perhaps one day we’ll understand: why it hurts to be here, and there, and then.
Kimberly Grey, from The Opposite of Light: Poems; “Conjugating”
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perhaps one day we’ll understand: why it hurts to be here, and there, and then.
Kimberly Grey, from The Opposite of Light: Poems; “Conjugating”
@synthvtic // continued...
“Why?” The question is meant to come off as hostile, but the fear in her widened eyes is enough to give away her vulnerability. She grips the sad excuse of a weapon with both hands with stop the quivering of her limbs whilst scanning her surroundings for a possible route of escape already. “Who are you? Did they send you? What do you want?”
He’s no connoisseur of self-preservation, but he’s not an idiot, either. So, when the young woman flourishes her weapon, small and deceptively harmless as it were, his hands are immediately up and out in an all-too recognizable ‘self-surrender’, ‘easy-there’ gesture. He’s seen enough of those movies and television shows by now to know what these kinds of people are capable of; but, frankly, he half-sort-of wishes that those very same shows would sometimes teach more of the ‘handling of’ than the ‘horrors of’.
“Hey, hey—no need for that!” Jae finds himself spitting out rather calmly in spite of the instant surplus of fear and adrenaline coursing through his veins, “I’d just like to talk!”
‘Why?’
That’s a good question—a very good question. It’s in that very millisecond that he wonders why he’s decided to approach the clearly not-all-there individual traipsing about in the public water fountain, barefoot and scavenging for the glitters making up the bottom of the pools. After all, it doesn’t sound a whole lot like him to take time out of his day to ensure that a perfect stranger was at the very least okay, even if they clearly weren’t.
He takes a breath, slow and steady; keeping his open-faced palms as still and as threat-free as possible. While still mulling over her preceding remark, Jae’s mind begins to fill with unlikely successful scenarios. He thinks about springing forward and knocking her back into the fountain, ensuing a ‘fight for your life’ struggle. He thinks about kicking the knife straight from her grasp. Thinks about this and that, but doesn’t ever stop once to notice that her nerves are just as threadbare, anxious, and fearful as his.
‘Who are you? Did they send you? What do you want?’
Somewhere behind him, a pair of dated lovebirds stop in their tracks at the scene that befalls them, but only for as long as it takes for the male to wrap his arm around his partner’s shoulder and steer her in another direction. And, in the corner of his eye, Jae can see a young woman in a group of four others conspicuously lift her cellphone’s front camera to an eyelevel precision. Sure, there’s an audience, but it’s a silent menagerie. If he’s hurt here (or, if he’s pathetic enough to be subdued by a flimsy-looking woman holding a goddamn pocketknife, worse) there’s no guarantee of a helpful reaction.
“I’m not gonna hurt you,” Is what he says instead of a real answer, because his thoughts aren’t quite capable of connecting to his mouth when they’re running seventy-five thousand miles a minute, “Please put the knife down.”
I know no religion but the black of your hair matted against the pillow.
Maari Carter, from “Homemade Sin”
In-character Word Association !
Read the word then type the first word that comes to your character’s mind. tagged by: avecham / tagging: i only follow 5 ppl
Rough: Facial hair | Hide: Fear | Foolish: Youth | Sad: Alone | Hate: Competition | Light: Sun | Dark: Midnight | Mother: Heartbreak | Father: Confusion | Child: Aza | Marriage: Out-of-the-question | Love: Violets | Soft: Weakness | Pet: Viktor | Dream: Wealth | Divorce: Uncertain | Water: Home | Loud: Headache | Announcement: Regulations | Power: Mainframe | Fight: Arguments | Smack: Cheek | White: Curtains | Sick: Flu | Kiss: Uncertain | Hug: All-encompassing | Hurt: Always.
You will fall in love with train rides, and sooner or later you will realize that nowhere seems like home anymore.
Shinji Moon
.fragmentum i.
It’s 11am on a Tuesday morning. Normally, he wakes up much, much earlier than this and makes himself a few cups of dark tea before rousing the godchild from a deep sleep and sending him off to school. Then, after a small breakfast (or indulging in a short nap if it’s been a particularly late night), he leaves for work. On the drive there, he’ll listen to the morning news and have a cigarette or two (sometimes three), ultimately wishing he hadn’t when his tongue scrapes along the fuzzy insides of his teeth. If traffic is light, he’ll arrive at work just short of an hour; grooming himself (to the best of his ability) in the rear-view mirror before lazily exiting the vehicle to find his main counterparts, Johnson and Sin. After a quick debriefing between the three of them, his workday officially begins.
But today was a little different: Aza’s sleeping over at a friend’s place, and due to a lull in the schedule, he’s not required to be at work until Thursday.
So, again: it’s 11am on a Tuesday morning and he’s standing alone in his living room, half awake-and-aware of the world around him; absentmindedly watching as fat plip plops of rain dribble down the extent of the over-sized window panes making up the bulk of the south wall. When he decides on bettering his view of the outside world, Jae Pil presses a pair of open palms into the glass and peers as closely as he’s physically permitted, feeling the chill of this morning’s torrential downpour seep deep into his fingertips.
♪— ♫♪♬——
For a moment, the veil of a weary bleariness lifts. Jae, albeit disconnectedly, hazards a patience glance over his shoulder, fingers curling against the window pane when his eyes rest on the pale illumination of his cellphone screen. The room, once silent (sans for the pitter-patter of a generous rain), floods with a poorly cropped ringtone featuring Debussy’s Clair De Lune for all of twenty seconds. (It feels more like twenty minutes, but) Jae watches until the cellular device’s screen dims with inactivity, displaying an unreadable notification from where he sits. Without much more to spare, he turns his half-there attention back towards the monochrome metropolis waiting for him behind the windows.