MICK TAYLOR backstage prior to the Stones' performance at the Palais des Sports in Paris, September 24, 1970
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MICK TAYLOR backstage prior to the Stones' performance at the Palais des Sports in Paris, September 24, 1970
MICK JAGGER, MICK TAYLOR, and CHARLIE WATTS backstage prior to the Stones' performance at the Palais des Sports in Paris, September 24, 1970
I was always able to squelch him — I found out, you stand up to Mick, he crumbles.
Anita Pallenberg, quoted in The Rolling Stones and the Death of the Sixties by A. E. Hotchner.
Some 35mm photos of Marianne
From tracksltd
The photos I shared of Marianne are taken at Camden, 1977
Jenny Brown remembers handwriting the invitations. It was a hot Thursday night in February 1973, the night before The Rolling Stones were due to roll into Melbourne; the night before the Stones’ scheduled afternoon press conference in the mud-brick surrounds of the artist colony at Montsalvat; the night before Brown’s full moon twenty-first birthday pool party at her parents’ home in North Balwyn.
Brown decided to invite the Stones. ‘What can I say?’ she grins, as we order breakfast at the Northcote cafe where her daughter was working. ‘It was a brave time.’...
A sensational party,’ says Brown. ‘It was one of those parties you’d want to have if you were turning twenty-one and you were in the rock press.' And, then, The Rolling Stones came. ‘They just sort of materialised, like this amazing mist. I think it was about 3 a.m. Things were getting quieter. And lo and behold this limo pulls up out front.’
Through a side gate and into the Japanese-style garden area wandered Keith Richards, Mick Taylor, horn player Bobby Keys and some road crew. ‘It astonished me they came that late,’ says Brown, ‘because we all knew they had a noon show at Kooyong the next day.’
Taylor had a conversation about architecture with Jen’s mother. ‘He was very interested that Robin Boyd had co-designed the house with my father and I remember this very beautifully dressed, stunning and quite shy young man talking at length to Mum.’
Keith stayed outside, smoking in the Japanese garden. ‘A beautiful spot. Dad had built it with a little platform out over a small waterfall, and a pond, and a weeping cherry.’...
She remembers Keith decorating the room. ‘He was saying “the room’s too bright”, and he put scarves over the lights, really nice-looking scarves. He made it look more like a pirates’ cove.’
She goes on: ‘Most of the coke went to Keith. The pretty one, Mick Taylor, he might have had some. I know that soon after I came back they all started playing cricket with the crockery. Up and down the hall. They were using the cups as balls.’
I ask if the cricket-loving Jagger was involved. Karen shakes her head. ‘I hardly saw Mick. He was in his room the whole time, locked in. It was actually quite weird, I thought. They had this joke going where they’d call him a girl’s name, “Mabel” or “Martha” or something. “Mabel’s in her room, she’s carrying on again.”’
Rest in peace Marianne
1946-2025 🕊️
Incredibly saddened to hear about the passing of Marianne Faithfull (1946-2025) who passed away January 2025 at the age of 78. She was and will forever be a big inspiration to me. She was an outstanding woman who fought hard until the end, I will miss her so much.
Thank you for everything, Marianne.
Photo: Marianne Faithfull at the airport, 1969.
"Jagger treats him gently for he seems rather fragile"
Australia, February 1973
Rolling Stones; perform in Hawaii, January 1973
"At the hotel, Charlie Watts and Mick Taylor are hanging around, nothing to do, shrugging, almost, to show their helplessness. It’s dinner for five at Wo Fat, this garish red and gold facility for baby luaus and Cantonese food. It is a social gathering and the talk is light. Taylor tells why he’s so quiet on the stage: “I don’t want to upstage Mick.”
Ben Fong Torres
Keith Altham: “Is Bobby Keys, for example, any less of a Stone than Mick Taylor now?”
Mick Jagger: “Oh, well he’s not in the room, has this gone out? No, Bobby played a little on this album, not very much. Mick Taylor contributed a lot to it because he was there in all the sessions...Mick Taylor really contributed an awful lot, y’know, to this album.”
Angie was recorded in late November and December 1972.
"I've said about a hundred million times that it wasn't (about Angela Bowie)… I don't think I had even met Angela Bowie when I wrote the rest of the lyrics." Mick Jagger
"Then what about all the wild speculation concerning who or what the real Angie was? Here are just a few of the names that have been floated over the years: Marianne Faithfull, Anita Pallenberg, Mick Taylor, Angie Bowie, Angie Dickinson, Dandelion Angela Richards." Pete Fornatale
most people are so fucking dumb really...Keith wrote most of the song so why the fuck would it be about Angie Bowie...
Mick actually wrote most of the lyrics:
Keith: "I had the whole chord sequence down maybe a year ago with just the title Angie. It could have been Randy or Mangy or anything, you know, but Mick just picked up on the title and wrote a song around it."
Keith: "The basic melody and the title were mine."
Mick "Keith wrote the first line, I think it was his daughter (Angela). It was about love coming to a full stop. The actual name, I'm not sure where it came from, it's not about Angela Bowie. I think it's Keith's daughter's name."
they always say different stuff...Keith said this most recently in 2020, which I trust most tbh cause he wasn't still drunk 24/7 then lol:
(I wrote that) out of sheer boredom. My daughter Angie had just been born recently. The weird thing is, at the time, we didn’t call her Angie, because that was actually a name given to her by Roman Catholic nuns, because she was born in a Catholic hospital. You have to have one (from) this list of names. Anita was calling her things like Dandelion, you know, it was that time. But weirdly enough, the Angie thing always stuck in my mind. And that was actually the name later on she chose to go by.
So yeah Mick was right, the name is about Keith's daughter...Mick said another time that he just filled in the gaps and that it's Keith's song which he is right with giving Keith credit for because Keith came up with it, so it's obviously Keith's song and therefore ridiculous to be about Angela Bowie 🙈
I'll go with what they (especially Mick) said at the time, not whatever Keith said 50 years later..
Mick Jagger: “Mick Taylor’s started to sing, he’s singing on a couple of tracks – shyly, but he’s there.”
Angie was recorded in late November and December 1972.
"I've said about a hundred million times that it wasn't (about Angela Bowie)… I don't think I had even met Angela Bowie when I wrote the rest of the lyrics." Mick Jagger
"Then what about all the wild speculation concerning who or what the real Angie was? Here are just a few of the names that have been floated over the years: Marianne Faithfull, Anita Pallenberg, Mick Taylor, Angie Bowie, Angie Dickinson, Dandelion Angela Richards." Pete Fornatale
most people are so fucking dumb really...Keith wrote most of the song so why the fuck would it be about Angie Bowie...
Mick actually wrote most of the lyrics:
Keith: "I had the whole chord sequence down maybe a year ago with just the title Angie. It could have been Randy or Mangy or anything, you know, but Mick just picked up on the title and wrote a song around it."
Keith: "The basic melody and the title were mine."
Mick "Keith wrote the first line, I think it was his daughter (Angela). It was about love coming to a full stop. The actual name, I'm not sure where it came from, it's not about Angela Bowie. I think it's Keith's daughter's name."
Angie was recorded in late November and December 1972.
"I've said about a hundred million times that it wasn't (about Angela Bowie)… I don't think I had even met Angela Bowie when I wrote the rest of the lyrics." Mick Jagger
"Then what about all the wild speculation concerning who or what the real Angie was? Here are just a few of the names that have been floated over the years: Marianne Faithfull, Anita Pallenberg, Mick Taylor, Angie Bowie, Angie Dickinson, Dandelion Angela Richards." Pete Fornatale
"[Goats Head Soup] was a very tough record to make. I love “Winter” from that."
Andy Johns