Personal Top 10 Albums of 2016
6. Emma Ruth Rundle - Marked for Death
   Emma Ruth Rundle is one of the people that I have been avidly following throughout the years. It all started when I was really into post-rock in high school. One of the bands that I loved back then is Red Sparowes, and apparently she is one of the members in that band. Skip ahead a few years and I came to know about her other band, Marriages. The dark soundscapes and her distinctively heartrending vocals made me a fan of hers instantly.Â
   âMarked for Deathâ starts off very strongly with the title track. The build-ups are highly reminiscent of Red Sparowesâ compositions albeit shorter and more punchy. However, the key aspects which makes me view this track in high regards are Emmaâs vocals and lyrics. When the distortion hits, she sings in a desperate toneăŒ âWho else is going to love someone like you whoâs marked for death.â Gives me shivers every time.
   The lyrics and her vocals are definitely the most integral parts of this album. Lyrics that touch on issues of mortality and desolation, are sung with a heartrending tone. At this point you might think, is she trying to pull off a Jessica Bailiff? If not for the guitar parts, she probably has (Jessica Bailiff makes really good music too by the way.) As expected from Emma Ruth Rundle, she is not afraid to use high amounts of distortion which borders on a shoegaze-y sound. In this album, I highly suspect that she uses an acoustic emulator (or just a plain acoustic guitar with steel strings) for the guitar. On most songs, you will hear her acoustic guitar sounds slowly change into a fuzzy, bass-heavy distorted guitar tone at the climax.
   Even though the focus is mostly on the vocals and lyrics, as per my statement above, the guitar is what sets this release apart from your usual slowcore singer-songwriter release. Other than the tone, the arrangements are also very nicely done. They feel haunting, especially in âFurious Angelâ, where the guitar plays a soft brooding melody as the strings section in the background occasionally comes in to support Emmaâs vocals.Â
   The album ends with the track âReal Big Skyâ. Personally, I havenât heard an album that ends perfectly like this in a very long while. Suddenly her guitar tone becomes more ârawâ. She does not play it softly anymore, her playing style suddenly becomes very powerful. As throughout the album the listeners are used to her soft picking style for the acoustic sounds, the sudden contrast makes for a very good 'lost-all-hopeâ effect. I absolutely love the simple, yet crushing lyrics in this trackăŒÂ
âI donât want to be awake when it takes me
But I canât wait to see you smile on the other side
I canât wait to kiss the face of the big sky
I donât want to say goodbye to you; my childâ Â Â
   Overall, I can see that not many will like this album. There are no catchy hooks, there are only brooding buildups into climaxes which do not make you feel anything has been accomplished or answered. Just the way I like it.
Standout Tracks: Marked for Death, Real Big Sky, Protection, Furious Angel