The second step in creating my Russian nesting doll sticker was Figuring out the inner designs. After getting my base down, I wanted to ensure the details were perfect! 🎎
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The second step in creating my Russian nesting doll sticker was Figuring out the inner designs. After getting my base down, I wanted to ensure the details were perfect! 🎎
Here is the first step I took when designing my Russian nesting doll sticker: Figuring out how I wanted the head and body to look. I'm proud of myself for not just going with the first sketch I came up with. That is a mistake I made a lot when I was making art growing up. Through experimenting, I was able to refine the design and make it more appealing. I also ditched the original "kewpie" look I was going for in favor of something that worked better.
I've been working on some sticker designs and here's something I came up with. After pushing myself out of my comfort zone for the last few months, its nice to do something fun and self-indulgent.
i think i have the most fun watching all the brothers make dumb faces whenever leo does anything
here’s a basic but really messy guide on how to really pull off that shape-heavy 2000’s Cartoon Network artstyle, a lot of people ask how I make shapes “work together” so I will reveal my secrets….Just this once. Hopefully this makes some sense
there's no more ipad babys in 2066 on account of the war
Thank God.
video game fruits!! 🍓
Hayyyyyyyy Joan of Arc here.
Johannes Itten, Variation II, 1957.
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IMPORTANT
I explain it more here but please people who are rightfully shitting on Velma, take some of that vitriol and aim it not just at Mindy Kaling, but at the show's writer Charlie Grandy, who is yet another mediocre white guy pretending to be woke and feminist so that the studio can get brownie points without actually investing in diverse hires
THIS THIS THIS THIS THIS
Posters from the National Drugs Helpline's 1998 "Know The Score"
Hello, this may sound silly but i'm currently enrolled to attend Art Center next year but, upon consideration (also the fact i have no money that i've had to push my acceptance by a YEAR) and your own information, i'm thinking of dropping the school altogether and going to a cheaper option (LCAD being a better option in my option) so i was wondering if i'm being rash in this idea? I know ArtCenter has a lot of name recognition, internship, and career help, but is that worth going into dept for?
i get a lot of asks from people who ask me if they should go to art school and my answer is always just “hell no no”, so i think i will make this my master Don’t Go to Art School post.
ok here’s the bottom line: just don’t go to art school. don’t go!! don’t go to any accredited art school!! unless you have a full ride scholarship or close to it, don’t go!! literally every working professional i have met since graduating a year ago has agreed with me. we love to get together and bitch about how art school is a waste of time and money.
an education at art center will cost you about $200,000 in tuition alone. lcad isn’t much better and runs about $120,000. during my time at art center, i had a scholarship and help from my parents and i still owe $30,000 in student loans.
and honestly art center didn’t help me get the job i have today. literally all it did for me was introduce me to talented and friendly people who are willing to extend a hand to help each other out in the field. but making friends shouldn’t have to cost you $200,000 lmaooooooo.
here’s my super simple guide to getting a job in animation:
1. move to L.A. this is non-negotiable. all the studios are here. i’ve had uber drivers that have studio hookups and i’ve been offered jobs just sitting in a cafe in burbank and drawing. just existing in the epicenter of animation is an advantage.
2. welcome to L.A! it’s really hot here but i hope you enjoy it. now that you’re here, let’s not go to art school.
3. here are some much cheaper options:
http://2d.cgmasteracademy.com/
http://conceptdesignacad.com/
https://animationguild.org/about-the-guild/education/
https://www.schoolism.com/school.php
https://www.facebook.com/WillB.Weston?fref=ts (one of my old teachers from art center teaches a ton of workshops and classes all around town
and if you absolutely insist on going to some kind of 4 year college-like thing, try http://laafa.org/. it is about a quarter of the cost of art center, which is still pretty steep imo, but is just as good.
4. i’m even going to give you a cheat guide on what you should study (all of this you can find online for free btw!! just google it!! damn just try pinterest even!! or buy a book!!), based on what i studied at art center. design, composition, perspective, anatomy, color theory, costume design, light logic, visual storytelling, character design, character acting, storyboarding, prop design, background design, environment painting, style development. there ya go that’s all you need to know.
5. lock yourself in a studio apartment for 4 years and practice all the above everyday.
6. study the work of artists working in the field that you admire. do what they do, then put your own heart into it. make work relevant to the industry today. know what your goal is. like literally, having access to soooo much artwork from working professionals on a daily basis is almost like cheating.
7. http://centerstagegallery.com/csg/csg-sketch-group/ and http://www.thedrawingclub.com/ go here and draw when you have free time. make friends with other artists. join a plein air painting club, or do a workshop, or ask for a mentorship. talk to people in the field!! make friends!!
8. make really good work and put it online. everywhere. share it!! have a website! contact recruiters! contact studios you like and ask them when they have internships open!
9. go to CTN every year and bring your portfolio. sign up for portfolio reviews. bring cards with you. ask the recruiters about internships.
10. congrats u now have a pretty good chance of getting a career in animation and u didn’t spend $200,000 for it.
i may sound bitter and jaded about art school (and maybe i am……..a little…….) but honestly i’m way more excited because after a year of working in the industry and meeting people who either didn’t go to art school or went to shitty no-name schools, i am super passionate about the fact that we live in a day and age where anyone who’s willing to put the work in and discipline themselves can develop the skills to become a professional artist without going to school. art is for everyone!! not just people who can afford school! art is fun! and great! and i want everyone who is passionate about it to succeed and not let the obstacle of $$$$$ stonewall them out of a career they’ll love!
don’t go to art school!!!!!!!!!!!!!!
How TV Cartoons Are Made - A (Mostly) Simplified Guide
When I was in school and wanted to work in animation, there was very little information about how cartoons are actually made. Even my professors at college knew very little about the industry as it is today. I’m sure it would’ve been better to study somewhere in California (like CalArts) to be better informed about this stuff, but I didn’t have that opportunity.
Nowadays, many kids in school have a dream career that they don’t really know much about. There’s a lot of missing bits of information and a lot of straight up lies that get circulated as fact as people try to scramble to put the pieces together on how cartoons for television are actually made.
I’ve been storyboarding for television for a while now, and there still aren’t clear resources for those wanting to get into the industry. I wanted to make the basics available to everyone, so here’s a quick rundown through the TV pipeline. Please note: all studios and productions are different. Even cartoons made within the same studio could have wildly different production guidelines. This is not a concrete explanation of how every cartoon is made; this is simply a generalized look at the “typical” television pipeline.
**DISCLAIMER** All images in this post have been sourced from blogs, twitters, scribd and flickr pages are publicly available, and no internal studio materials have been used that have not been already published publicly online. This post is influenced heavily by my own individual experience, as well as friends’.
With that said, this might be a lengthy read, so let’s go!
Keep reading
I know this is lengthy, but if you’re in art school studying animation, thinking about a career in animation, or just want to learn more about the TV animation industry, this is a MUST READ!!!!
Seriously. A lot of this stuff I had to learn on the job the first few weeks working in the TV animation industry. I really really wish professors taught me this stuff in college. This is invaluable information, folks.
shes pretty
Woman’s Day December 1956