what I love about you based on your favorite musical
Let me tell you some beautiful things about you.
Bare: A Pop Opera: your inner sense of justice is entirely separate from whatever the prevailing crowd mentality may be.
Be More Chill: you allow people to make mistakes as they become who they’re meant to be.
Come from Away: you recognize that though the details of our lives are different, our stories are the same.
Dear Evan Hansen: you see yourself in the eyes of strangers. You are highly conscientious and you reach out when someone is down.
Falsettos: you can clearly see both the good and the bad in people, and you’re able to hold both.
Fun Home: you look for the ways that others are like yourself, rather than only focusing on all the ways that they are different.
Hamilton: you are humorous in a way that makes people think. You own your complexity and contradictions.
Heathers: you aren’t afraid to march to the beat of your own drum. Bonus: you’re very stylish/aesthetic.
Les Misérables: you know how to make people feel important. You are idealistic, compassionate, and generous with your emotions.
Little Shop of Horrors: you follow your joy wherever it may take you.
Natasha, Pierre, and the Great Comet of 1812: you are unconventional, but in a way that invites people in, rather than strangeness for the sake of strangeness.
Newsies: you are always seeking something bigger than yourself, but you don’t let the smaller things slide, either. You never forget that ultimately, they are what you are fighting for.
Next to Normal: you know when it is time to let people go. You posses deep emotional strength, understanding that loving someone does not mean “rescuing” or “saving” them.
Phantom of the Opera: you are intuitive and able to see into people’s loneliness and longing. You find poetry in a person’s darkest parts.
Ragtime: you are both a visionary and a realist, compromising neither for the sake of the other.
Rent: you are intellectual, but without ever being elitist or exclusive.
Spring Awakening: you carry sensitivity and spirituality just below the surface. You ask the difficult questions.
Something Rotten!: you understand that you don’t need everyone to love you–only the people who matter.
Sunday in the Park with George: you find beauty in all the messy ties that bind us.
The Book of Mormon: you are willing to look beyond first impressions. You find the child in people.
The Last Five Years: you understand that love–whether familial, platonic, or romantic–is a choice. When you commit to someone, you do so with your mind and your heart.
Tuck Everlasting: you can be both wonderfully childlike and astoundingly wise.
Waitress: you are unfailingly kind even on your hardest days.
Wicked: when the entire world is wrong, you are willing to be the villain.
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