Medellín aka 'The World's Most Innovative City 2013'
The announcement was actually made a week and a half ago, but I've only just gotten round to reading the cover story in Semana, and thought I'd put down some thoughts I had about this city.
In Europe and the US, Medellín is most well-known for being the city that was home to one of the most powerful and dangerous druglords of all time, Pablo Éscobar. In the early 90s, the city had the highest murder rate per 100.000 inhabitants in the world, and every day a lot of political activists, journalists and policemen (as well as current or former rival cartel members) used to leave the house unsure of whether they'd be coming back.
When my family and I visited Colombia in the mid-to-late 1990s, we never went to Medellín, but when my good friend Marco came to visit me at the end of last year, the capital of the Antioquia department was one of the first places I put on our preliminary itinerary.
Granted, we only spent 3 days there, but it was enough time to get some lasting first-hand impressions of the place praised by Colombians and loved by gringo expats and travelers.
The City of Eternal Spring
After not having taken a tube or train for six months, a personal highlight certainly was taking the metro, which was remarkably clean and ran smoothly and quickly. It even had announcements in English. Another great feature we noted was the amount of green spaces - we never made it to the botanical gardens or the Parque Arví, but we passed the former and a number of other parks on our frequent metro rides. Bogotá is a fun city, but the lack of easily accessible parks can be a huge bummer after weeks and weeks of inhaling exhaust fumes and ruining your knees by jogging on concrete.
Apart from the greenery and the public transport, another plus was the famed friendliness of the paisas (as the Antioquians are known). The restaurant lady who served us a delicious pollo asado told us to 'Come back soon, my lovelies' and the cab driver who took us to the pueblito paisa rattled off the city's sights informatively and with obvious pride.
Speaking of pride: The news that Medellín had won the 'City of the Year Award' was received by Colombians all across the country with great joy. In a country where regionalism is very much the norm, this is no mean feat.
The reasons for the city's improvements, both real and perceived, mainly come down to a concerted effort by consecutive mayors - Sergio Fajardo, who took office in 2004, Alonso Salazar (2008 - 2011) and Aníbal Gaviria, the incumbent.
According to the Colombian weekly Semana, the award wasn't given because Medellín had suddenly reached the cultural richness and relative safety and equality of big European or American cities, but because a visible, structured and wide-reaching plan had been designed and, ultimately, carried out over a decade during which other cities (such as, sadly, Bogotá) have either come unstuck or deteriorated.
What's so impressive about this upturn is that the areas which have benefited most from the efforts of the local government and businesses aren't well-to do tourist areas such as El Poblado, but poor neighbourhoods. The famous Metrocable that connects the hillside barrios with the city centre has mobilised more than half a million inhabitants, while on the Western side a huge escalator spares people from the San Javier barrio a walk equivalent to a 10-storey building.
We took the Metrocable up the hill to the Biblioteca España, a building of which I'd seen a model in Bogotá and which is a lovely piece of architecture, and again it wasn't located in a middle class neighbourhood but in an area where, judging by the local schoolkids' art work displayed in one of the library's rooms, violence and poverty are if not the norm then at least too familiar to produce much outrage.
Other factors related to the slowly changing face of the city are the large number of volunteers participating in educational and social programmes, and, perhaps more importantly, the close integration of public services under the roof of the EPM (Public Services of Medellín), an organisation modeled on a similar grouping of local businesses founded in the 1970s that stood firm in the face of multi-national takeovers and helped cement the reputation of paisas as the shrewdest businesspeople in Colombia.
As with everything in this country, however, there is a dark side to all of this. Despite a 25% year-on-year drop in the number of homicides, Medellín and its surrounding areas are still among the most violent in the country (during the first weekend after the announcement, 24 murders were recorded in the city) and inequality is just as much of a problem as it is in Bogotá. In fact, the Medellín city centre by day felt as rough and grimy as that of the capital back in the late 90s. In a move unlikely to improve the world's view of Medellín, the gun-toting (and thus aptly named) rapper Gunplay has named his upcoming debut album after the city where he was filmed snorting cocaine during a Rick Ross videoshoot in 2009.
The shadows of the past still peek out of the corners, and many of the city's inhabitants still live in them. But the way the public and the private sector, local businesses and volunteers, locals and (to a lesser extent) tourists, have worked together to slowly but surely transform a city that 20 years ago was a frankly harrowing place remains something Colombians (which I guess includes me) should be proud of.