nowwwh

«una especie de now-here en medio de no-where» → nowwwh? → newwwhs!    #app (!)    #art déjà vu    #entrevistas    #micromisariados    #one year celebration    #somos lo que hacemos    #troche y noche    #web-site-specific

[nowwwh]

You don’t need to emerge from nothing.

[nowwwh]

You’re on the right track if you’re excited about what you’re doing.

David Shrigley.

[infamoussayings]

If you really want to do it, you do it. There are no excuses.

Bruce Nauman (via infamoussayings)

[visual-poetry]

by jennifer dalton

[nowwwh]

Juan Luis Moraza, La fiesta como oficio, 2016.

Instalación en Galería Espacio Mínimo.

[nowwwh]

Marisol, The Party, 1965-1966.

Fotografía de Andrew Weber.

[nowwwh]

Reconoce siempre tu posición en la cadena alimenticia… Ellos comen porque tú cultivas los alimentos.

Wangechi Mutu.

[nowwwh]

Juan Luis Moraza, Calendario de fiestas laborales, 2016.

Créditos de las imágenes: Galería Espacio Mínimo.

[grupaok]

Seth Siegelaub, handwritten appeal to artists, 1970; mockup cover of The Artist’s Reserved Rights Transfer and Sale Agreement, 1971. “You have given up rights you probably don’t know exist.” Hero. 

[nowwwh]

What shape is the internet?

According to patent drawings, it's a cloud, or a bean, or a web, or an explosion, or a highway, or maybe a weird lump.

[nowwwh]

Ana Jotta, Cassandre, 2015 (detalle).

[visual-poetry]

[likeafieldmouse-deactivated2015]

[nowwwh]

John Isaacs, Ah! Donald Judd, My Favourite!, 1991

[nowwwh]

There is an incredible amount of wasted effort in the profession. A fair amount of it is kind of generated through the procedure of competitions, which is really like a complete drain of intelligence.

Rem Koolhaas

[mentaltimetraveller]

Jason Dodge, A permanent open window, 2013. Installation.

[installator]

“Robert Gober’s ‘Untitled’ (1991) being installed at the new Whitney (the cones and warning sign are to protect the artwork, not a part of it).” Photo: Tim Davis (vulture.com)

[nowwwh]

Tatiana Baskakova, Co-operate or Die, 2014.