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"I'm Dorothy Gale from Kansas"
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we're not kids anymore.
PUT YOUR BEARD IN MY MOUTH
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he wasn't even looking at me and he found me

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@longwhisperingshadows
Count Dracula (1970) dir. Jesús Franco
Night of the Living Dead (1968) dir. George A. Romero
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Find many more sexy nylons at my archive!!
Thanks Columbo!
Jack Gaughan: The Far King -Isaac Asimov’s Science Fiction Magazine, March 1978
Impossible. Illustration by Paul Callé for Super Science Stories (November 1949).
and then the when the… um when
I think this is such an important moment. The woman with no real home, with a complicated relationship to her parents, her dream of a perfect husband - someone who was supposed to be hers completely, as she was supposed to be his - just dust in the wind now, and still - she refers to the people around her as family. With everything she has been through with them, with Hawkeye especially, who not too long ago didn't even hesitate to set her up to be sexually assaulted. What a tremendous arc there is between them, of healing, of that initial reluctant, professional respect that keeps growing into something so much more and so much deeper. I think Margaret had been doing this her entire life, putting little families together. Friends, boyfriends, the people she has worked with. We hear her say that she has done what she can to protect her heart ever since she was a little girl. There was always a goodbye coming, every relationship was temporary. But I think she keeps failing at keeping her heart protected, I think she gives it away in seconds, even though she tries her hardest not to. We see how fiercely protective she is of her friends. She remembers every single one from her youth, and refuses to give their names up when pressed to do so. She is willing to lie for Helen. She stands between Hawkeye and that Major they thought was there to arrest him (and looking like a beautiful, red flame while doing so). With all of her flaws, all the trouble she has telling the people around her she cares about them, how she is afraid her nurses will get hurt so she turns way too hard on them, there is also this place inside of her that is untouched by the war, the army and the walls she has built up around her. A place that is just her, where her little MASH-family is securily tucked away. Hers to hold and keep safe. It's beautuful.
Patricia Rhomberg