【TOH|Emperor Belos/Philip Wittebane-centriclAnimatic】超度我
New video out! ✨ Tried some new moods—feedback & comments welcome. Watch the full video on YouTube @Morphine_JQ,Thanks for watching!
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【TOH|Emperor Belos/Philip Wittebane-centriclAnimatic】超度我
New video out! ✨ Tried some new moods—feedback & comments welcome. Watch the full video on YouTube @Morphine_JQ,Thanks for watching!
🧿Demon🦌
【TOH|Emperor Belos-centric|Animatic】惊蛰正中央
New video is here ✨This time I also tried some new ideas and content! And since today is Chinese New Year’s Eve, wishing everyone a wonderful New Year’s Eve and a Happy New Year~ 🎉✨
Some explanations about the content of this video (?).
The term “惊蛰” in our cultural context symbolizes the sudden spring thunder that awakens everything — the stirring of new life and the arrival of spring. At the very beginning, the sheet music behind Belos is one of Beethoven’s sonatas — Piano Sonata No. 21 in C major, Op. 53, better known internationally as the “Waldstein Sonata.” In our country, it also has anothername: “Dawn.”
He is the one who orchestrates this entire story — like the conductor of a symphony, representing control and order. He is the darkness before the dawn, and he dies under the rain of that dawn, far from his homeland. There’s also the concept of “old” and “new.” Belos represents the old era, while Luz and the main cast embody the new one. When those of the old world remain trapped in the past, they are inevitably replaced by what comes next. Just as the “old one” says in the original series, “Perhaps we were destined to meet.” Yes — because the transition between old and new is itself inevitable. And so, the downfall of the old is inevitable as well.
I also really like the cross and Belos imagery . In my previous animatics, I’ve used symbolism connecting him and the cross, so this time I wanted to experiment with a different visual expression — depicting him in a state of mud, suspended between life and death, partially merging with himself, and then being further consumed by the stag bones. Even in death, he seems trapped here, and in the end, it becomes another cycle.
(I used a translator for this, so I apologize if anything sounds awkward!)
Oooooooh really cool !!!! Thank you for the explanation:)
This is absolutely incredible!!! The transition from him being strangled by his kid self into the cross was amazing!!! Both artistically and from the symbolic aspect of he was driven here by his religious fervor auuuuggghhhh this is so good!!!
So well-said! I need to share this right now🏃🏻💨💨 And thanks for your support!
【TOH|Emperor Belos-centric|Animatic】惊蛰正中央
New video is here ✨This time I also tried some new ideas and content! And since today is Chinese New Year’s Eve, wishing everyone a wonderful New Year’s Eve and a Happy New Year~ 🎉✨
Some explanations about the content of this video (?).
The term “惊蛰” in our cultural context symbolizes the sudden spring thunder that awakens everything — the stirring of new life and the arrival of spring. At the very beginning, the sheet music behind Belos is one of Beethoven’s sonatas — Piano Sonata No. 21 in C major, Op. 53, better known internationally as the “Waldstein Sonata.” In our country, it also has anothername: “Dawn.”
He is the one who orchestrates this entire story — like the conductor of a symphony, representing control and order. He is the darkness before the dawn, and he dies under the rain of that dawn, far from his homeland. There’s also the concept of “old” and “new.” Belos represents the old era, while Luz and the main cast embody the new one. When those of the old world remain trapped in the past, they are inevitably replaced by what comes next. Just as the “old one” says in the original series, “Perhaps we were destined to meet.” Yes — because the transition between old and new is itself inevitable. And so, the downfall of the old is inevitable as well.
I also really like the cross and Belos imagery . In my previous animatics, I’ve used symbolism connecting him and the cross, so this time I wanted to experiment with a different visual expression — depicting him in a state of mud, suspended between life and death, partially merging with himself, and then being further consumed by the stag bones. Even in death, he seems trapped here, and in the end, it becomes another cycle.
(I used a translator for this, so I apologize if anything sounds awkward!)
【TOH|Emperor Belos-centric|Animatic】惊蛰正中央
New video is here ✨This time I also tried some new ideas and content! And since today is Chinese New Year’s Eve, wishing everyone a wonderful New Year’s Eve and a Happy New Year~ 🎉✨
Surprised you didn't put a "why do you sound like my dead husband" joke since Alrick and Belos are both voiced by Matthew Rhys.
WHAT???!! The moment you mentioned it, I went straight back to listen again 🏃🏻💨💨💨And since this is old art, I have to confess—I’m so ashamed I didn’t recognize Matthew the first time,But now I recognize him the second I hear it!? AHHHHHH!!!
Okay thank you, now I know what I need to do (what)
I believe there will be a lot of things to talk about between them
😈Philip👻
I like to draw some monster belos sometimes XD
文盲企图描述复杂关系就如此杂乱无章(流汗)(闭目)(昏迷)
I matched a set of clothes myself, and some of the props are still being made 🏃🏻💨
谁?
wip
Animation …is …so difficult☠️
【TOH|Emperor Belos|Animatic】Butcher Vanity
This is an animation video I made during this year’s Chinese New Year!
(It actually doesn’t have much to do with the festival, lol.)
I’m personally really happy with how it turned out, so I decided to post it here on Tumblr as well.
If everything goes as planned, I’ll probably have a new video coming out on Chinese New Year’s Eve next year.
Anyway, I hope you all enjoy it!
Oh, and Merry Christmas! 🎄✨
I played Disco Elysium before and absolutely loved it, so I tried drawing Belos in a style inspired by the game🔥
🐰:Please come with us
🦁:Officers, I’m sure there must be some kind of misunderstanding…