Kiki Willems, Anna Ewers and Freja Beha Erichsen By Sam Rock For M Le magazine du Monde March 2021
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Kiki Willems, Anna Ewers and Freja Beha Erichsen By Sam Rock For M Le magazine du Monde March 2021
Flora and Fauna, Nicola Kloosterman
Pong Lee by Giseok Cho for Vogue Korea Magazine - Dec 2020
Alesya Kaf By Ergin Turunc For Vogue Turkey January 2021
xiao wen ju for numero mag china dec. 2019
Black Orchid. Photographed by Charlie Gates for Wonderland Magazine, Winter 2017.
Kirsty Hume photographed by Irving Penn, 1997
LIFE: Nature Library Ecology, 1970
White dresses billow in Salvador, Brazil, 2001 - Anne Menke
Ann Demeulemeester A/W 20
Poster for the International Jazz Festival in Dortmund, Germany (1976). Designed by Günther Kieser.
Cristopher Cichocki, Land Spore (Desert Reserve), (2011).
IN THIS HOUSE WE celebrate black women sculptors because Dark Academia has a slight Michelangelo fetish and sometimes it’s good to mix things up. Left to Right: Meta Vaux Warrick Fuller & Elizabeth Catlett, Selma Burke & Simone Leigh, Edmonia Lewis & Augusta Savage
Someone put red paint on the "Serve and Protect" sculpture at the Salt Lake City police building and it is such a powerful statement.
"Good art should disturb the comfortable and comfort the disturbed." -C.A.C.
When nonviolence is preached as an attempt to evade the repercussions of political brutality, it betrays itself. When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse. When nonviolence is preached by the representatives of the state, while the state doles out heaps of violence to its citizens, it reveals itself to be a con.
Ta-Nehisi Coates, Nonviolence as Compliance, April 27, 2015 (via androphilia)
here’s the link to donate to george floyd’s official memorial fund if you are able to contribute. if you can’t donate, please share. being black shouldn’t be a death sentence.
by Johan Sandberg
shao-yen chen (central saint martins)