Bruno Monguzzi, Sophie Taeuber-Arp 1889-1943, Museo Cantonale d'Arte, Lugano, May 27 – July 16, 1989 [Museum für Gestaltung Zürich]

Kiana Khansmith
untitled

tannertan36
Not today Justin
𓃗
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EXPECTATIONS
Fai_Ryy
taylor price
Xuebing Du
No title available

Andulka

izzy's playlists!

Love Begins
PUT YOUR BEARD IN MY MOUTH
Noah Kahan
Cosimo Galluzzi
Cosmic Funnies
Keni
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@martha-in-paris
Bruno Monguzzi, Sophie Taeuber-Arp 1889-1943, Museo Cantonale d'Arte, Lugano, May 27 – July 16, 1989 [Museum für Gestaltung Zürich]
Babushka Cat Prints and Stickers // Selynn Draws on Etsy
Gröb specimen
Patent eye rest and invigoratorÂ
c1899
Lynne’s Loom, 2020
(via «warp and weft» magazine)
trop trop beau
L’architettura degli arberi, Cesare Leonardi et Franca Stagi
Lygia Pape, Untitled, from the series ‘Tecelar’, 1956
Effraction Série de dessins à l’encre de chine au parc des Buttes Chaumont (Paris)
https://www.instagram.com/magalibrueder/
Richard Long, River Avon Book, 1979, Edition of 106 [Tate, London]
«Long created the pages of this book by dipping sheets of paper into silty wet mud taken from the River Avon in Bristol. He then hung up each sheet to allow the water to run off, leaving streaks of dried mud on its surface. […] Although he has also worked with mud taken from other rivers, Long frequently uses mud from the River Avon and has even taken it abroad for use in exhibitions. […] River Avon Book is unique due to the method of its creation, but Long used the same technique to create an edition of 106.» – Ruth Burgon, Tate, London, January 2012
Virginia Woolf, Kew Gardens, With woodcuts by Vanessa Bell, Hogarth Press, Richmond, 1919 [Yale University Library, Beinecke Rare Book and Manuscript Library, New Haven, CT]
Vanessa Bell <3
Dernier dimanche à travailler sur mon diplôme. Mercredi tout cela sera fini. Je ne sais pas trop quoi en penser, je n’arrive plus à voir ce que j’ai fait, à avoir un jugement objectif sur les choses. J’ai l’impression que tout est moche alors que beaucoup de gens me disent le contraire. C’est assez déstabilisant. Là il me reste juste à finir un pdf, ma scéno et à réviser l’oral. Je commence à avoir hâte de discuter avec le jury. La suite qui m’a fait peur pendant des mois, je commence même à en avoir hâte.
1972 Pyrex Catalog (via: Corning Museum of Glass)
Juan Carlos Distéfano, Rubén Fontana, and Carlos Soler, Olivetti: Diseño y Productos, 1967 [Fondazione Adriano Olivetti, Ivrea (TO) and Roma]. Plus Centro de Artes Visuales del Instituto Torcuato Di Tella,  Buenos Aires
Juan Carlos Distéfano, Rubén Fontana, and Carlos Soler, Premio di Tella 64, Centro de Artes Visuales del Instituto Torcuato Di Tella, Buenos Aires, 1964 [MoMA, New York, NY]
sometimes i forget how many times i’ve picked myself off the floor, how many times i’ve washed away smudgy makeup and put myself to bed. how many times i’ve said no to something unhealthy. said yes to something good. how many times i’ve treated myself with kindness and patience. i forget how many times i’ve tended to wounds and made peace with my own anger. if i was taking care of a body that was not my own, i’d believe i was doing everything i could. so here’s to remembering that i’m doing the best i can.
three 2019 Japanese stamps from a summer series
[id: three postage stamps, all with heavily stylized and colorful illustrations. the left depicts the sun, the middle depicts both a slice of watermelon and a whole watermelon, and the right depicts three koi. end id]
Lunch  -  Frans Toikkanen , 1978.
Finnish,1926-2008
Mezzotint , 3/50  , 29.5 x 23.5 cm.