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⣠Chile in a Photography âŁ
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@ragerianna
The Art of Street Artist Pavel 183, Known as the Russian Banksy
Paper conservator adventures:
 A 'captured' japanese book from WW2. Currently not in an accessible state for researchers. I need to make it easier to handle and more stable for people to use it for research purposes.
Steps:
1. Pulling apart the pages. Making sure all the pages stay in order and noting what pages were together in what order and where any attached strings or staples were.
2. Humidifying all the pages, then flattening them.
3. - step three yet to come...
"Women Operatives"
Quote from a British Librarian in 1952 about women working in a paper making factory:
"After rough dusting, the rags are passed to the manufacturer's rag loft to be inspected, sorted and examined by women operatives...the women operatives who undertake the task of sorting and examining the rags are highly skilled in their work"
George Mann, Print, A Manual for Librarians and Students Describing in Detail the History, Methods, and Applications of Printing and Paper Making, Grafton and Co. 1952.
http://www.wannasmile.com/
Canberra Crowd at Stevie Nicks. All Class.
Last week, I went to see Stevie Nicks in concert with some girlfriends from uni.
I wonât talk about the show. It was pretty great. In fact, I even got to touch Stevie Nicks â yes she held my hand and looked into my soul for about 2 seconds. What I want to mention is The Crowd. The crazy Canberra (and I suppose surrounding) bogans that made the show so memorable for me.
We were at the back of the seated area where at most shows would be standing area. It was a pretty good view. We were enjoying ourselves immensely as too was most of the crowd.
As the show went on, there were a bunch of chicks standing behind us chattering and nattering, REALLY LOUDLY. They were the type of chicks you see often around Canberra. Early to mid 30s, Skinny, bleach blond or top deck (blond on top, brown underneath) coloured, ironed straight with their $200 GHD (I have one myself I make no judgments about that) hair, sharp features, a bit too much make up, Â wearing whatever is in fashion at Portmans or some shop like that. They had the kind of Kath and Kim voices you hear around, but a little bit squeakier and slightly more high pitched (probably due to their drinking of too many Smirnoff Ice Vodkas or Jim Beam and Cokeâs on sale for extortionate prices at the bar).
All this loud chatter was definitely starting to grate on our ears as it was overwhelming Stevie Nicksâ live performance. We felt it unnecessary to make a scene just yet so we sat for a little longer, but we could see all the people in the rows in front of us constantly turning around looking pissed off. Then, out from the side, a woman from the row in front of us got up and said angrily: âCould you please SHUT UP!â This was a bad move:
âEXC-EEEEE-UUUUSE MEI! Donât chu talk to me loik that!â one of them responded âWeâre just trying to have a good toime!â
Then various people in the rows in front chimed in: âyeah , shut upâ etc. This resulted in much more of the above from the âchicksâ. Eventually the guy directly in front of me turned around and yelled âJUST SHUT THE FUCK UP!â
âHOW DAAAARE you talk to me like that you dirty man!â
âShut the fuck up you silly bitchâ
âCum on! Come here and say that to my face! I bet you talk to your woif loik that!â
At this stage the manâs girlfriend or wife was trying to restrain him from responding further.
It carried on like this with them both accusing to get each other kicked out by security. It was quite intense being right in the MIDDLE of this argument. The man got up and walked away to the front, and a couple minutes later a security guard came and had a word to the âladiesâ under the pretence of asking them not to take photos. Thank god that was over.
So that was scenario 1.
Next scenario, just regular crowd rudeness. Stevie Nicks is introducing her band members telling stories of how long theyâve know each other, etc etcâŠThe bogans in the crowd were not having any of this. Fuck courtesy, they wanted music. âSING US A SONG STEVIE!â someone would shout out of nowhere while sheâs mid sentence telling a story that obviously means a lot to her. âYEAH STEVIE, STOP TALKING, GIVE US A SONG!â This type of commenting carried on throughout Stevieâs talking. She should have just told them to shut the fuck up. I was amazed at the lack of courtesy.
Scenario number 3. Set ended with Edge of Seventeen one guy near us probably in his late 20s early 30s yells: âSTEVIE! ROOM 4 at the YOWANI COUNTRY CLUB!â that was Hilarious, especially as the Yowani country club is not the fanciest place in Canberra.
All goes dark, much clapping, screaming then stomping from the crowd. They come out again to sing one more song. Stevie talks about how she likes to end a show with a ballad, so hereâs a new one. By this stage my friends and I are right up the front mere metres away from Stevie Nicks, infact this is post hand holding. So sheâs singing along, and once again the crowd starts heckling: âBeautiful Stevie!, just beautifulâ at least this time they were saying nice things. Then the cherry on the top of the cake for the bogans that night: someone just behind us yells gently âI love you Stevieâ, then another person right near her agrees with so much passion âFUCKEN OATHâ. Hahahahahahahahahaha. We couldnât believe our ears, and we couldnât stop laughing. It was amazing. Said with so much passion and meaning and love: âfucken oathâ.
Nice Job Canberra.
Andrew The Peacock. The National Library of Australia's peacock. He likes to hang out by the staff entrance and the loading dock.
Thomas Bewick's Bear
Thomas Bewick: English wood engraver "the undisputed genius of the revival [in relief printing for book illustration] in the late eighteenth century" (Bamber Gascoine, How To Identify Prints, 2nd editition, Thames and Hudson, London, 2004)
http://becklane.co.uk/joomla/index.php/index.php?option=com_content&view=article&id=10:bewick&catid=2:uncategorised&Itemid=111
WHY CANâT YOU WALK IN A STRAIGHT LINE? SERIOUSLY. ITâS RIDICULOUS.
MAYBE I JUST WANT TO BE CLOSE TO YOU. BECAUSE I LOVE YOU.
MAYBE YOU HAVE AN INNER EAR DISORDER.
MAYBE I HAVE A SUPER SENSITIVE INNER EAR AND I CAN HEAR YOUR HEART BEATING. FOR ME. BECAUSE YOU LOVE ME.
ARE YOU RETARDED?
YES. FOR YOU.
PLEASE WALK STRAIGHT.
NEVER.