Paper to college
sheepfilms
The Bowery Presents
almost home
RMH

Jar Jar Binks Fan Club
No title available
Xuebing Du

roma★
NASA
Today's Document

blake kathryn
Color Me Curious

No title available
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH

Origami Around
Sade Olutola
todays bird
Not today Justin

pixel skylines

seen from United States
seen from Syria

seen from Morocco
seen from Armenia
seen from United States

seen from Colombia
seen from United States
seen from United States

seen from Brazil
seen from Chile

seen from Colombia
seen from United States

seen from Indonesia

seen from Indonesia
seen from United States
seen from United States
seen from Canada

seen from Japan
seen from United States
seen from Argentina
@rachelroberts20089463
Paper to college
Food - to touch
Rosemary Mayer
The estate website for artist Rosemary Mayer (1943-2014).
Fabric - to tear
10 Textile Artists Who Are Pushing the Medium Forward
The practice of weaving was invented as early as 27,000 years ago. Today, the medium is undergoing a renaissance.
Robert Smithson from the ‘Yucatan Mirror Displacements’, 1969
Andy Goldsworthy
Ana Mendieta, Untitled (Tree of Life), 1979
Outside (stone) - to trace
Process:
I started off with plain wood blocks cut in various sizes. The white piece of wood in the background was actually the top of a container for brushes that I painted white. I then painted the rest of the wooden pieces a magenta colour and a viridian green. I seem to be infatuated with pink and green together lately.
I painted two of them pink and the other two green. Then I mixed the magenta and viridian green and got a cool toned, cloudy purple that I then painted to act as shadows almost.
Then I placed them in my studio that just so happens to have pink curtains and a green floral sheet on the wall, I wanted the light from the window to play a part in the piece also.
Erin O’Keefe’s vibrant still lifes play with perception | Wallpaper*
Photorealist paintings or painterly photographs? Artist/architect Erin O’Keefe has us ‘Seeing Things’ in a solo exhibition of works at New Y
Wow, really interesting how Erin is from architecture first. Her compositions are gorgeous and the colour palettes are to die for. Her work is photographs of her pieces which I also like, giving her full control for how the pieces are perceived.
WOOD - TO SITUATE
JONATHAN LATIANO
Plastic - to layer
Process:
My second sculpture consists of three large pieces of cellaphane, painted with acrylic paint in rose, light blue and yellow. (I was thinking of the colours printers use) Then I layered them over each, like a Venn diagram.
Then I painted four smaller panels of each colour and layered them to be intentionly random.