A Meat Poetry Tabloid. 1960. Santa Monica, California. Paintings & Poetry by Charles Bukowski, Steve Richmond, John Buckner.
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@markhandsound
A Meat Poetry Tabloid. 1960. Santa Monica, California. Paintings & Poetry by Charles Bukowski, Steve Richmond, John Buckner.
Prior to the 20th century, and the emergent dominance of equal temperament, the association of emotions with particular musical keys was common practice.
The Black Glass Ensemble recently revisited this historical alignment of sound and emotion to offer a brief ‘embrace’ in B Minor - the key associated with patience.
The initial embrace, featuring the 8 musicians of the Black Glass Ensemble and guest Colin Potter, with whom they had been due to perform prior to the Covid19 lockdown, was well received. Consequently, Black Glass sought to widen the reach of their embrace to other musicians to make a more comprehensive piece of work.
The response was unprecedented. 104 musicians returned 247 individual musical tracks to be mixed into this present arrangement.
The full 38’ 50” minute work, “Be Mine in Patience: an Embrace in B minor” is made freely available in the hope that this extended embrace may help in some small way to nurture strength, fortitude and comfort.
credits
released June 15, 2020
Black Glass Ensemble and Friends
Be Mine in Patience: an Embrace in B minor
Arranged and produced by Michael Begg
Cover Image by Ben Ponton, used by permission of Sue Cannon
The Black Glass Ensemble:
Michael Begg
Douglas Caskie
Jen Cuthbertson
Neil Cuthbertson
Clea Friend
Julia Lungu
Aisling O'Dea
Ben Ponton
Contributors:
Tommy Aashildrød
The Alaska None
David Allison
Christopher Alvarado
Mkl Anderson
Carsten Aniksdal
Artificial Memory Trace
Matt Atkins
Nigel Ayers
Simon Balestrazzi
Stephen Bishop
Sergey Bulychev
Matt Burnett
Dave Burraston
Ed Carter
Kim Cascone
Don Clemenza
cl0v3n
Chris Connelly
Dane Law
Thomas Dimuzio
Pablo Diserens
Anthony Donovan
John Duncan
Kate Ellis
Steve Fors
Clive Graham
Scot Jenerik
Jean Johnson
Dan Joseph
Evan Henderson
Robert Henke
May Haliburton
Mark Hand
Jim Haynes
Liz Helman
Jack Hertz
Kathy Hinde
Marc Hurtado
France Jobin
Andreas Karperyd
Katpis Tapes
Fergus Kelly
Julia Kent
Jon Lee
Edvard Graham Lewis
Andrew Liles
Malcolm Lindsay
Marco Lucchi
Patrick Tubin McGinley
Grey Malkin
Robert Mazrim
Radboud Mens
Emmanuel Mieville
Abul Mogard
James Murray
Philippe Neau
Adi Newton
B J Nilsen
Mike Nolan
nula,cc
Aisling O’Dea
Orphax
Mike Orr
Chris Osborne
Daniel O’Sullivan
Ivy O’Sullivan
p_fish_mani
Filippo Panichi
Lee Paterson
PBK
Ben Ponton
Colin Potter
Nicola Quiriconi
Audrey Redpath
Ivan Ristić
Carla Santana
Paul sawford
Janek Schaefer
Second Harmonic Generation
Simon Šerc
Tim Shaw
Chandra Shukla
Clodagh Simonds
Steven R. Smith
Jos Smolders
sp3ct3rs
Julia Spooner
Mayor Stubbs
Bill Thompson
VIVIB
Frans de Waard
Warm Digits
Simon Whetham
Gary Wilkinson
Pete Woodhead
James Wyness
Zach Zinn
all rights reserved
Dancing Alone.
A Meat Poetry Tabloid. 1960. Santa Monica, California. Paintings & Poetry by Charles Bukowski, Steve Richmond, John Buckner.
#fuckhate
Bandcamp
1. Bandcamp pays musicians 85% of what you spend. On Bandcamp Friday, it pays 100%.
Yes, that’s correct. Bandcamp typically takes a 15% commission on digital sales, allowing artists to receive 85% of the revenue. On Bandcamp Fridays, which started in March 2020, Bandcamp waives its revenue share, so artists receive 100% of the sales.  
2. You can download as many times as needed and stream the songs in your collection forever.
Yes, once you’ve purchased music on Bandcamp, you can stream it indefinitely from your collection and download it multiple times in various formats. 
3. The major DJ stores only pay 60%.
This varies by platform. For example, iTunes takes a 30% commission on sales, meaning artists receive 70%.  Specific figures for other DJ platforms aren’t provided in the available sources, so the 60% figure may not apply universally.
4. Major streaming doesn’t pay underground musicians at all.
Major streaming services do pay artists, but the amounts are often minimal. For instance, Spotify pays between $0.003 and $0.005 per stream, which can be challenging for underground or independent musicians to earn substantial revenue without a large number of streams. 
5. Bandcamp has paid independent musicians $1.45 billion.
As of the latest available data, fans have paid artists and their labels $1.46 billion using Bandcamp. 
In summary, Bandcamp offers a more artist-friendly revenue model compared to many other platforms, especially during Bandcamp Fridays. It also provides flexible streaming and downloading options for fans. However, revenue shares on other platforms vary, and while major streaming services do compensate artists, the per-stream payments are typically low.
“Restrictions do not apply” have a pleasant journey! https://www.juno.co.uk/products/mark-hand-neil-holiday-in-beta-centauri/842619-01/
Buy Holiday In Beta Centauri at Juno Records. In stock now for same-day shipping.
TH Pressing’s new EP “Wishes & Memories Vol3” 😊 4 tracks of deepness by Tominori Hosoya, Trinidadian Deep, Shaka and myself. Available in the UK from Juno Records soon. It took a while for this to come together but I’d like to say a huge thanks to Tominori for making this happen. Thanks for the support. X ✌🏼❤️ #deephouse #housemusic #techhouse https://www.instagram.com/p/CReTE1yBwUh/?utm_medium=tumblr
Working on it... https://www.instagram.com/p/CD_lqU1ggAG/?igshid=165ojr63a6u5p
Prior to the 20th century, and the emergent dominance of equal temperament, the association of emotions with particular musical keys was common practice.
The Black Glass Ensemble recently revisited this historical alignment of sound and emotion to offer a brief ‘embrace’ in B Minor - the key associated with patience.
The initial embrace, featuring the 8 musicians of the Black Glass Ensemble and guest Colin Potter, with whom they had been due to perform prior to the Covid19 lockdown, was well received. Consequently, Black Glass sought to widen the reach of their embrace to other musicians to make a more comprehensive piece of work.
The response was unprecedented. 104 musicians returned 247 individual musical tracks to be mixed into this present arrangement.
The full 38’ 50” minute work, “Be Mine in Patience: an Embrace in B minor” is made freely available in the hope that this extended embrace may help in some small way to nurture strength, fortitude and comfort.
credits
released June 15, 2020
Black Glass Ensemble and Friends
Be Mine in Patience: an Embrace in B minor
Arranged and produced by Michael Begg
Cover Image by Ben Ponton, used by permission of Sue Cannon
The Black Glass Ensemble:
Michael Begg
Douglas Caskie
Jen Cuthbertson
Neil Cuthbertson
Clea Friend
Julia Lungu
Aisling O'Dea
Ben Ponton
Contributors:
Tommy Aashildrød
The Alaska None
David Allison
Christopher Alvarado
Mkl Anderson
Carsten Aniksdal
Artificial Memory Trace
Matt Atkins
Nigel Ayers
Simon Balestrazzi
Stephen Bishop
Sergey Bulychev
Matt Burnett
Dave Burraston
Ed Carter
Kim Cascone
Don Clemenza
cl0v3n
Chris Connelly
Dane Law
Thomas Dimuzio
Pablo Diserens
Anthony Donovan
John Duncan
Kate Ellis
Steve Fors
Clive Graham
Scot Jenerik
Jean Johnson
Dan Joseph
Evan Henderson
Robert Henke
May Haliburton
Mark Hand
Jim Haynes
Liz Helman
Jack Hertz
Kathy Hinde
Marc Hurtado
France Jobin
Andreas Karperyd
Katpis Tapes
Fergus Kelly
Julia Kent
Jon Lee
Edvard Graham Lewis
Andrew Liles
Malcolm Lindsay
Marco Lucchi
Patrick Tubin McGinley
Grey Malkin
Robert Mazrim
Radboud Mens
Emmanuel Mieville
Abul Mogard
James Murray
Philippe Neau
Adi Newton
B J Nilsen
Mike Nolan
nula,cc
Aisling O’Dea
Orphax
Mike Orr
Chris Osborne
Daniel O’Sullivan
Ivy O’Sullivan
p_fish_mani
Filippo Panichi
Lee Paterson
PBK
Ben Ponton
Colin Potter
Nicola Quiriconi
Audrey Redpath
Ivan Ristić
Carla Santana
Paul sawford
Janek Schaefer
Second Harmonic Generation
Simon Šerc
Tim Shaw
Chandra Shukla
Clodagh Simonds
Steven R. Smith
Jos Smolders
sp3ct3rs
Julia Spooner
Mayor Stubbs
Bill Thompson
VIVIB
Frans de Waard
Warm Digits
Simon Whetham
Gary Wilkinson
Pete Woodhead
James Wyness
Zach Zinn
all rights reserved
#blacklivesmatter 🖤 https://www.instagram.com/p/CA7Vqmrgqqf/?igshid=bfbwyxd7hl92
12 Likes, 3 Comments - Mark Hand (@markhandsound) on Instagram: “#ambient”
Take My Heart. A rework I’ve recently done for @portableakabodycode with good company. Out now #house #deephouse #markhandsound #electronicmusic https://www.instagram.com/p/CAupkRuAmha/?igshid=ovytu8mjln5
Some good news for the good people who are still buying vinyl. Mine & @steven_legget EP with @mrgregblackman is now in stock and on the shelves. Thanks very much for any support ✌🏼x #house #apollorecords #vinyl https://www.instagram.com/p/B-h2Q-DgDIK/?igshid=1dryc78541251