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@pol-ar-oi-d
Untitled, 2021 Pencil find me on insta
Victoria Crowe (British, b. 1945), Vertiginous Landscape, 1997. Oil on linen, 90 x 100 cm.
Hybrid tea roses. House and Garden. June 1951.
Art dramatique. June 1935.
Nigerian women’s hairstyles, 1966-75.
Photographs by JD ‘Okhai Ojeikere
In Nigeria, women’s hairstyles can carry a number of different meanings and messages. These plaits and elaborate structures take anywhere between 30 minutes and five hours to create and can mark special occasions such as weddings and birthdays, denote a particular family or region or respond to political and artistic movements of the day. The acclaimed Nigerian photographer JD ’Okhai Ojeikere spent 40 years immortalising nearly 1,000 of these hairstyles, until his death in 2014. “Apart from being fascinated by their beauty and the artistic nature of each hairstyle, he documented them for posterity,” says his son, photographer Amaize Ojeikere. There is a danger, he adds, that these skills will be lost. “Particularly now the younger generation think it is ‘old-school’. That is one of the reasons the images were taken: to showcase the beauty of our people.” (via The Guardian)
in the streets of marocco
northern beach and camping
Moon phases. Our Wide, Wide World. 1932.
LAURA JONES
Inge Schiöler (Swedish, 1908‑1971), I Trädgården [In the Garden], 1948. Oil on paper-panel laid down on panel, 59 x 84 cm.
Succession, Wassily Kandinsky
Medium: oil
https://www.wikiart.org/en/wassily-kandinsky/succession-1935
Svend Hammershøi (Danish, 1873-1948), Rosenborg Castle Obscured by Trees, 1920s. Oil on canvas, 87 x 68.4 cm.
via amare-habeo
Charles Burchfield (American, 1893-1967), January Spring (Rooftops), 1918. Watercolor and gouache on paper, 17.7 x 25.2 cm.
sorte de magie noire en pleine forêt
Konstantin Somov (Russian, 1869-1939), The Lovers, 23 May 1933. Watercolour over pencil on paper, image: 16.5 x 20.5 cm.
Katsushika Hokusai
Iris Flowers and Grasshopper
(via @lonequixote)