PEPITA PUNTO BOLITA @pepitapunto - Tumblr Blog

I have packed myself into silence so deeply and for so long that I can never unpack myself using words. When I speak, I only pack myself a little differently.

Herta Müller - The Hunger Angel

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forgetting

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Bonjour Tristesse (1958)

Director: Otto Preminger

Cinematographer: Georges Périnal

Starring: Jean Seberg, Deborah Kerr, David Niven, Mylène Demongeot, and Juliette Gréco

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― Françoise Sagan, Bonjour tristesse (translated by Irene Ash)

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Anais Nïm: La Amante del Mundo (Fragmento)

Mujer: ¿Amar es siempre arder? La abundancia es capaz de desgajar la piel en jirones.

Anaïs: El erotismo me devora, mi hambre sensual palpita dentro de mí como un corazón independiente, el fuego entre las piernas encendido por Henry es inextinguible. Si no ardo, todo me es indiferente. Yo solo puedo reunir y completar la vida hasta que su demasía e intensidad se hacen insoportables y exploto histéricamente en mil fragmentos. ¡Demasiada vida! Mi alegría reside en la comunión. Solo creo en el fuego.

Diana Moncada

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Les Olympiades (Paris, 13th District), directed by Jacques Audiard, 2021

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Les Cinq Diables (2022) dir. Léa Mysius

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Winter Boy (Le lycéen), Christophe Honoré (2022)

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kitchen ghosts

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““Communication. It’s the first thing we really learn in life. Funny thing is, once we grow up, learn our words and really start talking, the harder it becomes to know what to say. Or how to ask for what we really need.””

— Meredith Grey (via midnight-ghosts)

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ON DESIGNING FOR THE ART OF EMBROIDERY by Selwyn Image

IN every form of art the thing which is of primary importance is the question of Design.

By Design I understand the inventive arrangement of lines and masses, for their own sake, in such a relation to one another, that they form a fine, harmonious whole: a whole, that is, towards which each part contributes, and is in such a combination with every other part that the result is a unity of effect, so completely satisfying us that we have no sense of demanding in it more or less. [...]Before you commence your design, consider carefully the conditions under which the finished work is to be seen.

from ARTS AND CRAFTS ESSAYS BY MEMBERS OF THE ARTS AND CRAFTS EXHIBITION SOCIETY. Printer and publisher: Longmans, Green, and Co., London, 1899.