Omise'eke Natasha Tinsley, Songs for Ezili: Vodou Epistemologies of (Trans) gender, Feminist Studies, Vol. 37, No. 2, RACE AND TRANSGENDER STUDIES (Summer 2011), pp. 417-436

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@qswg
Omise'eke Natasha Tinsley, Songs for Ezili: Vodou Epistemologies of (Trans) gender, Feminist Studies, Vol. 37, No. 2, RACE AND TRANSGENDER STUDIES (Summer 2011), pp. 417-436
This impudent negro will never learn his place.
Wilmington Messenger, 28 July 1900. George Whiteâs secretary was cousin William S. Hagans.
âGeorgia is ginger-cake and puffed up.â
a short film exploring black femme hood, transness, gender non-conformity and afrofuturism through historical accounts and personal narrative.
A short film by Jamal T. Lewis in which trans and gender nonconforming Black femmes explore, among so many other topics, the queerness of slavery. #qswg Â
soâŠ.i lowkey high key want to see queer characters in Underground??? i feel like, african American peopleâs histories are usually erased or simplified, but in addition to that, african american queer peopleâs histories too. so yeah, itâd be interesting to see them tackle a topic like that. I donât think Iâm alone in feeling this way either.
Low key like - rightnownextepisodepleaseweneedweknowitcanhappenDOITNOW Now Now And now.
Me (@jmjafrx) and Vanessa Holden with the #BlkTwitterstorians â A Storify
Storify for the #BlkTwitterstorians chat moderated by me (@jmjafrx) and Vanessa Holden (@drvholden) discussing sex and slavery and queering both:
Hereâs the storify for the last âȘ#âBlkTwitterstoriansâŹ, A Dialog on Sexuality and Slavery. Many thanks to Dr. Vanessa Holden and Dr. Jessica Marie Johnson for serving as our commentators. Keep up with their work on the Queering Slavery Project Working Group here http://qswg.tumblr.com/. The next #BlkTwitterstorians is December 4th. *many thanks to co-host Joshua Crutchfield!
Aleia Brown and Joshua Crutchfield founded #BlkTwitterstorians âas an online space to debate issues of particular import to African American scholarsâas well as those who study the African American experience, regardless of race.â Read Robert Greeneâs review of his chat experience with #BlkTwitterstorians here.
Read through the #BlkTwitterstorian chat here: #BlkTwitterstorians6 (with image, tweets) · aleiabrown · Storify
A quick attribution â the image above is from the 1990 documentary Paris is Burning. Directed by Jennie Livingston, the film is âa chronicle of New Yorkâs drag scene in the 1980s, focusing on balls, voguing and the ambitions and dreams of those who gave the era its warmth and vitality.â It is notâŠ.uncontroversial and complicated for many reasons, but it is available on Netflix. Watch it for yourself and decide.
The image above is a screenshot of Octavia St. Laurent, a frequent participant in the balls and a singer. Read more about her and her last interview here at Dazed and Confused. The screenshot was memeâd and circulated by the New Orleans Film Society for its August 2015 screening of the film.
Finally, #TransDayofRemembrance was November 20th. Kai Green, writing for the Feminist Wire, remembers:
âOur Transecestors gave us LIFE! They gave us life on ballroom floors, in classrooms, in prisons, on the block, in the bars, on park benches, on the train and⊠Let us remember to remember (and if we only have our imagination, let us use that) the glorious laughter of queens sitting and chatting together holding space for one another. Let us remember to remember the stone butches walking heads high, three-piece suits, suspenders, hats tiltedâshe was the man and everyone knew it.â
Read the entire love letter: We Remember You, Me and Us: Transgender Day of Remembrance â The Feminist Wire http://bit.ly/1MrMPjn
Filed under: #DH Research, Ephemera, QSWG, Social Justice, Updates, Women x Slavery Tagged: #blktwitterstorians, #qswg, #transdayofremembrance, aleia brown, joshua crutchfield, kai m. green, queer, queering slavery, sex, sexuality, slavery, vanessa holden via Diaspora Hypertext, the Blog http://ift.tt/1T9fcoJ
This blog believes survivors. #TheEmptyChair
Sit with the glory of this visual: A panel of black women historians discuss queering slavery at #Shear15. These women are brilliant. With us in the room were Perine Dauphine, Betsy Toledano, Alexandra Morrisey, Minty Caden. Others. Real people. Speak their names. Black womenâs lives matter. Insurgent histories matter. Imagining new archives matters. â€
@drv05, Emily Owens and @jmjafrx (@proflmh and @zewinters off screen) doing the work. Queering Slavery Working Group panel at #Shear15
Bad ass black women historians. Watch us werk! #SHEAR15 #QSWG #Slavery
Queering Slavery Working Group co-coordinators @jmjafrx and @drvholden. Squad. Fam. Chosen kin. We outchea. #QSWG @queeringslavery
How does the purpose of the ITLA intersect within the Black Lives Matter movement? I think there are many ways, but two come to mind. The crux of the Black Lives Matters movement is social justice. To be able to identify black oppression by structural white supremacy is to acknowledge historical injustices in as many ways through education, housing, jobs, health, and other ways. Consider the history of the black queer person and how a lack of visibility had led to stereotypical beliefs, which in turn allow for a discredited population doubly or triply at the mercy of a white supremacist and hetero-normative culture that deliberately discredits a group of people.
Schomburg Center For Black Cultural Research Is Helping To Make Black Queer Lives Matter
Folks often decry what they think is a lack of services for QPOC, and while I think that is true in many ways, the ITLA was established to help fill in the gaps in a media-sponsored, largely whitewashed gay history, and a traditionally hetero-normative black history. The visibility is stark and extremely problematic. Because this archive exists at a public library, it will be here when our youth want to know more about their cultural histories. Without the histories written by black LGBTQ/Same Gender Loving (SGL) people, we are subject to being miswritten into history. In addition to the archive itself, we have had several exhibitions and programs to offer our varied audiences a glimpse into the very complex culture that is black LGBTQ/SGL life in the US, the Caribbean, in the UK and in some parts of Africa.
Schomburg Center For Black Cultural Research Is Helping To Make Black Queer Lives Matter
Playing on the interlocking meanings of âCaribâ and 'cannibalâ ever since Columbusâs confused arrival in the New World (see Hulme 1986; Barker et al. 1998) a typology of forms of material and symbolic consumption can be proposed. These include ingestion, invasion, incorporation, infection, appropriation, sacrifice, and exhibition, as well as various processes of possessing, destroying, using up, and wasting away.
Sheller, Mimi. Consuming the Caribbean: From Arawaks to Zombies. New York: Routledge, 2003.
(Reminds me of qswgâs work with Woodwardâs The Delectable NegroâŠ.)
Makeda Silvera. Man Royals and Sodomites: Some Thoughts on the Invisibility of Afro-Caribbean Lesbians Feminist Studies Vol. 18, No. 3, The Lesbian Issue (Autumn, 1992), pp. 521-532
Published by: Feminist Studies, Inc. Article DOI: 10.2307/3178080 Stable URL: http://www.jstor.org/stable/3178080 Page Count: 12
Words to Our Now: Imagination and Dissent [Thomas Glave] on Amazon.com. *FREE* shipping on qualifying offers. In these lyrical and powerful essays, Thomas Glave draws on his experiences as a politically committed
In these lyrical and powerful essays, Thomas Glave draws on his experiences as a politically committed, gay Jamaican American to deliver a condemnation of the prejudices, hatreds, and inhumanities that persist in the United States and elsewhere. Exposing the hypocrisies of liberal multiculturalism, Glave offers instead a politics of heterogeneity in which difference informs the theory and practice of democracy. At the same time, he experiments with language to provide a model of creative writing as a tool for social change. From the death of black gay poet Essex Hemphill to the revelations of abuse at Abu Ghraib, Glave puts forth an ethical understanding of human rights to make vital connections across nations, races, genders, and sexualities.
The first book of its kind,
Our Caribbean
is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcåntara Almånzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time.
The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authorsâ work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem âSaturday Night in San Juan with the Right Sailorsâ to the poignant narrative âWe Came All the Way from Cuba So You Could Dress Like This?â to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book.
Contributors: JosĂ© AlcĂĄntara AlmĂĄnzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, JesĂșs J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow, Mabel RodrĂguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de JesĂșs, R. Erica Doyle, Thomas Glave, Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo, Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott, Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams
                            About The Author(s)       Â
Thomas Glave is the author of Whose Song? And Other Stories; the essay collection Words to Our Now: Imagination and Dissent, a Lambda Literary Award winner; and the forthcoming short fiction collection, The Torturerâs Wife. Born to Jamaican parents in the Bronx and raised there and in Jamaica, Glave is a founding member of the Jamaica Forum for Lesbians, All-Sexuals and Gays (J-FLAG). He teaches in the English Department at the State University of New York, Binghamton, and is the 2008â2009 Martin Luther King, Jr. Visiting Professor in the Program in Writing and Humanistic Studies at the Massachusetts Institute of Technology.
Abstract:
To date, a book-length scholarly study of same-sex desiring anglophone Caribbeans has yet to be published. This gap is only widened by the popular misconception that a particularly violent homophobia has successfully banished same-sex desire from the region. This study not only confirms the long presence of same-sex desiring peoples in the twin-island Republic of Trinidad and Tobago, but it focuses in upon the artistry and community-building techniques of these subjects as part of a paradigmatic shift in Caribbean cultural analysis. By foregrounding the work and the perspectives of same-sex desiring Trinbagonians in an analysis of Carnival masquerade, Calypso music and HIV/AIDS activism, this project also proposes a novel theoretical framework for the study of subjectivity.
 Informed by sixteen months of ethnographic field research, this epistemological propositionâwhich I have termed erotic subjectivityâcombines attention to politicized power hierarchies, spiritual metaphysics and sensual intimacy in performances and conversations crafted by mostly self-identified gay and lesbian Trinbagonians. My elaboration of erotic subjectivity is deeply indebted both to Caribbean-American lesbian writer Audre Lorde's powerful 1978 essay âUses of the erotic: the erotic as powerâ and representative work from two queer Trinbagonian artists and a Trinidad-based NGO. This project juxtaposes the 2006 band of internationally lauded Carnival masquerade designer Peter Minshall; a 1968 tune by Calypso's indisputable grand dame McCartha âCalypso Roseâ Lewis; and a conversation-based HIV/AIDS prevention and support program that has for nearly a decade been the charge of Friends For Life, Trinidad's oldest HIV/AIDS organizations run principally by and for self-identified gay men.
 However, the alignment and assessment of these elements serve a dual purpose for this project. When taken together, all three subjects of this dissertation not only provide particular sites through which to map the intelligibility of erotic subjectivity as a potentially expansive theoretical intervention, but they also collectively enact a methodological proposition. By holding situated, black queer speaking subjects in the foreground during nearly every stage of this analysis, this study also makes a definitional claim within a recently emergent black queer anthropology.