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Todo el tiempo estoy sintiendo que se me acaba el tiempo no sé para qué pero se me acaba el tiempo

"Weaving together interviews, archival footage, photographs, animation, and narration, 'Signs Out Of Time' is an incredible journey that delves into the life and work of UCLA Archaeologist Dr. Marija Gimbutas. Gimbutas' work focused on revealing the linguistic and mythological origins of European cultures in the Neolithic and Bronze Ages, and how they were matriarchal in nature, including Earth-based spirituality and Goddess worship. The film explores how her notions of European prehistory challenged many traditional assumptions about the beginnings of European civilization. The film features interviews with both her supporters and critics, and explores her studies, excavations and publications, her extensive scholarship, and the controversy surrounding her theories."

fiataeterna

Battling the Yellow River. Li Hua. Woodblock print. China, 1950s.

garceptacon

Romito 2

dworkinism

Romito 2 (right) buried with woman (left)

rosieandthemoon

Lasenic Tarot

dailyclassicart

Mikhail Markelovich Guzhavin - "Moonlit Village in Winter" (1926)

randomvintageeurope

portalibis

"Triumph of Neptune and Amphitrite", a Roman mosaic from Cirta, now in the Louvre (ca. 315-325 AD)

According to the legend, Neptune (in the Greek version Poseidon) once saw the beautiful nymph Amphitrite, daughter of the sea god Nereus, and fell in love with her. At first, she fled, unwilling to marry the formidable ruler of the sea, but a dolphin sent by Neptune persuaded her to return. For this, the dolphin was placed among the stars as a constellation.

P.I. Telegram / P.I. Facebook

weepingwidar

Eli McMullen (American, 1992) - Dream Log (2025)

porphurios

The Neopythagorean Middle-Platonist theology of Eudorus of Alexandria (1st century B.C.E.) from Simplicius of Cilicia's Commentary on Aristotle's Physics 181,10

themirrorofsienna

The Serpent of Gnosis: Sacred Fire

The image of the serpent runs through every current of mystical tradition. It coils around the Tree of Knowledge in Genesis; it burns in the deserts of Israel as the bronze figure that heals those who gaze upon it; it curls at the base of the spine in the secret lore of yoga; it climbs the caduceus of Hermes, twin serpents circling a staff crowned with wings.

When we speak of the serpent, we speak of the path from ignorance to vision, from matter to Spirit and from fall to restoration. The serpent seduces, wounds and heals. It gives knowledge of good and evil; it awakens the duality of the human heart. “Your eyes shall be opened, and you shall be as gods, knowing good and evil” says the voice in Genesis 3:5.

In the Sanskrit writings of the yogic schools the serpent appears as Kundalini, the power asleep at the base of the spine. She is described as coiled three and a half times, guarding the gate of freedom.

The image of the serpent rising through the body is not foreign to the West. It mirrors the mystical ascent through the four worlds of the Kabbalah, from Assiah to Yetzirah, from Yetzirah to Briah, and finally into Atziluth.

More at The Mirror of Sienna.

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