Blu Leisu

[zzzze]

Koshiro ONCHI “Title lost”, Woodblock: dimensions 8.5x6.7cm

[efedra-deactivated20160112]

[vivipiuomeno1-deactivated201812]

[dimshapes]

Jimmy De Sana. Masking Tape, from the series Submission, 1977-78.

[vivipiuomeno1-deactivated201812]

Bruno Keusen ph. (Brazil) Emerging Talent LensCulture Awards 2016

[ledoshumain]

Jesse Draxler

[livaniana]

[neo-catharsis]

Günter Rössler, Gisela, Germany, 1968

[inneroptics]

Alfred Stieglitz, Georgia O’Keeffe (Hands) (1919)

[chaya-k-deactivated20190201]

Old studies – light through trees

[headless-horse]

Shadow Play - Vito Acconci, 1970 (from “Three Relationship Studies: Manipulations, Imitations, Shadow Play”) In this three-part exercise, Acconci explores the dynamics of the artist’s interaction with or manipulation of an other. Each study involves a form of mirroring. In Shadow-Play, Acconci spars with his own shadow image, aggressively confronting himself as other. In Imitations, Acconci attempts to mirror another man’s gestures and actions. In Manipulations, Acconci — seen by the viewer in a mirror — faces a nude woman and directs the movements of her hands over her body through his own hand motions.

[shinjiaratani]

©shinji aratani

[nitratediva]

[antipahtico]

Young and Innocent (1937)

[zzzze]

Ruth Bernhard CONFIGURATION (SHADOWS), 1962 / photography /

[dame-de-pique]

Wilson Alwyn Bentley (1865-1931) - Dew on Plants (with Bentley’s reflection), nd

[fragrantblossoms]

[alpha-venus]

🅰 Walter Chappell, Pointing Nude, Kau Desert,Volcanoes National Park, Hawaii, 1978.

[ssdoljanin]