Figs on Tiles - Kiriakos Tompolidis , 2025.
German , b. 1997 -
Oil and photo transfer on linen , 31 ¹⁄₂ x 21 ²¹⁄₃₂ in. 80.01 x 55.01
The Bowery Presents
occasionally subtle
"I'm Dorothy Gale from Kansas"

roma★
Cosimo Galluzzi
The Bright Sessions

No title available

bliss lane
Phantogram Three
Claire Keane
I'd rather be in outer space 🛸
The Stonewall Inn
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
No title available

Product Placement
NASA
tumblr dot com
Fieri Frames

Origami Around

seen from Türkiye
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seen from Mexico
seen from Türkiye
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seen from Czechia

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seen from United States
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seen from Türkiye
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Figs on Tiles - Kiriakos Tompolidis , 2025.
German , b. 1997 -
Oil and photo transfer on linen , 31 ¹⁄₂ x 21 ²¹⁄₃₂ in. 80.01 x 55.01
0347
I am overcome by an overwhelming urge to never inhibit who I am anymore. I yearn to become all the things that I am and undress myself of everything that I am not. I am a woman in pursuit.
Fig Tree in Dalmatia - Jo Koster , 1937.
Dutch , 1868-1944
Oil on canvas, 54.5 x 66.6 cm.
The Fig Tree
Artist: Spencer Gore (British, 1878–1914)
Date: ca. 1912
Medium: Oil on canvas
Collection: Tate Britain, London, United Kingdom
Description
Spencer Gore was drawn to scenes of everyday life in London. Here he shows the fig tree which grew in the garden next to his upstairs flat at Houghton Place, just off Mornington Crescent.
Gore often painted the view through the windows of houses where he lived. He produced a sequence of views of this tree in different seasons, perhaps inspired by Claude Monet’s series of paintings of haystacks, or Rouen Cathedral, under different lighting conditions.
(excerpted from Leila Chatti's poem: "Tea", published in Missouri Review)
Virginia Woolf, from a diary entry written c. September 1929, featured in Selected Diaries
The Emotional Centre of Shinjuku Station by Hiro (1962)
don’t hesitate by Mary Oliver
Larsen Sotelo
Memories and Dreams, 2022