Obgrljena rima / Enclosed rhyme
a - Bezglava žena / The headless woman
a - Iznad situacije / Above the situation
Obgrljena rima, prva strofa soneta, u četiri slike prikazuje četiri etape višegodišnje veze.
Zbog straha od vezivanja odbijala sam ljubav. Kamena bista među pravim ljudima, bezglava u shvaćanju da imam problem. Kvadratni oblik slike odabran je kao simbol stabilnosti, makar prividne.
Početak veze. Moje gubljenje, njegovo ganjanje, moje izmicanje.
Na šahovskoj ploči ostali su samo bijela kraljica i crni kralj. Njegova je depresija pojela bijelog kralja. Venera je tu da sudi i da se smije. Igranje šaha je kao igra ljubavi. Ja ne znam igrati šah.
Pogledom na labirint odozgo nalazim se Iznad situacije. Kvadratni oblik slike sada simbolizira stabilnost van straha.
The enclosed rhyme scheme, exemplified by the first stanza of a (Petrarchan) sonnet, is here used to portray the four stages of a longterm relationship, in a series of four paintings.
I rejected love out of a fear of commitment. Like a headless bust among actual people, oblivious to my own handicap. The square format of the painting was chosen to represent stability, albeit an illusory one.
The start of the relationship. My vagrancy, his pursuit, my evasion.
Only the white queen and black king remain on the chess board. His depression has consumed the white king. Venus is there to pass judgement and to laugh. The game of chess is a lot like love. I don't know how to play chess.
Observing the labyrinth from high up, I am above the situation. The square format of the painting now symbolizes stability without fear.
112 x 112, 150 x 100, 150 x 100, 112 x 112 cm
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