mazzy. 22. lesbian. black. femme. she/her. yellowjackets, fashion, iced coffee, doll collector, and horror lover
divider by: @cursed-carmine 🩵

oozey mess

if i look back, i am lost
almost home

★

ellievsbear
Sweet Seals For You, Always
RMH
One Nice Bug Per Day

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he wasn't even looking at me and he found me
noise dept.
Monterey Bay Aquarium
sheepfilms
Misplaced Lens Cap
AnasAbdin
$LAYYYTER

祝日 / Permanent Vacation

pixel skylines

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seen from United States

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@m0tel6mxzzy
mazzy. 22. lesbian. black. femme. she/her. yellowjackets, fashion, iced coffee, doll collector, and horror lover
divider by: @cursed-carmine 🩵
MULHOLLAND DRIVE (2001) — dir. David Lynch
i think it’s really funny i have yet to watch the pitt because hospital settings with loud beeps scare me. and then i put on a lifetime thriller where a violent girl getting revenge is the villain and i lowkey sympathize with her because she’s the reason we have tubi classics like “blood sweat and cheer.” and a part of me wants to examine these thrillers as a commentary on social hierarchy. the primary reason these tubi killers go to the lengths they do is because they were put down their entire lives while the object of their fixation has lived a privileged life because they have never been stigmatized for mental illness and cope with pain in a socially acceptable way that the tubi killer was punished for never being taught. and then also the misogyny
microdosing on catharsis by watching a fictional character or persona i relate to have an emotional breakdown until my chest starts to ache from the amount i've repressed
Femme Rooms.
Ulla's Room, 1998. Asia's Room, 1996. Miss Deena, 1999.
All photographs © Chloe Sherman.
"Unicorn", 2004
collage drafts