Lint Roller? I Barely Know Her

oozey mess
Xuebing Du
Sweet Seals For You, Always

⁂

#extradirty
Mike Driver
One Nice Bug Per Day
DEAR READER
Claire Keane
RMH
will byers stan first human second
occasionally subtle
hello vonnie
todays bird

ellievsbear

izzy's playlists!
taylor price
Game of Thrones Daily
KIROKAZE
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@purupuu
Respons Lynch + Blake
respons Lynch
Snovi 4
Janine Antoni - Saddle, 2000
“I think the startling thing for me was that I made a ghost of myself. When I’m with the piece I feel the absence, both of my body and the cow. It wasn’t necessarily something I intended for the piece, to be so ghostlike. It’s transparent…there’s nothing underneath, although the shape so articulates the figure. It’s a kind of push-pull that you feel, of such a presence of the figure. For me, the shocking thing was to realize that I’ve made a piece about the death of the cow, my own death.” - Janine Antoni
Janine Antoni, Saddle, 2000
Ida Applebroog
Ida Applebroog
Ida Applebroog
Snovi
17.4.
Osjećam pritisak u prsima, guši me i gura dolje. Dolje? Gdje dolje? Dolje je samo duboki ponor.
20.4.
Evakuacija je u tijeku, nema interneta. Gdje su svi? Ne znam jesu li dobro. Ne sjećam se što smo si zadnje rekli, vidjeli smo se prije četiri mjeseca. Grad je nestao u ponoru iz kojeg izlazi tamni oblak.
21.4.
Prošlo je neko vrijeme, nisam sigurna koliko ali kosa mi je duga. Prolazim pored zgrade. Pukotina ju krasi. Približavam se. Zgrada se preobrazila u lice. Pukotina kao rana zjapi, pulsira. Diše.
Meshes of the Afternoon (1943) dir. Maya Deren & Alexander Hammid
Meshes of the Afternoon (1943)
Un chien andalou