If I were greatly involved in developing a biopic about Napoleon II (directed by Michael Bay and Sam Levinson) ā I'd cast: Noah Schnapp as him, Dakota Johnson as Sophie, Jared Leto as Metternich, Chris Pratt as Prokesch, Gal Gadot as Marie Louise, Sydney Sweeney as Fanny Elssler, Vin Diesel as ghost Napoleon, Willem Dafoe as the emperor/his grandfather. And in the post-credits scene, to set up the sequel: the future Napoleon III as The Rock and Alexandre Colonna-Walewski as Danny Devito.
(I'm kidding, obviously, I'd rather throw myself off a cliff if this happens... but it feels like I'm wishing for it as I'm saying this, so I swear, I'm not šš)
But jokes aside, if you (yes you š) were making a biopic about Napoleon II ā what would you include, not just the casting? Because despite the obvious fact that his father is undoubtedly famous, I'm still personally craving more of Napoleon II in movies, TV series or something lol.
HOW DARE YOU TRAUMATISE ME LIKE THIS ššš
Okay so please keep in mind that this is just my personal taste in how films should be made and it is not objective!
So there are two biopics about Napoleon II, LāAiglon (1931) and Napoleon II LāAiglon (1961), and he also features as a main character in the romance film Fanny Elssler (1937). There have also been other films featuring him in the 1910s,20s,30s but sadly they appear to be lost media so I am going to base my judgments solely on the three surviving films!
All of them are deeply inaccurate to varying degrees, both in terms of events and characterisation. The 1931 film was based on the play LāAiglon by Edmond Rostand, which is very inaccurate for a variety of reasons, partially because Rostand was influenced by anti-Austrian prejudice in pre-ww1 France. The 1961 film is also based on that play, but also with inspiration from the biography of Napoleon II by Andre Castelot, which is quite a bad biography in my humble opinion. As for the 1937 film, I donāt have any proof of this but I believe it took inspiration from the biographies by the Austrian historians Edouard Wertheimer and Jean de Bourgoing due to some of the details featured in the film which are only written about in those biographies, however despite being based on the best sources the 1937 film takes huge liberties as it is a romance drama about two people who never met.
The 1937 film is also deeply problematic because it was made in Nazi Germany and although it isnāt overt propaganda it does perpetuate Nazi ideology by creating a romanticised version of 19th century Austria where everyone is Aryan (completely erasing the Jewish and Slavic communities which existed in Vienna in Napoleon IIās time). The film is also part of a movement in Nazi propaganda of appealing to French nostalgia for the Napoleonic era in order to gain French support for Nazism. Thereās also a scene in the film where South East Asian culture is appropriated which is really gross.
So before I say anything in praise of elements of the 1937 film from a historical perspective, I just want to make it really clear that the film is really awful and I do not approve of its messaging at all!!!!
I really donāt know much about modern actors so my casting ideas will just be based on old films sorry š
Out of the actors who played Napoleon II in the three films mentioned above - Jean Weber in 1931, Rolf Moebius in 1937, and Bernard Verley in 1961 - I would say that Rolf Moebius is the best in terms of both appearance and performance. I did some research into his life story which was super crazy because in 1938-39 he became a literal Nazi poster boy because of the film contract he had signed in order to act in Fanny Elssler but then he got conscripted in ww2 but then after the war he became very politically progressive and acted in East German communist romance movies which is a crazy political glow up š But anyways I found out that he was a complete unknown before he was cast as Napoleon II, he only got the role because he was the understudy for a minor role in a play in Berlin and it just happened that he ended up playing the role on the night that a movie executive went to see the play, and generally I think that casting unknown actors is the best way to get a good actor to play a historical figure!
As well as bearing a physical resemblance to Napoleon II, I think that Rolf Moebius played him with a surprising level of depth and maturity given that he was only 21 when it was filmed - apparently his mother died when he was 15, and you can really tell in some of the scenes in this film that his portrayal of Napoleon IIās depression came from personal experience.
As for casting other characters, I havenāt thought about it very deeply, but something that is absolutely essential is that Prokesch needs to be played by a hot guy because I feel like itās crucial information that everyone thought he was gorgeous.
Some things that I would generally like to see in a film about Napoleon II are:
- more extensive filming permission in Vienna please! the films about him evidently had quite limited filming permission which I think perhaps limits films ability to portray the decadence of the Habsburg court. I also think it would just make a film feel more grounded in reality if Napoleon II was shown walking around the old parts of Vienna or being moody in his room in the Hofburg or going to church at the imperial chapel, rather than just the basic shots of Schƶnbrunn Palace that feature in every film
- less romance! Ideally there would be at least one film about him without a fictional romance, but alas š itās fine to include some of his brief flirtations but I feel that the films about him make romance more important to his life than it actually was
- more friendship! I think the close friendship between Napoleon II and Prokesch was really cute and also a really important part of his life story
- worse mother-son relationship! both the 1931 film and the 1961 film show Napoleon II reconciling with his mother on his deathbed, unfortunately that was not the case irl and I would like a film to show how cold their relationship really was and how deeply he was hurt by his mothers actions
- less French politics! I know this will sound crazy, but I think that films focus too much on his desire to return to France and not enough on his support for the Polish uprising or his interest in non-French history
- less evil Metternich?! look, as much as I hate Metternich, films need to stop portraying him as an evil mastermind. irl he was more of a yucky slimy loser who bullied his employees and panicked about the fact that he had no idea what to do with Napoleon II. I think we need a film to include that one time Metternich got really embarrassed when Napoleon II was mean to him while Ferdinand was getting crowned king of Hungary. except none of these films acknowledge the existence of Ferdinand which brings me onto my next pointā¦
- more Habsburgs! all the films about Napoleon II are made by people who only care about the Bonaparte side of the family and it really shows lol. I think that depicting his relationships with his family (specifically his admiration for his great-uncle Johann, his willingness to defend his uncle Ferdinand from mean rumours, and his weird one-sided beef with his uncle Franz Karl) reveal a lot about his personality. I also need there to be a scene of him playing toy soldiers with baby Franz Joseph.
wow sorry this was so long š
treat for anyone who read this far: š°šš