ok hear me out: we didnt start the fire (billy joel) x we didnt start the fire (fall out boy) was so august-telling-jane-what-she-missed-on-the-modern-world coded like ????
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ok hear me out: we didnt start the fire (billy joel) x we didnt start the fire (fall out boy) was so august-telling-jane-what-she-missed-on-the-modern-world coded like ????
I think the reason why August saw the 1970's when she was on the third rail was because the time slip was taking them both there, before pulling them back to the present, and slingshotting Jane slightly too far.
This makes sense to me, August and Jane weren't entirely sure where they wanted to be, but they knew they wanted to be together, so it was sending them somewhere together. They had more attachment to the present than to the 1970's, August was more attached to her time than Jane was to hers, and Jane had started to form her own attachments in the present such as with August's friends, so that was where they were ultimately pulled to.
We know that touching the third rail during a surge is how Jane got in the time slip in the first place, and we know that August couldn't entirely remember what happened afterwards, just like how Jane couldn't remember things, so August could've been in there too.
This makes the line "Her Girl, She Came Back" even sweeter. August thought she just dropped Jane off at her place and then that was it, that's what she took from the 1970's memory. But their connection was strong enough for Jane to follow her, for her girl to come back.
I love how Jane is someone who's supposed to be in her late sixties, but is still in her early twenties, it so perfectly captures that young adult feeling of being behind in life, that by now, you're supposed to have a degree, a house, a career, a family, etc, but you don't, and feel like a failure for it.
She keeps talking about this hypothetical older version of her that might be out there, a version of her who's wise, experienced, married, all of the things Jane thinks she's supposed to be by now. She thinks that by going back in time, she'll be able to become this person, she'll be able to reach the stage of adult life she feels she should be at.
It's actually very fitting that she's a baby boomer, because that's the generation that a lot of people these days tend to compare themselves to, "my parents bought a house by the time they were 20" and all that. That was the life Jane was expected to live, but she fell behind, and now she's in the same boat as millennials.
This is why the reveal that August is Augie's niece impacts her the way it does. At one point, August wasn't even born, and her mother was the little sister of her best friend, and in the time that that little sister grew up, had a daughter, and that daughter grew up herself, Jane hasn't grown at all, and now she's afraid that August will outgrow her too.
It's also really fitting that she spent all that time just being on a train. Commuting is the epitome of idle time, like waiting in line, you're not expected to do anything, it's just spare time, just wait for your stop. That's often what it feels like to be a young adult who's not accomplishing anything, like being on a train ride or waiting in line, for years, waiting for life to start.
And I think this fits well with August's own insecurities. She thinks that Jane is so much better than herself, before she knows about her situation, she assumes that Jane must have this awesome life off the train, she imagines her having a really cool girlfriend and job, when in reality she's doing literally nothing when she's not on the train, not existing at all.
And when she learns about her situation, she idolises her even more. She's from the 70's, she must be so much wiser and more experienced than her, but she's not, they're the same age.
The resolution of the story is Jane and August taking life at their own pace, making friends their own age, and just enjoying being young and having their whole lives ahead of them. Why should Jane be ashamed to still be in her twenties? Her girlfriend is in her twenties, her new friends are in their twenties, and they're not shameful. Why should August be ashamed to not know how to be an adult? Her girlfriend's been an adult for 50 years, and she doesn't know.
They show each other that where they are in life right now is okay.
wow thid is a great review 🥺
hello I'm still thinking about one last stop. the way that we're introduced to jane as this perfect magical person with a magnetism that draws everyone in, including you. then you're drawn in, but as her layers are pulled back and discovered so does that veneer of perfectionism. she gradually grows from a romanticized person who doesn't really exist to a complete, flawed, three-dimensional character who learns about the world and herself and what she wants. and it's incredible have I mentioned how incredible this book is
look we all know “true love at first sight” is bs but honestly I can’t blame august… if I met Jane on the subway I’d fall in love w her too
““Niko, everything I’m about to say to this guy is a complete and total lie, and I love you and will marry you and adopt a hundred three-eyed ravens or whatever it is your weird ass wants instead of kids,” she mutters. “I know,” Niko says back. “Did you just propose to me?” “Oh shit, I guess I did?” Myla opens the door and shoves Gabe through it. “I’m so mad at you,” Niko says. “I already have a ring at home.” “Oh my God, seriously?” says Jane. “Mazel,” Wes chimes in. “/Y'all/,” August says. “Right,” Myla says. “Here I go. Muting you guys now.””
— One Last Stop, by Casey McQuiston
my other shaylas 🥺
If there’s one thing Casey McQuiston can do is write extra, post-canon, chapters
“God, she's happy. The weather is glorious, people are good, her motorcycle is sexy. It's one of those days when she is just explosively thankful to be alive and in love and gay in New York City.”
“Jane likes Wes a lot. He reminds her of the moody Bushwick boys she used to see at the quieter bars, the ones who only smoked cloves and complained they' d been born a few years too late to be a beatnik. It's the scowl, she thinks, and the air of perpetual malaise. And the mysterious gift for landing the hottest drag queens in the scene.”
“Jane has known she liked girls for a long, long time. Even when she forgot everything else about herself, she remembered English, Cantonese, and being a lesbian. It's never been worth fighting, not for anyone else's sake, but she did sometimes wish things were different. When she watched her dad trudge up the stairs at the end of a long day and into her mom's arms, she'd wished it was posible for her to know that feeling one day, to have a good woman waiting at home.
August is a good woman.”
“She'd always felt happiest and most loved when she was part of something bigger,”
“That night was the first time she ever slept with a woman. She remembers how revelatory it felt, like searching for a word in one language and realizing it only exists in another. Like her whole life she’d had this perfect thing inside her, this thing that had an exact purpose, that would make sense of everything, and she'd been looking for it wrong until that moment.
She wrote: I was on top of her, figuring out how many ways I could make her feel good, and I thought, "I like girls," which is pretty fucking far from groundbreaking for me, but my next thought was, "I love liking girls," and that was a thought i've never had before. I might have fallen a little bit in love with Ann then, the way I think you should fall in love with your first for at least one night. But I completely and permanently fell in love with the way it feels to make love to a woman.”
“The broader she tries to go, the less it's going to feel true. All these small, specific moments, this patchwork of a million faces and voices and hands and street corners and plates of food and songs and fleeting connections—she keeps trying to zoom out of them, but that's where she loses the details. Love is the meal, and love is the ingredients, and love is the whisk and the fire and the order in the window and the reason it came. She can't separate any part from the whole.”
“Life in the future isn't perfect by a longshot, especially not for people like her. There's so much that's still wrong with the world and so many reasons to look over her shoulder every time she walks down the street. But tonight, she's thankful for this. The scrabble forward, the good changes, and always, even now, a basement full of people who'll take her as she came.”
“But the longer she knew August, the longer she loved her, the more she understoad why those girls could never have been for her. Every one of them had only a piece of what she was looking for. A surly disposition here, a pair of glasses there—every girl she’d ever loved for a night or a week or a month had a shadow of August in her.”
“I was standing on a street that felt like home, she wrote, but I didn't have to hide my haircut or change my clothes to save my family from the gossip. It didn’t even matter if any of those aunties had something to say about me. Mom would never know. I loved it.”
“She wants to have the right words, the right attitude, the right gravity to be worthy of what people see in her, but some days she just wants to pick a stupid fight in the grocery store, and some days she wants to do nothing but learn to make a chocolate tart. She's only ever been one person doing what she had to do to survive. Just Biyu, just Jane.”
“Before the Q, Jane never thought she'd be part of any institution recognized by the state, least of all a wedding. Sure, she attended commitment ceremonies in basements and backyards, manned the patio grill while two boys from down the street slow danced under a magnolia tree and the washed-up hippie officiant burned incense to bless their union. Every time, the experience sang hot and sweet in her veins for days after, the way defiant acts of love between her friends always did. But every time, something told her this would never be hers. Probably, she figured, because she never allowed herself to stay with the same girl for more than a month.”
"You started saving for a ring—?"
"Right after I moved in, yeah.”
"If you ask Myla to explain electrical energy." Jane says, winking at the gleam that appears in Myla's eye, "the first thing she'll tell you is that it can't be created or destroyed. Love is like that too. It can be reshaped a million different ways. It can be as big and as impossible to understand as the universe, and it can be as simple as sitting on the other end of the same telephone line, not even saying anything. But in my experience, it'll never be small, and it'll never be short, and it sure as hell won't ever leave you. All it does is find a new place inside you to live, or a new channel to broadcast out of you. It carries you out when the house is falling down. It's the reason why anything good happens, and it's all those good things put together, the picture they make when you step back and really look. Love makes sense of everything. Love makes you real.”
Look, guys, I don't know what to tell you but Jane Su is my girlfriend and we're in love and I want her so much it's annoying thank you for coming to my Ted talk
Looks like a cinnamon roll, could actually kill you: August
Looks like could kill you, is actually a cinnamon roll: Jane/Biyu
Looks like a cinnamon roll, is actually a cinnamon roll: Myla
Looks like could kill you, could actually kill you: Lucie
One Last Stop/Hadestown AU where August is Eurydice and Jane is Orpheus
jane’s leather jacket. thanks for coming to my TED talk
Was going through CMQ's twitter , saw this
I WANT IT NOW 😭😭😭
FUCK I WANT ITTTT
I want what August and Wes have.
““There was this girl,” she says. “There was this /girl/. I met her on a train. The first time I saw her, she was covered in coffee and smelled like pancakes, and she was beautiful like a city you always wanted to go to, like how you wait years and years for the right time, and then as soon as you get there, you have to taste everything and touch everything and learn every street by name. I felt like I knew her. She reminded me who I was. She had soft lips and green eyes and a body that wouldn’t quit.” August elbows her, Jane smiles. “Hair like you wouldn’t believe. Stubborn, sharp as a knife. And I never, ever wanted a person to save me until she did.””
— One Last Stop, by Casey McQuiston
““Okay … hmm … oh, I’ve made friends with a subway rat.” “You’ve /what/?” “Look, it gets really boring down here!” Jane says defensively. “But there’s this one white rat that hangs out on the Q sometimes. She’s so big and so fat and so round, like a gigantic steamed bun. I named her Bao.” “That’s disgusting.” “I love her. Sometimes I give her snacks.” “You’re a nightmare.” “Judge all you want, but I’m the only one who’ll be spared in the inevitable Great Rat Uprising. Your turn.””
— One Last Stop, by Casey McQuiston
shes so funny i wanna kiss her like
Me when characters who keep on running away as a coping mechanism clash into each other and together finally learn to stop running, me when queer history, me when drag queens, me when August always has kept a pocket knife with her, me when Jane’s leather jacket, me when August’s favorite movie is Say Anything, me when Naked in Manhattan by Chappel Roan (the ols song), me when August is an anxious, solitary, 23 year old who keeps on studying degree after degree, because she doesn’t want to accept than at some point, school will have to end and she’ll have to become someone, me when august and her complex relationship with her mom, me when Wes making cupcakes, me when August is a virgin and plus size and still the mc of a romcom, me when Love of my Life by Queen, me when pancakes, me when characters who were always alone until they met each other, me when the feeling of community, me when Augie, me when New York, me when Jane’s chapter, me when August’s family, me when “She wants somewhere to belong, things that hold the shape of her body even when she's not touching them, a place and a purpose and a happy, familiar routine. She wants to be happy. To be well. She wants to feel it all without being afraid it'll fuck her up”, me when “She ran away because she didn't think she could make her family happy and she never went back because she thought she did them a favor. She kept running because she never quite learned what home was supposed to feel like”, me when "Her whole life, the gnaw of anxiety has made people opaque to her. No matter how well she knows someone, no matter the logical patterns, no matter how many allowances she knows someone might make for her, that bone-deep fear of rejection has always made it imposible for her to see any of it. It frosts over the glass. She never had anyone to begin with, so she let it be unsurprising that nobody would want to have her around”, me when “Niko and Myla could be on opposite sides of an ocean and they'd breathe in sync”, me when August went to a catholic school, me when pancake billy’s home of pancakes, me when August is “the only skeptic in a city full of ghosts” and her whole arc is starting to believe (and I’m not talking about magic), me when Jane’s sisters, me when Jane’s diaries, me when queer joy, me when found family, me when one last stop, me when
““Oh my God. She literally shorted out the train because she was /horny/,” she says, eyes sparkling with absolute awestruck admiration. “She’s an icon.” “Myla.” “She’s my /hero/.””
— One Last Stop, by Casey McQuiston
i cackled so loud at this dhakdhhakasj