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Olafur Eliasson

The Island Series, 1997, 56 chromogenic prints, 92 1/4” x 141” overall

The Inner Cave Series, 1998, 36 chromogenic prints, 99 3/4” x 140 1/2” overall

The Cave Series, looking in, 1998, 49 chromogenic prints, 86 1/4” x 120 1/2” overall

The Lighthouse Series, 1999, 20 chromogenic prints, prints, 60 3/4” x 67 3/4” overall

The Glacier Series, 1999, 42 chromogenic prints, 78” x 179” overall

Jokla Series, 2004, 48 chromogenic prints, 8’ 2 13/16” x 15’ 1 1/8” overall

The Morning Small Cloud Series, 2006, 9 chromogenic prints, 47 1/4” x 67 1/2” overall

The Glacier Mill Series, 2007, 36 chromogenic prints, 99 3/4” x 138 3/4” overall

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Giulio Paolini, Air

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Diogo Pimentao - Polymonochromo (2011) - paper and graphite

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Lisa Oppenheim - Lunagrams (2010)

In a lunar phase in 1841, William Draper photographed the first ever images of the moon and over the next twenty years continued to record and study the heavenly body while advancing the emulsive technology of photography (he was a chemistry professor at New York University).

In the same lunar phase in 2010, Lisa Oppenheim exposed Draper’s negatives to moonlight, bridging past and present of time and art.

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Tim Head, Equilibrium, 1975

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Mirror House by Ekkehard Alteburger

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therhumboogie:

By Antony Gormley, this immersive installation used dense fog to disorientate and engage the viewers senses, often causing groups of people entering the space to loose one another.

‘You enter this interior space that is the equivalent of being on top of a mountain or at the bottom of the sea. It is very important for me that inside it you find the outside. Also you become the immersed figure in an endless ground, literally the subject of the work.’