Martin Kolsrud

Oslo based artist

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https://golsa.no/projects/got-it-for-cheap-15

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Sommerøya satser på kunst, og det skinner tydelig igjennom | Subjekt

Subjekts review for the artworks at #Sommerøya

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sommeroya | Martin Grønbakk Kolsrud

Sommerøya is an open air festival in Oslo, Norway which presents highly topical electronic music & contemporary art.

I’m exhibiting my exam piece from #khio @sommerøya this weekend in #ekebergparken

«Det kunne være forhindret» aka «Defence mechanism»

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«Det kunne vært forhindret» aka «Defence mechanism» (2018)

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Homepage for our graduation show;)

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I did an experiment where I burned a woodcut plate covered in clay in the ceramic oven. And the result was quite fascinating, especially for me who rarely make anything in ceramic. The resin and glue from the plywood made a chemical reaction during the fire and an orange color appeard as well as a glaced parts of the ceramicplate

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MFA thesis delivered and postcards ready for the final exam exhibition at Oslo National Academy of the Arts 1st of June! Hope to see you there

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Studio space anthem

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Peter Fischli & David Weiss

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The Emancipated Spectator - Jacques Rancière, Mårten Spångberg and Steven ten Thije

Live stream recording 2015-03-25 - De Appel arts centre and Octavo Publications warmly invite you to celebrate the launch of the Dutch translation of Le spectateur…

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Goodbye winter

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Rig-fences around in Oslo

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Work in progress

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Studio space

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Im Blond No More (2017)

Just like Tobey Maguire states in the most nerdy way in Spider-Man 2 from 2004 when he says “I´m Spider-Man no more”, I wanted to let everyone know -Im blonde no more.

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Rosalind Krauss on The Postmodern Dilemma - Video Dailymotion

Art critic Rosalind E. Krauss discusses the postmodern dilemma in which we see "an extraordinary conformity ... despite the seeming pluralism." She states that: "Somehow, reality has been swallowed up by a television tube [and] we are trapped in ... a world of shadows, a world of simulations, rather than a world of real things. ... Certain artists have dedicated their work to the problem of how to break through this wall." From Art of the Western World: In Our Time.