Cajón desastre

Ratona de bibliotecas, filmotecas, discotecas y otras teclas. Todo bicho que camina va a parar al cajón desastre..ig-b- { display: inline-block; } .ig-b- img { visibility: hidden; } .ig-b-:hover { background-position: 0 -60px; } .ig-b-:active { background-position: 0 -120px; } .ig-b-48 { width: 48px; height: 48px; background: url(//badges.instagram.com/static/images/ig-badge-sprite-48.png) no-repeat 0 0; } @media only screen and (-webkit-min-device-pixel-ratio: 2), only screen and (min--moz-device-pixel-ratio: 2), only screen and (-o-min-device-pixel-ratio: 2 / 1), only screen and (min-device-pixel-ratio: 2), only screen and (min-resolution: 192dpi), only screen and (min-resolution: 2dppx) { .ig-b-48 { background-image: url(//badges.instagram.com/static/images/[email protected]); background-size: 60px 178px; } }

[mscordeliana]

Todo sobre mi madre.

Pedro Almodóvar, 1999.

DP: Affonso Beato.

[mscordeliana]

Hable con ella.

Pedro Almodóvar, 2002.

DP:  Javier Aguirresarobe.

[mscordeliana]

Volver.

Pedro Almodóvar, 2006.

DP: José Luis Alcaine.

[mscordeliana]

Los abrazos rotos.

Pedro Almodóvar, 2009.

DP: Rodrigo Prieto.

[etherea1ity]

But I can see us lost in the memory

August slipped away into a moment in time

'Cause it was never mine

[mscordeliana]

La piel que habito.

Pedro Almodóvar, 2011.

DP:  José Luis Alcaine.

[mscordeliana]

Los amantes pasajeros.

Pedro Almodóvar, 2013.

DP:  José Luis Alcaine,

[mscordeliana]

Julieta.

Pedro Almodóvar, 2016.

DP:  Jean-Claude Larrieu

[mscordeliana]

Dances with Wolves.

Kevin Costner, 1990.

DP: Dean Semler

[mscordeliana]

The Last of the Mohicans.

Michael Mann, 1992.

DP: Dante Spinotti.

[hog-babe]

- Paperbacks and postcards, Jenny. - That’s all you need, isn’t it?

[prideandprejudicefilms]

Pride & Prejudice (2005) dir. Joe Wright

[theladyvampire-deactivated20200]

Illustrations from Old Hungarian Fairy Tales.

[curlymcclain]

is she.......you know........

[letyourfantasiesunwind1]

Sketches from the original Les Miserables production in West End, Barbican, London 1985. Design by Andreane Neofitou.

- Javert -Marius

-Jean Valjean -Enjolras

-Marius and Cosette -Cosette

-Lovely ladies -Eponine

-Les Amis →  background: Joly, Bahorel, Courfeyrac, Lesgles foreground: Feuilly, Grantaire, Enjolras, Combeferre, Jean Prouvaire

"For me, it's never a matter of doing pretty costumes," said Neofitou. "I'm trying to bring a world--with period pieces, specifically, it's an alien world--to modern audiences, to make that world the present. I don't want to have a barrier between the audience and what's going on onstage. You have to make that costume so familiar, so real to that character, that the audience doesn't see the costumes, it sees the character. I'm trying to augment what the director is saying or the actor is doing," Neofitou says. When the emphasis of a character changes during rehearsals, which are frequently attended by the costume designer, "you do bend the costumes. The costumes are always fluid." (Andreane Neofitou for L. A. Times, 2001)

[mscordeliana]

It took almost two months but it finally arrived, @floral.manifesto! It's lovely and I'm thrilled! 😍💌✨ #snailmail #cartas #correo

[mscordeliana]

Soy la orgullosa dueña de un @lauradinno original ✨ #regalos #cerámica #pez