Four Weeks in pen and ink.

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@mayamehrotra
Four Weeks in pen and ink.
excerpts from a book I made called CVS Hellscapes! this was a part of my thesis, "suburban gothic".
some little pen and ink portraits of me as a kid
self-portrait embroidery ✨🐬
this dog i met had to have her legs shaved for surgery
an old picture of my wall ft. my beloved danny devito painting
Mock-up comic book cover for a potential future project.
Good ol' Edgar Allan Poe in pen and ink.
1:30 AM, 54x55". Acrylic and collaged paper.
a flag book i made to practice bookmaking techniques. the photo is an old one from life magazine, i just chopped it up a bit.
postcards for friends! used trace printmaking and collage to recreate some A+ friendship moments
train at night
The reflection of the inside of the train in the window is meshing translucently with the outside world. It creates a second car, a ghostly companion to the vessel carrying me home. In tandem, people come and go, strangers drifting into sleep, temples against cold windowpanes, cold windowpanes against ghostly temples, rocking together with the gentle sputters and creaks of a functioning vehicle. There is a quiet sense of solidarity in the air. People retreat down the steps and pass by the window, their bundled figures passing through the reflection of their vacated seats.
It’s almost like a picture show, the scenery outside. Different mindsets would lead you to different conclusions, but to me, on this night, it seems comfortable and routine. Drifting past intermittently lighted windows, I see silhouettes of people inside, bits and pieces of their lives overlapping with mine in one unknowing moment. As we proceed, the perspective of the rooms change, giving me a shadowy snippet of the interior. I tend to wonder what moment I’ve seen. Was it a small interaction, a lonely night, a tearful goodbye? I’ll never really know, just what my gut tells me and what I convince myself is true. I guess that applies to a lot of things. Like the motion of the train. If I try hard enough, I can briefly convince myself that the train is moving in the opposite direction. It’s dark, so if we’re passing a tree-filled area, streetlights and my peripheral vision won’t ruin my focused illusion. It’s strange to think that false beliefs can seem so real sometimes. Even when you know in the back of your mind that you’re fooling yourself.
The spell is broken with the hissing halt of the train. Doors open and cold air seeps into the thick artificial warmth; it dissipates towards me like a gradient of temperature, sending a chill through my body. I step off at the final stop and shake away my thread of introspection.
my scanner is bad but i think you get the point- presenting my one and only self-portrait zine!
jell-o in oil paint. from life. one of my favorite things i've ever painted- melted like a swamp monster under studio lighting.
self-portrait from life in charcoal. did this during my final portraiture class at tyler!
something i drew directly before a panic attack
hopes and dreams