s halls: It’s longer than the gallery it sits in—and its head, which would graze the ceiling, extends outwards toward the elevator banks! Spot this sauropod, and so much more, at the Museum. Plan your visit.
Photo: © AMNH
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
lunes by Guillaume Gilbert Via Flickr: Göteborg, August 11
Edogawa, Tokyo. March 2026. 18028
(via 2026-07 - Sandman-KK)
Customers in the multi-storey car park, Sainsbury's, Eden Walk, Kingston, 1967. From the Sainsbury Archive.
Photographer Trent Parke
Attributed to Charnaux Frères & Cie - Grotte de Grindelwald, 1860s
Theater House Riot by Rachel Dworkin, archivist
All the young Italian couple wanted to do was see a movie at the Colonial Theater one night in June 1914. Alas, it was not to be. Despite having paid the 5 cents to sit on the first floor, they told they could sit on the second floor or nowhere. There were plenty of open seats on the first floor, so why were they sent upstairs? Because, according to the manager, they were Italian and not fit to sit with respectable people. (READ MORE)
Funnel Cakes and Fry Bred
Farmington, New Mexico
You Don't Know Me, Digital Collage, 2026.
7th Jul., 2026
Nocturne (Emily Richardson, 2002).