David Batchelor
Brick Lane Remix (2003)
Peter Solarz
AnasAbdin
todays bird
$LAYYYTER

❣ Chile in a Photography ❣

Product Placement
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Three Goblin Art

Love Begins

Origami Around
Sade Olutola
hello vonnie
styofa doing anything
No title available
trying on a metaphor
RMH
he wasn't even looking at me and he found me

roma★

oozey mess
art blog(derogatory)
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@atavus-blog
David Batchelor
Brick Lane Remix (2003)
According to an interpretation of the myth of Medusa, she was once a devastatingly beautiful priestess in the temple of Athena, enrapturing the most powerful gods of Olympus. She was taken against her will by Poseidon, and in the most unjust turn of events, Athena — goddess of justice — cursed the suffering Medusa for this violation of the sanctity of her place of worship. Her beautiful grey hair was transformed into a bed of serpents, her teeth to needles, and her face made so hideous that all who looked upon her would harden to stone.
Various interpretations go on to describe Medusa as the leader of the Gorgons, described by Pliny the Elder as “a race of savage, swift, and hair-covered women,” to whom many armies of men met their demise. The moment captured above was inspired by the sculptor Bernini’s bust of Medusa (c. 1630) as she weeps for her lost beauty, not yet realizing she would be a leader among women and exact her own vengeance on the world of men.
ig: @yo_scoot
more embroidery work here: theglassneedle.com
David Mramor
Marc Bijl
Ryan Donato,
After van Gogh, 2015.
Pastel on paper, 9″ x 16″.
Blue Rothko Red by jeloid
Lindsay Lawson - Der Denker, 2015
hunger, 2015.
all done, all dried - first stitch finished in a few months. finally have time again
WIP
Alexander McQueen S/S 1998
Portrait of Yayoi Kusama by Gautier Deblonde
Mia Christopher - A Year or Two, 2012
Maison Martin Margiela 90's Topless Tabi Shoes
via Shoulderblades
from 'Bauhaus: Art as Life', Barbican Art Gallery / Walter König, 2012
Two men struggle to free their scooter from a barbed-wire barricade in Saigon, South Vietnam, 1965.Photograph by W. E. Garrett, National Geographic Creative
Rick Erfmann