points and squares through a coffee machine

[scores, maps, diagrams, poetry, code, interfaces] 

[notationnotes]

SNEEZE ...

“It's an never-ending awareness and readiness to improvise in a split-second (...)”

Sneeze Manifesto

[notationnotes]

fine

südwest

1995 by werner dafeldecker

2 e-guitars, trombone, cello, double bass

[rhapsodical]

Agnes Martin, On a Clear Day 1973

[notationnotes]

Steina and Woody Vasulka, Noisefields, 1974 (excerpt).

The reminiscence of a conversation with Woody Vasulka, is about designing the heart of the machine... and afterwards “let it talk”.

[notationnotes]

Once, I used to believe in "moire”

[notationnotes]

Composición serial :: Marcelo Gutman

[notationnotes]

Remote Voices: a digital performance, in a room with no spectators.

Full article --> Copenhagen Architecture Festival, Corona Essays

In this series, the voices of Yoko Ono, Kazimir Malevich, Tristán Tzara, Carl Andre, are re-enacted through a digital interpretation of their scores, played in an empty space at the gallery of bb15, registered by the sound-based durational installation Minute/Year from Kovács/O’Doherty.

[notationnotes]

Minute/Year (2020, Day 82–90) :: Kovacs/O’Doherty (2016 - )

“There is no absolute silence unless is zero vibration. Silence means that we can hear no sounds. Silence is the space between us”. - Deep listening, Pauline Oliveros

[notationnotes]

How much happens in a minute?

Minute/Year is a durational, process-based work by Kata Kovács and Tom O’Doherty, ongoing since January 1., 2016. It consists of an automated, sound-based, multi-year installation that makes a one-minute recording every day, and adds it to the one the day before. In 2020, Minute/Year is installed at bb15, in Linz, Austria. From January 1. until December 31., 2020, the work will record one minute of audio, at 20:20 each day. The daily archive is constantly updated through Twitter, Vimeo, or Telegram. The recordings are also available as a weekly podcast (via RSS, iTunes, and Google Play). see more details on Kovács/O’Doherty website.

[notationnotes]

Fitzroy Square :: Francis Alÿs (2004) 

[notationnotes]

Wind Horse :: Pauline Oliveros (1996)

For chorus, Deep Listening publications

[notationnotes]

“Draw a straight line and follow it”

Composition 1960 #10 :: La Monte Young (1960)

Performed by Nam June Paik 

[notationnotes]

Performance of Composition 1960 #7 La Monte Young 

via preparedguitar - [Composition 1960: #7] evoked a large number of ancillary sounds (mostly audience noises) but also revealed to those who continued to listen a whole inner world of fluctuating overtones in the open fifth as sustained by the players.

[notationnotes]

“To be held for a long time”

Composition 1960 #7 :: La Monte Young 

[notationnotes]

Composition 1960  #5  :: La Monte Young 

[notationnotes]

Lecture On Nothing :: John Cage, 1961 

Performed by Zac Gvi at Open File: Symposium, Milton Keynes Gallery, June17th, 2012 

[notationnotes]

“We don’t know what we are doing, but we are doing it, but we are doing it... “

Cheap Lecture- Burrows Fargion