"I'm Dorothy Gale from Kansas"
DEAR READER

★
KIROKAZE
macklin celebrini has autism
Cosmic Funnies
hello vonnie

blake kathryn
tumblr dot com
Jules of Nature
Peter Solarz
RMH
occasionally subtle
NASA

JVL
cherry valley forever

Product Placement
Lint Roller? I Barely Know Her

roma★
taylor price

seen from South Korea
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@metablack
Gary McCoy
Columbia Tribune
2014
Empress Of
"Champagne"
Union League Club of Chicago
website homepage header image
2014
xaviera simmons
Beyond The Canon Of Landscape 2008
https://vimeo.com/92456841
Mores Mcwreath
Identity Tourist
2014
It is not coincidental that hip hop has made Ni@$a the most common noun in popular music but you have almost never heard any certified thug utter the word cracker, ofay, honky, peckerwood, wop, dago, guinea, kike or any other white-oriented epithet. The reason for that is simple: Massa ain’t havin’ it. The word fag, once a commonplace derisive in the music has all but disappeared from hip hop’s vocabulary. (Yes, these thugs fear the backlash from white gays too.) And bitch is still allowed with the common understanding that the term is referring to black women. The point is this: debasement of black communities is entirely acceptable—required even— by hip hop’s predominantly white consumer base.
We Still Wear The Mask— William Jelani Cobb (via afrometaphysics)
Richard Prince
Guardian, 2008
[get the slave look]
If you happen to be shopping at the Oxford branch of the British supermarket chain Sainsbury’s anytime soon, you might come across a display featuring DVD’s of “12 Years a Slave” — and an accompanying mannequin dressed up like the film’s main character, Solomon Northup:
For reasons unknown, an Oxford branch of the supermarket embellished its DVD and Blu-ray stand for Steve McQueen’s film about the horrors of slavery with a mannequin wearing a similar outfit to that of protagonist Solomon Northup.
Looking defiantly summer-ready, the mannequin wears a loose-fitting, holey beige shirt and black trousers, completing the look with a twig in the front pocket.
Backed by spindly branches and standing next to a plaque that shouts ‘NEW’, it wears a tag around its neck bearing the price of the recently-released DVD, suggesting the clothes themselves are'nt for sale, though the juxtaposition is a strange one nonetheless.
Adrian Piper,
Funk Lessons
Trenton Doyle Hancock Self-Portrait with Tongue, 2010. Acrylic, mixed media on paper. 16 x 13 1/2 in.
ebola
George Condo