Paper to college
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sheepfilms
Sade Olutola

@theartofmadeline
The Bright Sessions
Fieri Frames
PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost
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🩵 avery cochrane 🩵
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todays bird
art blog(derogatory)
Cosimo Galluzzi
occasionally subtle

Jimmy Eat World
Mike Driver
EXPECTATIONS
Interview Vampire Daily
Cookie Run:Kingdom Official!
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@rachelroberts20089463
Paper to college
Food - to touch
Rosemary Mayer
The estate website for artist Rosemary Mayer (1943-2014).
Fabric - to tear
10 Textile Artists Who Are Pushing the Medium Forward
The practice of weaving was invented as early as 27,000 years ago. Today, the medium is undergoing a renaissance.
Robert Smithson from the ‘Yucatan Mirror Displacements’, 1969
Andy Goldsworthy
Ana Mendieta, Untitled (Tree of Life), 1979
Outside (stone) - to trace
Process:
I started off with plain wood blocks cut in various sizes. The white piece of wood in the background was actually the top of a container for brushes that I painted white. I then painted the rest of the wooden pieces a magenta colour and a viridian green. I seem to be infatuated with pink and green together lately.
I painted two of them pink and the other two green. Then I mixed the magenta and viridian green and got a cool toned, cloudy purple that I then painted to act as shadows almost.
Then I placed them in my studio that just so happens to have pink curtains and a green floral sheet on the wall, I wanted the light from the window to play a part in the piece also.
Erin O’Keefe’s vibrant still lifes play with perception | Wallpaper*
Photorealist paintings or painterly photographs? Artist/architect Erin O’Keefe has us ‘Seeing Things’ in a solo exhibition of works at New Y
Wow, really interesting how Erin is from architecture first. Her compositions are gorgeous and the colour palettes are to die for. Her work is photographs of her pieces which I also like, giving her full control for how the pieces are perceived.
WOOD - TO SITUATE
JONATHAN LATIANO
Plastic - to layer
Process:
My second sculpture consists of three large pieces of cellaphane, painted with acrylic paint in rose, light blue and yellow. (I was thinking of the colours printers use) Then I layered them over each, like a Venn diagram.
Then I painted four smaller panels of each colour and layered them to be intentionly random.