In death as in life, we are the pavement-strollers, the window-shoppers, the bored, bunion-hobbled boulevardieres. We're there waiting for something--anything--to happen. So we can be photographed, or filmed, or videoed, a blackcloth of hysterectomies, in front of which events can be played out again, yet never exhausted. History is never in the round--it's always on a stage; and while the curtain may be death, why is it then that so many scrutinising eyes stud the proscenium, peering into the dimness of the stalls? Are they tragic or comedic masks--or not masks at all?
How the Dead Live, Will Self












