Song Dong, Doing Nothing Mountains (2011-2012)
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oozey mess
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Game Changer & Make Some Noise

Love Begins

No title available

Product Placement

titsay
The Bowery Presents
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Noah Kahan
One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"

Jar Jar Binks Fan Club
Aqua Utopia|海の底で記憶を紡ぐ
Fai_Ryy
Phantogram Three

Origami Around
noise dept.
Today's Document

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Song Dong, Doing Nothing Mountains (2011-2012)
Fred Wilson
Promise, 2012
acrylic on canvas, brown glass
Anselm Reyle Untitled, 2011 Mixed media on canvas, acrylic glass 143 x 121 x 23 cm
Rachel Feinstein, Julia Nobis, Esmeralda Seay Reynolds & Nastya Sten by Phil Poynter for Garage
Nicolas Feldmeyer, Woven Portico (2012) – photo by Nick Rochowski. Courtesy Saatchi Gallery (via)
Site-specific installation in which the artist has woven mesh between the columns of the portico of the central building at the university of college (UCL) in London.
Riverbed (2014) by Olafur Eliasson. Installation view. Photo by Anders Sune Berg, courtesy of the Louisiana Museum of Modern Art, Humlebæk
Lesser Gonzalez Alvarez - Vinyl Abstraction
Mosquito, Shen Shaomin (Bone Meal, Bone, Glue) 2002
Sagittarius, Shen Shaomin (Bone Meal, Bone, Glue) 2005
Joanna Malinowska: In Search of the Miraculous, Continued…part II, 2006, solar-powered boom-box playing Glenn Gould’s recording of Goldberg Variations in the remote part of Canadian Arctic, C-print
BETHAN LAURA WOOD
BABY, BABY, BABY
Albert Yonathan Setyawan, Moths, ceramics - Slip casted, dimensions variable, 2013
Richard Artschwager (b. 1923), Exclamation Point (Chartreuse), 2008. Plastic bristles on a mahogany core painted with latex, 65 × 22 × 22 in. (165.1 × 55.9 × 55.9 cm). Gagosian Gallery, New York. © Richard Artschwager. Photograph by Robert McKeever
Braised, 2012
milled aluminum panel, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium, and acrylic paint
243.8 x 182.9 x 3.2 cm / 96 x 72 x 1 1/4 in.
Urs Fischer
Photo: Mats Nordman
By adorning these public spaces with various forms of lace, NeSpoon is in essence creating what she calls public jewellery. And who/what couldn’t use a little jewellery from time to time?
via This is Colossal
ROBERT MAPPLETHORPE Self Portrait, 1980 gelatin silver print image: 13 3/4 x 13 3/4 inches (34.9 x 34.9 cm) paper: 20 x 16 inches (51 x 41 cm)
Ashley Bickerton Mitochondrial Eve Silver 1, 2013 Mixed media
This artwork is currently exhibited at Lokanat Galleries in Myanmar for Ground Zero exhibition, curated by Barnaby Martin. Featuring foreign artists, including the important Indonesian and international contemporary artists. Read more
Table Topography: Wood Furniture Embedded with Glass Rivers and Lakes by Greg Klassen