(Words Without Borders)
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Andulka
d e v o n
🪼
Cosmic Funnies

Origami Around
Aqua Utopia|海の底で記憶を紡ぐ

★

roma★

titsay

izzy's playlists!

shark vs the universe
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PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
we're not kids anymore.
Sweet Seals For You, Always
noise dept.

#extradirty

Kiana Khansmith

seen from Saudi Arabia
seen from Tunisia
seen from Chile

seen from United Kingdom
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seen from United States
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seen from Kazakhstan

seen from Malaysia

seen from Türkiye
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@najmaabukar
(Words Without Borders)
'Let me tell you somethin'. This here, right now, at this very moment, is all that matters to me. I love you. That's urgent like a motherf**ker.' – Darius Lovehall
No estés lejos de mí un solo día, porque cómo, porque, no sé decirlo, es largo el día, y te estaré esperando como en las estaciones cuando en alguna parte se durmieron los trenes. No te vayas por una hora porque entonces en esa hora se juntan las gotas del desvelo y tal vez todo el humo que anda buscando casa venga a matar aún mi corazón perdido. Ay que no se quebrante tu silueta en la arena, ay que no vuelen tus párpados en la ausencia: no te vayas por un minuto, bienamada, porque en ese minuto te habrás ido tan lejos que yo cruzaré toda la tierra preguntando si volverás o si me dejarás muriendo.
Pablo Neruda, Soneto XLV, Cien Sonetos de Amor (via naimagreen)
(via 23 photographs using mirrors, water and reflection - Gallery 1 - Image 1)
Presents : The Power Of Melanin ///Watts - Los Angeles 2015 ///
Website: Brittsense.com
Instagram: Brittsense
We need someone that genuinely cares.
We need to be able to communicate without judgement being placed because of the box society has put us in.
We need more discipline within ourselves so that we can build. We need more resources, space & outlets. We need more awareness. We need more learning We need more teaching. We need more trust We need more smiles. We need more laughs We need more hugs We need more releasement, We need more overstanding. We need to overstand that money is fake. We need to learn the law our LAW. We need more imagery that uplifts our soul and vibrations. We need to realize the power of energy, OUR ENERGY. We need to work together and not against. We need more unconditional love. We need to know the Power of Melanin. #brittsense
When you feel happy, really happy, it somehow seems that you’ve always been happy and that you’ll always be happy. The same is often true when you feel sad, or lonely, or depressed, or broke, or sick, or scared. Something, perhaps, to remember.
Notes From The Universe (via quoteswagga)
A Quintessence Of Life // @keneilwe_mothoa // @shelleymokoena // 2 of 2 @primeobfashion
Gordon Parks, 'Untitled (55.042),' 1978, Robert Klein Gallery
“Do not fall in love with people like me. I will take you to museums, and parks, and monuments, and kiss you in every beautiful place, so that you can never go back to them without tasting me like blood in your mouth. I will destroy you in the most beautiful way possible. And when I leave you will finally understand, why storms are named after people.“
-Chris Evans
“There are days where I feel I know my identity and I’m really strong in it, and then there are days where I think, who am I in this world?
I think it’s cool to recognise that a lot of people have those experiences - not just in relation to cultural identity, but gender and sexuality and other aspects in life. Being a Third Culture Kid, means recognising there’s a space that exists between the culture we’re from and the culture we’re living in. I at times feel not South Sudanese enough, or not Australian enough. I have to accept that I’ll never either or both: those ideas are completely fabricated from outside of myself. For a lot of people who realise they exist in that in-between space, it’s upsetting because you’re neither this nor that. But being a third culture kid means we can be whatever we want and when we recognise that, it’s empowering.”
It sounds reductive to say, but the wax print fabrics that I’ve used in the background of the photos have come to be representative of Africa now. These fabrics that are really common in a lot of parts of Africa and are seen as culturally belonging to those countries, but they were introduced by the Dutch after they had gone to countries like Indonesia. The history of colonialism in that is sort of erased. The prints are representative of Dutch colonisation yet it’s so deeply rooted in African identity now.
***
A lot of white people are seeking to create some kind of identity because their identity is never questioned. The assumption is always whiteness until there’s another identifier put onto it. That’s the way the world operates because of a history of colonialism. When people we -people who are othered- try to grasp our identity and really formulate it, it’s not seen as the act of rebellion or resistance that it is - it’s seen as this sort of personal vanity thing. Cultural appropriation takes away the depth of these kinds of rebellious acts. Cultural identity is a novelty for people who’ve never had their identity questioned, so appropriating it is seen as a simply a way to feel unique and different.
(via https://soundcloud.com/nash-quest/sets/contemporary-folklore?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)
Bruce Davidson in color, Steidl, 2014.
Iran, 1964.
Gianni Versace by Helmut Newton, Lake Como, 1994
via another magazine
Clive Brunskill gives us a peek into what he’s packing for the start of the new #tennis season. #australianopen #melbourne #gettysport #kitbag
Nabil new new
Some people feel the rain others just get wet.
See more quotes on our Pinterest Board.