Édouard Boubat, Lella, Bretagne, France 1947
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Édouard Boubat, Lella, Bretagne, France 1947
The Myth of Innocence
by Louise Glück
One summer she goes into the field as usual stopping for a bit at the pool where she often looks at herself, to see if she detects any changes. She sees the same person, the horrible mantle of daughterliness still clinging to her.
The sun seems, in the water, very close. That’s my uncle spying again, she thinks — everything in nature is in some way her relative. I am never alone, she thinks, turning the thought into a prayer. Then death appears, like the answer to a prayer.
No one understands anymore how beautiful he was. But Persephone remembers. Also that he embraced her, right there, with her uncle watching. She remembers sunlight flashing on his bare arms.
This is the last moment she remembers clearly. Then the dark god bore her away.
She also remembers, less clearly, the chilling insight that from this moment she couldn’t live without him again.
The girl who disappears from the pool will never return. A woman will return, looking for the girl she was.
She stands by the pool saying, from time to time, I was abducted, but it sounds wrong to her, nothing like what she felt. Then she says, I was not abducted. Then she says, I offered myself, I wanted to escape my body. Even, sometimes, I willed this. But ignorance
cannot will knowledge. Ignorance wills something imagined, which it believes exists.
All the different nouns — she says them in rotation. Death, husband, god, stranger. Everything sounds so simple, so conventional. I must have been, she thinks, a simple girl.
She can’t remember herself as that person but she keeps thinking the pool will remember and explain to her the meaning of her prayer so she can understand whether it was answered or not.
“Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.”
— D.H. Lawrence, Lady Chatterley’s Lover (via exhaled-spirals)
Richard Kühnel, 1895
Art nouveau
I: love you without end.
14 July 1926 Letters to Véra by Vladimir Nabokov
Zelda Fitzgerald, Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald
henri cartier bresson
Brighton ,1953
Couple sur le pont Alexandre III, Paris' Photo by Janine Niépce, 1956
this is what it means to be human
Everything, Mary Oliver
The Breathing, Denise Levertov
A Prayer by Antoine de Saint-Exupéry
The Laughing Heart by Charles Bukowski
Like a Small Café, That’s Love by Mahmoud Darwish (translated by Mohammad Shaheen)
Having a Coke with You by Frank O’Hara
Eating Together by Li-Young Lee
The Orange by Wendy Cope
The Quiet Machine, Ada Limón
To Go Mad, Paruyr Sevak
Our Beautiful Life When It’s Filled with Shrieks by Christopher Citro
Hammond B3 Organ Cistern, Gabrielle Calvocoressi
Peace XVIII, Khalil Gibran
Your Unripe Love, Paruyr Sevak (from “Anthology of Armenian poetry")
Here and Now by Peter Balakian
Ich finde dich (I find you) by Rainer Maria Rilke
The Thing Is by Ellen Bass
One Art by Elizabeth Bishop
Miss you. Would like to take a walk with you. by Gabrielle Calvocoressi
I Want to Write Something So Simply by Mary Oliver
What's Not to Love by Brendan Constantine
Where does such tenderness come from? by Marina Tsvetaeva
You Are Tired (I Think) by E. E. Cummings
Living With the News by W.S.Merwin
What the Living Do by Marie Howe
MARIE ANTOINETTE (2006) dir. Sofia Coppola
Post-Partridge Family, Pre-L.A. Law - Jeremy Miranda , 2026
American , b. 1980 -
Acrylic on board
A miniature book made by Charlotte Brontë at age 13, one of more than two dozen she created. It recently surfaced after being considered lost for more than a century.
Credit…Clark Hodgin for The New York Times
Marguerite Duras home in Neauphle-le-Chateau.
Berthe Morisot (French, 1841-1895)
L’artiste Edma assise dans un parc