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Olivia Colman after receiving her BAFTA for Best Actress in a Leading Role in The Favourite - photographed by Matt Holyoak

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Dawn French and Jemma Redgrave at the ‘A Midsummer Night’s Dream’ opening night party at the Albery Theatre on 3rd March 2001, in London

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RACHEL WEISZ photographed for Interview, 2001

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Olivia Colman photographed by Rankin

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I don’t think you can cry if the script is rubbish. I have to feel it; it’s as simple as that. It’s just like if you’re watching something moving, and you feel yourself welling up. It’s the same thing. You’re just being carried along with the story. There’s nothing magical about it. I think I’m in touch with my emotions, and I can’t help it.- Olivia Colman

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Memphis, Ellis Auditorium, after watching the Ali-Frazier fight, March 8, 1971.

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Olivia Colman by David Vintiner for Deadline

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More photos of Olivia Colman photographed by Ana Cuba for The New York Times 

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Olivia Colman behind the scenes of the 2019 Golden Globes Awards Backstage Portraits  (X) (X)  

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‘For Anne, I wasn’t meant to look nice or be nice, and it was liberating and brilliant. I much prefer these sorts of roles because there is no pressure to be something you are not, and I am obviously not glamorous. I’m more a jeans and sweater-with-something-spilled-on-it person.’ Olivia Colman talking about The Favourite for The New York Times  

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Olivia Colman photographed by Ana Cuba for The New York Times

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I’ve not been discriminated against, but I can see it happen. And not just race but gender and sexuality, too. It’s stereotyping, lazy casting, which is an issue: that people can’t see outside the box.

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All human beings are the same. We’re all multifaceted, many-layered, disgusting and gorgeous and powerful and weak and filthy and brilliant. That’s what’s nice [about The Favourite]. It doesn’t make women an old-fashioned thing of delicacy.  - Olivia Colman for The Hollywood Reporter

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