Sade Olutola
Cosmic Funnies
Not today Justin
KIROKAZE
I'd rather be in outer space 🛸

shark vs the universe

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art blog(derogatory)
2025 on Tumblr: Trends That Defined the Year
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d e v o n

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

pixel skylines

bliss lane
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Noah Kahan
Monterey Bay Aquarium
untitled

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@purupuu
Respons Lynch + Blake
respons Lynch
Snovi 4
Janine Antoni - Saddle, 2000
“I think the startling thing for me was that I made a ghost of myself. When I’m with the piece I feel the absence, both of my body and the cow. It wasn’t necessarily something I intended for the piece, to be so ghostlike. It’s transparent…there’s nothing underneath, although the shape so articulates the figure. It’s a kind of push-pull that you feel, of such a presence of the figure. For me, the shocking thing was to realize that I’ve made a piece about the death of the cow, my own death.” - Janine Antoni
Janine Antoni, Saddle, 2000
Ida Applebroog
Ida Applebroog
Ida Applebroog
Snovi
17.4.
Osjećam pritisak u prsima, guši me i gura dolje. Dolje? Gdje dolje? Dolje je samo duboki ponor.
20.4.
Evakuacija je u tijeku, nema interneta. Gdje su svi? Ne znam jesu li dobro. Ne sjećam se što smo si zadnje rekli, vidjeli smo se prije četiri mjeseca. Grad je nestao u ponoru iz kojeg izlazi tamni oblak.
21.4.
Prošlo je neko vrijeme, nisam sigurna koliko ali kosa mi je duga. Prolazim pored zgrade. Pukotina ju krasi. Približavam se. Zgrada se preobrazila u lice. Pukotina kao rana zjapi, pulsira. Diše.
Meshes of the Afternoon (1943) dir. Maya Deren & Alexander Hammid
Meshes of the Afternoon (1943)
Un chien andalou