The Admiral doodles because he's best cat
(Click on the image for better quality)
Tried to draw him similar to his canon design but still making my own unique design and I think it came out quite nicely :3 He's so cat I love him
Today's Document

Discoholic 🪩
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost

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Xuebing Du
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Sweet Seals For You, Always

ellievsbear
PUT YOUR BEARD IN MY MOUTH

Jar Jar Binks Fan Club
noise dept.

Product Placement

roma★
One Nice Bug Per Day
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🩵 avery cochrane 🩵

❣ Chile in a Photography ❣
Noah Kahan
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seen from Argentina

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@lonely-archival-shadow
The Admiral doodles because he's best cat
(Click on the image for better quality)
Tried to draw him similar to his canon design but still making my own unique design and I think it came out quite nicely :3 He's so cat I love him
One of my favourite things regarding tma's "The Fears can't be separated, part of them always bled into the others" is when characters aligned with a certain Fear show mannerisms or preferences otherwise tied to other Fears.
The eastest example is the way Jon behaves towards both Peter Lukas in the Lonely and Helen in her domain when he realises that they can't do anything to him. He gets fairly predator-like, way more threatening, he genuinely reads as malicious at times, both the way he tells Peter that he can see where he is ["I wouldn't try to leave if I were you. I can see you now, I can find you wherever you go"] and how he tells Helen that he's going to kill her, and his words afterwards ["I'm not scared of you" "Helen, was that... a lie?"]. He gets so Hunt coded that it's honestly quite scary, and I doubt anyone would enjoy being on the receiving end of his words in that moment.
Other examples are in general how characters take advantage of other Fear domains to boost the effect of their own. For example Nikola telling Jon not to turn on the light, with the scary effect being both "trapped in a room with murder mannequin that is probably grotesque and horrifying" and "in a room with murder mannequin I can't see since it's dark". When you can't see what you're facing but you know whatever is in front of you is scary, your brain will create any sort of horrible mental images for it that are probably way scarier than it actually is, plus the fact that you can't see where it is and so it might jump at your throat at any moment doesn't help, so it just combines the Stranger and the Dark fairly well (and a bit of the Spiral). Or, another example: nobody can tell me the Unknowing is not also Spiral coded. You quite literally can't understand anything, can't know anything, everything is wrong. That's not only the Stranger, that's the Spiral too, but the main one, the focus remains the Stranger, that uses the twisted perception of reality to be even more uncanny.
Of course there are a lot more examples if you go look for them, these are just the ones I remembered off the top of my head, but I find them neat soo :3